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Scratching the Beat Surface

Scratching the Beat Surface
Author: Michael McClure
Publisher: Penguin
Total Pages: 0
Release: 1994-11-01
Genre: Biography & Autobiography
ISBN: 0140232524

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This insider's view of the Beat scene of the fifties and early sixties vividly marks the advancement of a new perception of art as "a living bio-alchemical organism" through essays by a poet and playwright who helped shape the movement.


Scratching the beat surface

Scratching the beat surface
Author: Michael MacClure
Publisher:
Total Pages: 175
Release: 1982
Genre:
ISBN:

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Scratching the Beat Surface

Scratching the Beat Surface
Author: Michael McClure
Publisher:
Total Pages: 0
Release: 1982
Genre:
ISBN:

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The Columbia History of American Poetry

The Columbia History of American Poetry
Author: Jay Parini
Publisher: Columbia University Press
Total Pages: 936
Release: 1993-12-23
Genre: Literary Criticism
ISBN: 9780585041544

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-- New York Times Book Review


Ecopoetics

Ecopoetics
Author: Angela Hume
Publisher: University of Iowa Press
Total Pages: 315
Release: 2018-03-15
Genre: Literary Criticism
ISBN: 1609385608

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Ecopoetics: Essays in the Field makes a formidable intervention into the emerging field of ecopoetics. The volume’s essays model new and provocative methods for reading twentieth and twenty-first century ecological poetry and poetics, drawing on the insights of ecocriticism, contemporary philosophy, gender and sexuality studies, black studies, Native studies, critical race theory, and disability studies, among others. Contributors offer readings of a diverse range of poets, few of whom have previously been read as nature writers—from midcentury Beat poet Michael McClure, Objectivist poet George Oppen, and African American poets Melvin Tolson and Robert Hayden; to contemporary writers such as Diné poet Sherwin Bitsui, hybrid/ collage poets Claudia Rankine and Evelyn Reilly, emerging QPOC poet Xandria Phillips, and members of the Olimpias disability culture artists’ collective. While addressing preconceptions about the categories of nature writing and ecopoetics, contributors explore, challenge, and reimagine concepts that have been central to environmental discourse, from apocalypse and embodiment to toxicity and sustainability. This collection of essays makes the compelling argument that ecopoetics should be read as “coextensive with post-1945 poetry and poetics,” rather than as a subgenre or movement within it. It is essential reading for any student or scholar working on contemporary literature or in the environmental humanities today. Contributors: Joshua Bennett, Rob Halpern, Matt Hooley, Angela Hume, Lynn Keller, Petra Kuppers, Michelle Niemann, Gillian Osborne, Samia Rahimtoola, Joan Retallack, Joshua Schuster, Jonathan Skinner.


William Blake and the Myth of America

William Blake and the Myth of America
Author: Linda Freedman
Publisher: Oxford University Press
Total Pages: 321
Release: 2018-07-11
Genre: Literary Criticism
ISBN: 019254277X

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This volume tells the story of William Blake's literary reception in America and suggests that ideas about Blake's poetry and personality helped shape mythopoeic visions of America from the Abolitionists to the counterculture. It links high and low culture and covers poetry, music, theology, and the novel. American writers have turned to Blake to rediscover the symbolic meaning of their country in times of cataclysmic change, terror, and hope. Blake entered American society when slavery was rife and civil war threatened the fragile experiment of democracy. He found his moment in the mid twentieth-century counterculture as left-wing Americans took refuge in the arts at a time of increasingly reactionary conservatism, vicious racism, pervasive sexism, dangerous nuclear competition, and an increasingly unpopular war in Vietnam, the fires of Orc raging against the systems of Urizen. Blake's America, as a symbol of cyclical hope and despair, influenced many Americans who saw themselves as continuing the task of prophecy and vision. Blakean forms of bardic song, aphorism, prophecy, and lament became particularly relevant to a literary tradition which centralised the relationship between aspiration and experience. His interrogations of power and privilege, freedom and form resonated with Americans who repeatedly wrestled with the deep ironies of new world symbolism and sought to renew a Whitmanesque ideal of democracy through affection and openness towards alterity.


