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Science, Reading, and Renaissance Literature

Science, Reading, and Renaissance Literature
Author: Elizabeth Spiller
Publisher: Cambridge University Press
Total Pages: 232
Release: 2004-05-27
Genre: Literary Criticism
ISBN: 1139451987

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Science, Reading, and Renaissance Literature brings together key works in early modern science and imaginative literature (from the anatomy of William Harvey and the experimentalism of William Gilbert to the fictions of Philip Sidney, Edmund Spenser and Margaret Cavendish). The book documents how what have become our two cultures of belief define themselves through a shared aesthetics that understands knowledge as an act of making. Within this framework, literary texts gain substance and intelligibility by being considered as instances of early modern knowledge production. At the same time, early modern science maintains strong affiliations with poetry because it understands art as a basis for producing knowledge. In identifying these interconnections between literature and science, this book contributes to scholarship in literary history, history of reading and the book, science studies and the history of academic disciplines.


Science, Reading, and Renaissance Literature

Science, Reading, and Renaissance Literature
Author: Elizabeth Spiller
Publisher:
Total Pages: 214
Release: 2004
Genre: Books and reading
ISBN: 9780511314285

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Brings together key works in early modern science and literature (from the anatomy of William Harvey and the experimentalism of William Gilbert to the fictions of Philip Sidney, Edmund Spenser, and Margaret Cavendish) to explore how two cultures and disciplines, science and literature, developed through a shared aesthetic of knowledge.


Reading and the History of Race in the Renaissance

Reading and the History of Race in the Renaissance
Author: Elizabeth Spiller
Publisher: Cambridge University Press
Total Pages: 263
Release: 2011-05-12
Genre: Literary Criticism
ISBN: 113949760X

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Elizabeth Spiller studies how early modern attitudes towards race were connected to assumptions about the relationship between the act of reading and the nature of physical identity. As reading was understood to happen in and to the body, what you read could change who you were. In a culture in which learning about the world and its human boundaries came increasingly through reading, one place where histories of race and histories of books intersect is in the minds and bodies of readers. Bringing together ethnic studies, book history and historical phenomenology, this book provides a detailed case study of printed romances and works by Montalvo, Heliodorus, Amyot, Ariosto, Tasso, Cervantes, Munday, Burton, Sidney and Wroth. Reading and the History of Race traces ways in which print culture and the reading practices it encouraged, contributed to shifting understandings of racial and ethnic identity.


Studies in Medieval and Renaissance Literature

Studies in Medieval and Renaissance Literature
Author: C. S. Lewis
Publisher: Cambridge University Press
Total Pages: 213
Release: 2013-11-07
Genre: Literary Criticism
ISBN: 1107658926

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An invaluable collection for those who read and love Lewis and medieval and Renaissance literature.


The Scientific Renaissance 1450-1630

The Scientific Renaissance 1450-1630
Author: Marie Boas Hall
Publisher: Courier Corporation
Total Pages: 400
Release: 2013-04-02
Genre: Science
ISBN: 0486144992

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A noted historian of science examines the Coperican revolution, the anatomical work of Vesalius, the work of Paracelsus, Harvey's discovery of the circulatory system, the effects of Galileo's telescopic discoveries, more.


Humanism, Machinery, and Renaissance Literature

Humanism, Machinery, and Renaissance Literature
Author: Jessica Wolfe
Publisher: Cambridge University Press
Total Pages: 326
Release: 2004-05-03
Genre: History
ISBN: 9780521831871

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This book explores how machinery and the practice of mechanics participate in the intellectual culture of Renaissance humanism. Before the emergence of the modern concept of technology, sixteenth- and early seventeenth-century writers recognized the applicability of mechanical practices and objects to some of their most urgent moral, aesthetic, and political questions. The construction, use, and representation of devices including clocks, scientific instruments, stage machinery, and war engines not only reflect but also actively reshape how Renaissance writers define and justify artifice and instrumentality - the reliance upon instruments, mechanical or otherwise, to achieve a particular end. Harnessing the discipline of mechanics to their literary and philosophical concerns, scholars and poets including Francis Bacon, Edmund Spenser, George Chapman, and Gabriel Harvey look to machinery to ponder and dispute all manner of instrumental means, from rhetoric and pedagogy to diplomacy and courtly dissimulation.


