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| Author | : Dahlia Porter |
| Publisher | : Cambridge Studies in Romantici |
| Total Pages | : 317 |
| Release | : 2018-06-07 |
| Genre | : Literary Criticism |
| ISBN | : 1108418945 |
Traces the practice of induction - manipulating textual evidence by selective quotation - and its uses by Romantic-period writers.
| Author | : Dahlia Porter |
| Publisher | : Cambridge University Press |
| Total Pages | : 317 |
| Release | : 2018-06-07 |
| Genre | : Literary Criticism |
| ISBN | : 1108311466 |
Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work.
| Author | : British Academy Global Professor Robert Morrison |
| Publisher | : Oxford University Press |
| Total Pages | : 993 |
| Release | : 2024-09-13 |
| Genre | : Literary Collections |
| ISBN | : 0198834543 |
The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers.
| Author | : Stephanie O'Rourke |
| Publisher | : Cambridge University Press |
| Total Pages | : 273 |
| Release | : 2021-11-04 |
| Genre | : Literary Criticism |
| ISBN | : 1009019155 |
Can we really trust the things our bodies tell us about the world? This work reveals how deeply intertwined cultural practices of art and science questioned the authority of the human body in the late eighteenth and early nineteenth centuries. Focusing on Henry Fuseli, Anne-Louis Girodet and Philippe de Loutherbourg, it argues that romantic artworks participated in a widespread crisis concerning the body as a source of reliable scientific knowledge. Rarely discussed sources and new archival material illuminate how artists drew upon contemporary sciences and inverted them, undermining their founding empiricist principles. The result is an alternative history of romantic visual culture that is deeply embroiled in controversies around electricity, mesmerism, physiognomy and other popular sciences. This volume reorients conventional accounts of romanticism and some of its most important artworks, while also putting forward a new model for the kinds of questions that we can ask about them.
| Author | : Richard C. Sha |
| Publisher | : Johns Hopkins University Press |
| Total Pages | : 342 |
| Release | : 2021-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1421439832 |
Sha concludes that both fields benefited from thinking about how imagination could cooperate with reason—but that this partnership was impossible unless imagination's penchant for fantasy could be contained.
| Author | : Essaka Joshua |
| Publisher | : Cambridge University Press |
| Total Pages | : 319 |
| Release | : 2020-11-12 |
| Genre | : Literary Criticism |
| ISBN | : 1108872034 |
The modern concept of disability did not exist in the Romantic period. This study addresses the anachronistic use of 'disability' in scholarship of the Romantic era, providing a disability studies theorized account that explores the relationship between ideas of function and aesthetics. Unpacking the politics of ability, the book reveals the centrality of capacity and weakness concepts to the egalitarian politics of the 1790s, and the importance of desert theory to debates about sentiment and the charitable relief of impaired soldiers. Clarifying the aesthetics of deformity as distinct from discussions of ability, Joshua uncovers a controversy over the use of deformity in picturesque aesthetics, offers accounts of deformity that anticipate recent disability studies theory, and discusses deformity and monstrosity as a blended category in Frankenstein. Setting aside the modern concept of disability, Joshua cogently argues for the historical and critical value of period-specific terms.
| Author | : Diego Saglia |
| Publisher | : Cambridge University Press |
| Total Pages | : 287 |
| Release | : 2018-10-18 |
| Genre | : History |
| ISBN | : 1108426417 |
Sheds new light on the presence and impact of Continental European literary traditions in post-Napoleonic Britain.
| Author | : Jillian M. Hess |
| Publisher | : Oxford University Press |
| Total Pages | : 320 |
| Release | : 2022-06-02 |
| Genre | : Literary Criticism |
| ISBN | : 0192648489 |
Every literary household in nineteenth-century Britain had a commonplace book, scrapbook, or album. Coleridge called his collection "Fly-Catchers", while George Eliot referred to one of her commonplace books as a "Quarry," and Michael Faraday kept quotations in his "Philosophical Miscellany." Nevertheless, the nineteenth-century commonplace book, along with associated traditions like the scrapbook and album, remain under-studied. This book tells the story of how technological and social changes altered methods for gathering, storing, and organizing information in nineteenth-century Britain. As the commonplace book moved out of the schoolroom and into the home, it took on elements of the friendship album. At the same time, the explosion of print allowed readers to cheaply cut-and-paste extractions rather than copying out quotations by hand. Built on the evidence of over 300 manuscripts, this volume unearths the composition practices of well-known writers such as Samuel Taylor Coleridge, Sir Walter Scott, George Eliot, and Alfred Lord Tennyson, and their less well-known contemporaries. Divided into two sections, the first half of the book contends that methods for organizing knowledge developed in line with the period's dominant epistemic frameworks, while the second half argues that commonplace books helped Romantics and Victorians organize people. Chapters focus on prominent organizational methods in nineteenth-century commonplacing, often attached to an associated epistemic virtue: diaristic forms and the imagination (Chapter Two); "real time" entries signalling objectivity (Chapter Three); antiquarian remnants, serving as empirical evidence for historical arguments (Chapter Four); communally produced commonplace books that attest to socially constructed knowledge (Chapter Five); and blank spaces in commonplace books of mourning (Chapter Six). Richly illustrated, this book brings an archive of commonplace books, scrapbooks, and albums to the reader.
| Author | : James Watt |
| Publisher | : Cambridge University Press |
| Total Pages | : 301 |
| Release | : 2019-05-30 |
| Genre | : Literary Criticism |
| ISBN | : 1108472664 |
Illuminates Britons' changing sense of themselves in relation to their Eastern others during an age of empire and revolution.
| Author | : Jamison Kantor |
| Publisher | : Cambridge University Press |
| Total Pages | : 211 |
| Release | : 2022-10-31 |
| Genre | : History |
| ISBN | : 1009123017 |
This rich cultural history shows how honor, as much as freedom, inspired poets, novelists, and abolitionists of the nineteenth century.