Scratching the Surface

Scratching the Surface
Author: Dr Adam de Paor-Evans
Publisher: Squagle House/Rhythm Obscura
Total Pages: 244
Release: 2023-03-10
Genre: Social Science
ISBN: 1527266583

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Scratching the Surface: Hip Hop, Remoteness, and Everyday Life presents the encounters of a young, rural teenager growing up in Devon, in the south-west corner of the UK as he engages with the evolution of hip hop, told through 28 particular and detailed memories drawn from the experience of the author. The book is divided into four parts, and situated between 1983 and 1986, explores the emotional growth, contextual questioning, and at times, naïve journey of the protagonist as he reflects on such minutiae as the price tags on record sleeves, the LED display on cassette players, and the zips on tracksuit tops. The author of Provincial Headz: British Hip Hop and Critical Regionalism returns with a quirky contextual novella which unearths a less canonical hip hop history of the 1980s and expresses the innocence and obsessions of an only child growing up in the sticks, as he strives to make sense of his personal history, identity, and place in the world, through the often dialectic relationship between Devonian life and hip hop culture. This is the first publication in the new Rhythm Obscura/Headz Projects series which seeks to uncover the hidden histories of music cultures in Britain. Adam de Paor-Evans is an independent creative practitioner, ethnomusicologist and spatio-cultural theorist and was previously Reader in Ethnomusicology at University of Central Lancashire, UK. His research is focused on the relationship of the non-obvious, societal and regional-rural phenomena within music cultures. He leads the scholarly research project 'Rhythm Obscura: Revealing Hidden Histories Through Ethnomusicology, Practice Research and Material Culture' and has been an actively involved in British hip hop culture since 1983. Between 1989-1992 he was a member of pioneering Devon hip hop crew Def Defiance as Project Cee. He also performs original 45-only DJ shows under the pseudonym RARE~GRILLS.


Scratching the Surface

Scratching the Surface
Author: Harvey Ovshinsky
Publisher: Wayne State University Press
Total Pages: 296
Release: 2021-03-09
Genre: Biography & Autobiography
ISBN: 0814344755

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The inspiring story of one of Detroit’s most creative and prolific storytellers. Scratching the Surface: Adventures in Storytellingis a deeply personal and intimate memoir told through the lens of Harvey Ovshinsky's lifetime of adventures as an urban enthusiast. He was only seventeen when he started The Fifth Estate, one of the country's oldest underground newspapers. Five years later, he became one of the country's youngest news directors in commercial radio at WABX-FM, Detroit's notorious progressive rock station. Both jobs placed Ovshinsky directly in the bullseye of the nation's tumultuous counterculture of the 1960s and 70s. When he became a documentary director, Ovshinsky's dispatches from his hometown were awarded broadcasting's highest honors, including a national Emmy, a Peabody, and the American Film Institute's Robert M. Bennett Award for Excellence. But this memoir is more than a boastful trip down memory lane. It also doubles as a survival guide and an instruction manual that speaks not only to the nature of and need for storytelling but also and equally important, the pivotal role the twin powers of endurance and resilience play in the creative process. You don't have to be a writer, an artist, or even especially creative to take the plunge, Ovshinsky reminds his readers. "You just have to feel strongly about something or have something you need to get off your chest. And then find the courage to scratch your own surface and share your good stuff with others." Above all, Ovshinsky is an educator, known for his passionate support of and commitment to mentoring the next generation of urban storytellers. When he wasn't teaching screenwriting and documentary production in his popular workshops and support groups, he taught undergraduate and graduate students at Detroit's College for Creative Studies, Wayne State University, Madonna University, and Washtenaw Community College. "The thing about Harvey," a colleague recalls in Scratching the Surface, "is that he treats his students like professionals and not like newbies at all. His approach is to, in a very supportive and non-threatening way, combine both introductory and advanced storytelling in one fell swoop."


The Culture of Spontaneity

The Culture of Spontaneity
Author: Daniel Belgrad
Publisher: University of Chicago Press
Total Pages: 380
Release: 1998-06-08
Genre: Art
ISBN: 9780226041889

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In the first comprehensive history of the postwar avant-garde, "Belgrad contributes valuable insight and original scholarship to the study of 'projective' and 'spontaneous' aesthetics among cutting edge art movements of the American midcentury" (Tom Clark, author of "Jack Kerouac: A Biography"). 8 color plates. 28 halftones.


Scratching the Surface

Scratching the Surface
Author: Mark Wheeler
Publisher:
Total Pages: 61
Release: 2016
Genre:
ISBN: 9780957565920

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