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Screening the Holocaust

Screening the Holocaust
Author: Ilan Avisar
Publisher:
Total Pages: 248
Release: 1988
Genre: History
ISBN:

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Index. Biography and filmography: p. 194-205.


Screening the Holocaust

Screening the Holocaust
Author: Ilan Avisar
Publisher:
Total Pages: 240
Release: 1988-01-01
Genre:
ISBN: 9780783796444

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Screening Auschwitz

Screening Auschwitz
Author: Marek Haltof
Publisher: Northwestern University Press
Total Pages: 188
Release: 2018-01-15
Genre: Performing Arts
ISBN: 9780810136083

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Screening Auschwitz examines the classic Polish Holocaust film The Last Stage (Ostatni etap), directed by the Auschwitz survivor Wanda Jakubowska (1907–1998). Released in 1948, The Last Stage was a pioneering work and the first narrative film to portray the Nazi concentration and extermination camp complex of Auschwitz-Birkenau. Marek Haltof’s fascinating book offers English-speaking readers a wealth of new materials, mostly from original Polish sources obtained through extensive archival research. With its powerful dramatization of the camp experience, The Last Stage established several quasi-documentary themes easily discernible in later film narratives of the Shoah: dark, realistic images of the camp, a passionate moral appeal, and clear divisions between victims and perpetrators. Jakubowska’s film introduced images that are now archetypal—for example, morning and evening roll calls on the Appelplatz, the arrival of transport trains at Birkenau, the separation of families upon arrival, and tracking shots over the belongings left behind by those who were gassed. These and other images are taken up by a number of subsequent American films, including George Stevens’s The Diary of Anne Frank (1959), Alan Pakula’s Sophie’s Choice (1982), and Steven Spielberg’s Schindler’s List (1993). Haltof discusses the unusual circumstances that surrounded the film's production on location at Auschwitz-Birkenau and summarizes critical debates surrounding the film’s release. The book offers much of interest to film historians and readers interested in the Holocaust.


Screen Nazis

Screen Nazis
Author: Sabine Hake
Publisher: University of Wisconsin Pres
Total Pages: 325
Release: 2012-08-31
Genre: Performing Arts
ISBN: 0299287130

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From the late 1930s to the early twenty-first century, European and American filmmakers have displayed an enduring fascination with Nazi leaders, rituals, and symbols, making scores of films from Confessions of a Nazi Spy (1939) and Watch on the Rhine (1943) through Des Teufels General (The Devil’s General, 1955) and Pasqualino settebellezze (Seven Beauties, 1975), up to Der Untergang (Downfall, 2004), Inglourious Basterds (2009), and beyond. Probing the emotional sources and effects of this fascination, Sabine Hake looks at the historical relationship between film and fascism and its far-reaching implications for mass culture, media society, and political life. In confronting the specter and spectacle of fascist power, these films not only depict historical figures and events but also demand emotional responses from their audiences, infusing the abstract ideals of democracy, liberalism, and pluralism with new meaning and relevance. Hake underscores her argument with a comprehensive discussion of films, including perspectives on production history, film authorship, reception history, and questions of performance, spectatorship, and intertextuality. Chapters focus on the Hollywood anti-Nazi films of the 1940s, the West German anti-Nazi films of the 1950s, the East German anti-fascist films of the 1960s, the Italian “Naziploitation” films of the 1970s, and issues related to fascist aesthetics, the ethics of resistance, and questions of historicization in films of the 1980s–2000s from the United States and numerous European countries.


Screening the Past

Screening the Past
Author: Tony Barta
Publisher: Bloomsbury Publishing USA
Total Pages: 294
Release: 1998-08-20
Genre: Performing Arts
ISBN: 031302362X

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Film and television have been accepted as having a pervasive influence on how people understand the world. An important aspect of this is the relationship of history and film. The different views of the past created by film, television, and video are only now attracting closer attention from historians, cultural critics, and filmmakers. This volume seeks to advance the critical exploration scholars have recently begun. Barta begins by addressing the various ways the past is screened for our understanding and relates the art of film to other media. The essays that follow deal primarily with the changing perspectives of political and social developments—and changing concepts of ideology, gender, or culture—in films and television programs made for historically shaped reasons. Chapters by filmmakers explore issues of context and intent in their own projects. Scholars and general readers interested in film and cultural studies will find this an important volume.


Screening Auschwitz

Screening Auschwitz
Author: Marek Haltof
Publisher: Northwestern University Press
Total Pages: 188
Release: 2018-01-15
Genre: Performing Arts
ISBN: 0810136090

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Winner of The 2019 Waclaw Lednicki Humanities Award Screening Auschwitz examines the classic Polish Holocaust film The Last Stage (Ostatni etap), directed by the Auschwitz survivor Wanda Jakubowska (1907–1998). Released in 1948, The Last Stage was a pioneering work and the first narrative film to portray the Nazi concentration and extermination camp complex of Auschwitz-Birkenau. Marek Haltof’s fascinating book offers English-speaking readers a wealth of new materials, mostly from original Polish sources obtained through extensive archival research. With its powerful dramatization of the camp experience, The Last Stage established several quasi-documentary themes easily discernible in later film narratives of the Shoah: dark, realistic images of the camp, a passionate moral appeal, and clear divisions between victims and perpetrators. Jakubowska’s film introduced images that are now archetypal—for example, morning and evening roll calls on the Appelplatz, the arrival of transport trains at Birkenau, the separation of families upon arrival, and tracking shots over the belongings left behind by those who were gassed. These and other images are taken up by a number of subsequent American films, including George Stevens’s The Diary of Anne Frank (1959), Alan Pakula’s Sophie’s Choice (1982), and Steven Spielberg’s Schindler’s List (1993). Haltof discusses the unusual circumstances that surrounded the film's production on location at Auschwitz-Birkenau and summarizes critical debates surrounding the film’s release. The book offers much of interest to film historians and readers interested in the Holocaust.


Screening War

Screening War
Author: Paul Cooke
Publisher: Camden House
Total Pages: 314
Release: 2010
Genre: History
ISBN: 1571134379

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Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.


Visualizing the Holocaust

Visualizing the Holocaust
Author: David Bathrick
Publisher: Camden House
Total Pages: 347
Release: 2008
Genre: Holocaust, Jewish (1939-1945)
ISBN: 1571133836

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Collection of essays exploring the controversies surrounding images of the Holocaust


Film Study

Film Study
Author: Frank Manchel
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 988
Release: 1990
Genre: Motion pictures
ISBN: 9780838631867

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The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.


Film and the Holocaust

Film and the Holocaust
Author: Aaron Kerner
Publisher: A&C Black
Total Pages: 354
Release: 2011-05-05
Genre: Performing Arts
ISBN: 1441124187

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A sweeping survey of how global filmmakers have treated the subject of the Holocaust.