Giordano Bruno and Renaissance Science

Giordano Bruno and Renaissance Science
Author: Hilary Gatti
Publisher: Cornell University Press
Total Pages: 276
Release: 2002
Genre: History
ISBN: 9780801487859

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The Renaissance philosopher Giordano Bruno was a notable supporter of the new science that arose during his lifetime; his role in its development has been debated ever since the early seventeenth century. Hilary Gatti here reevaluates Bruno's contribution to the scientific revolution, in the process challenging the view that now dominates Bruno criticism among English-language scholars. This argument, associated with the work of Frances Yates, holds that early modern science was impregnated with and shaped by Hermetic and occult traditions, and has led scholars to view Bruno primarily as a magus. Gatti reinstates Bruno as a scientific thinker and occasional investigator of considerable significance and power whose work participates in the excitement aroused by the new science and its methods at the end of the sixteenth century. Her original research emphasizes the importance of Bruno's links to the magnetic philosophers, from Ficino to Gilbert; Bruno's reading and extension of Copernicus's work on the motions of the earth; the importance of Bruno's mathematics; and his work on the art of memory seen as a picture logic, which she examines in the light of the crises of visualization in present-day science. She concludes by emphasizing Bruno's ethics of scientific discovery.


Science in the Renaissance

Science in the Renaissance
Author: Lisa Mullins
Publisher: Crabtree Publishing Company
Total Pages: 36
Release: 2009
Genre: Juvenile Nonfiction
ISBN: 9780778745945

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Discusses scientific advances during the Renaissance, ranging from the printing press to the discovery of gravity.


Formal matters

Formal matters
Author: Allison Deutermann
Publisher: Manchester University Press
Total Pages: 420
Release: 2016-05-16
Genre: Literary Criticism
ISBN: 1526111020

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How do the formal properties of early modern texts, together with the materials that envelop and shape them, relate to the cultural, political, and social world of their production? Formal matters: Reading the materials of English Renaissance literature answers this question by linking formalist analysis with the insights of book history. It thus represents the new English Renaissance literary historiography tying literary composition to the materials and material practices of writing. The book combines studies of familiar and lesser known texts, from the poems and plays of Shakespeare to jests and printed commonplace books. Its ten studies make important, original contributions to research on the genres of early modern literature, focusing on the involvement of literary forms in the scribal and print cultures of compilation, continuation, translation, and correspondence, as well as in matters of political republicanism and popular piety, among others. Taken together, the collection’s essays exemplify how an attention to form and matter can historicise writing without abandoning a literary focus.


Reading Lucretius in the Renaissance

Reading Lucretius in the Renaissance
Author: Ada Palmer
Publisher: Harvard University Press
Total Pages: 415
Release: 2014-10-13
Genre: History
ISBN: 0674967089

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After its rediscovery in 1417, Lucretius’s Epicurean didactic poem De Rerum Natura threatened to supply radicals and atheists with the one weapon unbelief had lacked in the Middle Ages: good answers. Scholars could now challenge Christian patterns of thought by employing the theory of atomistic physics, a sophisticated system that explained natural phenomena without appeal to divine participation, and argued powerfully against the immortality of the soul, the afterlife, and a creator God. Ada Palmer explores how Renaissance readers, such as Machiavelli, Pomponio Leto, and Montaigne, actually ingested and disseminated Lucretius, and the ways in which this process of reading transformed modern thought. She uncovers humanist methods for reconciling Christian and pagan philosophy, and shows how ideas of emergent order and natural selection, so critical to our current thinking, became embedded in Europe’s intellectual landscape before the seventeenth century. This heterodoxy circulated in the premodern world, not on the conspicuous stage of heresy trials and public debates, but in the classrooms, libraries, studies, and bookshops where quiet scholars met the ideas that would soon transform the world. Renaissance readers—poets and philologists rather than scientists—were moved by their love of classical literature to rescue Lucretius and his atomism, thereby injecting his theories back into scientific discourse. Palmer employs a new quantitative method for analyzing marginalia in manuscripts and printed books, exposing how changes in scholarly reading practices over the course of the sixteenth century gradually expanded Europe’s receptivity to radical science, setting the stage for the scientific revolution.