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| Author | : John Clement Ball |
| Publisher | : Psychology Press |
| Total Pages | : 234 |
| Release | : 2003 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780415965934 |
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : John Clement Ball |
| Publisher | : |
| Total Pages | : |
| Release | : 2015 |
| Genre | : Commonwealth fiction (English) |
| ISBN | : 9781135451622 |
Satire plays a prominent and often controversial role in postcolonial fiction. Satire and the Postcolonial Novel offers the first study of this topic, employing the insights of postcolonial comparative theories to revisit Western formulations of "satire" and the "satiric." Through the varying lenses provided by satire's relation to irony, allegory, narrative, and the grotesque, this book offers new readings of important novels by V.S. Naipaul (Trinidad), Chinua Achebe (Nigeria) and Salman Rushdie (India. It presents a detailed study of the complex and multidirectional ways satire has engaged with the history and messy aftermath of empire.
| Author | : Amy L. Friedman |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 223 |
| Release | : 2019-10-16 |
| Genre | : Literary Criticism |
| ISBN | : 1498571972 |
Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.
| Author | : Susanne Reichl |
| Publisher | : Rodopi |
| Total Pages | : 324 |
| Release | : 2005 |
| Genre | : Humor |
| ISBN | : 9042019956 |
Examining postcolonial transcultural practice from a range of disciplinary and methodological perspectives, this study seeks to analyse laughter and the postcolonial in their complexity. It gathers a group of international specialists in postcolonial transcultural studies to analyse the functions of humour in a wide range of cultural texts.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 323 |
| Release | : 2005-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9401202931 |
Humour is a key feature, laughter a central element, disrespect a vital textual strategy of postcolonial transcultural practice. Devices such as irony, parody, and subversion, can be subsumed under an interventionist stance and have accordingly received some critical attention. But literary and cultural postcolonial criticism has been marked by a restraint verging on the pious towards the wider significance and functions of laughter. This collection transcends such orthodoxies: laughter can constitute an intervention – but it can also function otherwise. The essays collected here take an interest in the strategic use of what can loosely be termed laughter – in all its manifestations. Examining postcolonial transcultural practice from a range of disciplinary and methodological perspectives, this study seeks to analyse laughter and the postcolonial in their complexity. For the first time, then, this collection gathers a group of international specialists in postcolonial transcultural studies to analyse the functions of laughter, the comic and humour in a wide range of cultural texts. Contributors work on texts from Africa, Asia, Australia, North America, the Caribbean, and Britain, reading work by authors such as Zakes Mda, Timothy Mo, VS Naipaul, and Zadie Smith. This interdisciplinary collection is a contribution to both, postcolonial studies and humour theory.
| Author | : Buchi Emecheta |
| Publisher | : Heinemann |
| Total Pages | : 230 |
| Release | : 1994 |
| Genre | : Fiction |
| ISBN | : 9780435909727 |
...a graceful, touching, ironically titled tale. - John Updike A new edition of her classic novel to coincide with the publication of her other works in the African Writers Series. Nnu Ego is a woman devoted to her children, giving them all her energy, all her worldly possessions, indeed, all her life to them -- with the result that she finds herself friendless and alone in middle age. This story of a young mother's struggles in 1950s Lagos is a powerful commentary on polygamy, patriarchy, and women's changing roles in urban Nigeria.
| Author | : Ian Gregson |
| Publisher | : A&C Black |
| Total Pages | : 190 |
| Release | : 2008-06-01 |
| Genre | : Literary Criticism |
| ISBN | : 1847062652 |
This book, new in paperback, offers new readings of novels by major British and American postwar novelists.
| Author | : James G. Farrell |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1985 |
| Genre | : |
| ISBN | : |
| Author | : Amit Thakkar |
| Publisher | : Tamesis Books |
| Total Pages | : 192 |
| Release | : 2012 |
| Genre | : Literary Criticism |
| ISBN | : 1855662388 |
This is the first extended, English-language study to focus exclusively on the fiction of Juan Rulfo in over twenty years, analyzing a selection of short stories from Rulfo's collection and also two of the main characters of hismasterpiece, Pedro Páramo. This is the first extended, English-language study to focus exclusively on the fiction of Juan Rulfo in over twenty years. It contains innovative analyses of a selection of short stories from Rulfo's collection, El llano en llamas (1953). It also examines in great depth two of the main characters of Pedro Páramo (1955), Rulfo's masterpiece and only novel. The book shows how Rulfo's works can be read as exercises in irony directed againstthe rhetoric of post-Revolutionary Mexican governments. It also demonstrates the relevance of certain legacies of colony in Rulfo's use of irony. Successive Mexican governments promoted a vision of post-Revolutionary society founded on specific notions of ethnicity, family, nation, education, religion and rural politics. The author combines examination of the speeches, images and newspaper articles which disseminated this vision with incisive literary analyses of Rulfo's work. These analyses are informed both by his original theory of irony, based on "internal" and "external" referents, and by existing postcolonial theories, particularly those of Homi K. Bhabha. Amit Thakkar is a Lecturer in Hispanic Studies at Lancaster University.
| Author | : Evan R. Davis |
| Publisher | : Modern Language Association |
| Total Pages | : 413 |
| Release | : 2019-05-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1603293817 |
This volume addresses the teaching of satire written in English over the past three hundred years. For instructors covering current satire, it suggests ways to enrich students' understanding of voice, irony, and rhetoric and to explore the questions of how to define satire and how to determine what its ultimate aims are. For instructors teaching older satire, it demonstrates ways to help students gain knowledge of historical context, medium, and audience, while addressing more specific literary questions of technique and form. Readers will discover ways to introduce students to authors such as Swift and Twain, to techniques such as parody and verbal irony, and to the difficult subject of satire's offensiveness and elitism. This volume also helps teachers of a wide variety of courses, from composition to gateway courses and surveys, think about how to use modern satire in conceiving and structuring them.
