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| Author | : Sarah Kane |
| Publisher | : A&C Black |
| Total Pages | : 289 |
| Release | : 2001-01-01 |
| Genre | : Drama |
| ISBN | : 0413742601 |
This volume contains the complete collection of Sarah Kane's plays, including "Blasted"; "Phaedra's Love"; "Cleansed"; "Crave"; "4.48 Psychosis"; and "Skin".
| Author | : Sarah Kane |
| Publisher | : Methuen Drama |
| Total Pages | : 0 |
| Release | : 2011-06-21 |
| Genre | : Drama |
| ISBN | : 9781408103852 |
This Student Edition of Sarah Kane's seminal play Blasted features expert and helpful annotation and is an accessible guide for anyone studying or performing the play. This includes a scene-by-scene summary, a detailed commentary on the dramatic, social and political context, and on the themes, characters, language and structure of the play, as well a list of suggested reading, questions for further study and a review of performance history. In 1995 Sarah Kane's first full-length play Blasted sent shockwaves throughout the theatrical world. Making front-page headlines, the play outraged critics with its depiction of rape, torture and violence in civil war. However, from being roundly condemned by the critics ('this disgusting feast of filth' Daily Mail), the play is now considered a seminal work of European theatre and has defined an entire era of stage writing. Blasted's canonical status reflects the raw beauty and terror of Kane's writing. Probing the brutality people inflict upon one another, the suffering and violation, the play also looks at the role of love and the redemption it offers. Unafraid to delve into darkness, this is a provocative, fragmenting piece full of significance and power.
| Author | : Sarah Kane |
| Publisher | : Methuen Drama |
| Total Pages | : 70 |
| Release | : 1998 |
| Genre | : Drama |
| ISBN | : |
Length: 1 act.
| Author | : Helen Iball |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 132 |
| Release | : 2015-04-06 |
| Genre | : Literary Criticism |
| ISBN | : 1474242510 |
Blasted has been labelled as one of the landmark plays of post-war British theatre, achieving its iconic status and, indeed, its notoriety, very quickly. Sarah Kane's suicide in 1999 consolidated a process of singling-out that had begun four years earlier with the 'national outrage' initiated by the media's scandalised response to the premiere of Blasted. The brutal content of the play resulted in much-quoted hostility from the critics. Academic attention to the play has begun a process of re-evaluation, debating the production and reception of the play and key issues including its status as a classic example of 'in-yer-face' drama. This guide provides a comprehensive critical introduction to Blasted, giving students an overview of the play's significance, a brief biography of Sarah Kane and a guide to socio-political background; a detailed analysis of the play's structure, style and characters; an analysis of key production issues and choices; an overview of key productions from the 1995 Royal Court premiere to today; and a chapter exploring possibilities and exercises for practical work on the play. An annotated guide to further reading highlights key secondary material including useful websites.
| Author | : Sarah Kane |
| Publisher | : Methuen Drama |
| Total Pages | : 72 |
| Release | : 2000 |
| Genre | : Drama |
| ISBN | : |
Two provocative new plays from the notorious author of BLASTED, which probe the nightmarish world of twenty-something who are coming to grips with sexuality, social ostracism and the effects of drugs. Cleansed will premiered at the Royal Court Theatre in the spring of 1998 and Crave premiered at the Traverse Theatre, Edinburgh, during the 1998 Edinburgh Festival.
| Author | : Graham Saunders |
| Publisher | : Manchester University Press |
| Total Pages | : 226 |
| Release | : 2002 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780719059568 |
Love Me or Kill Me is the first study of Sarah Kane, the most significant British dramatist in post-war theater. It covers all of Kane's major plays and productions, contains hitherto unpublished material and reviews, and looks at her continuing influence after her tragic early death. Locating the main dramatic sources and features of her work as well as centralizing her place within the 'new wave' of emergent British dramatists in the 1990's, Graham Saunders provides an introduction for those familiar and unfamiliar with her work.
| Author | : Sarah Kane |
| Publisher | : |
| Total Pages | : 268 |
| Release | : 2001 |
| Genre | : |
| ISBN | : |
| Author | : Sarah Kane |
| Publisher | : Methuen Drama |
| Total Pages | : 0 |
| Release | : 2008-09-19 |
| Genre | : Drama |
| ISBN | : 9780413771124 |
First single volume edition of this bold version of a classic by Sarah Kane Sarah Kane's radical reworking of Seneca's classical tragedy of incest and unrequited lust. Phaedra's Love is a bold and provocative revisioning of the story of Phaedra's obsessive and destructive love of her son Hippolytus and his violent punishment by Theseus.Kane's achievement is to have humanised the antics of the pounding royals. Her sulphurous dialgoue is full of reeking toughness' Evening Standard 'Sarah Kane's writing is both daring and accomplished' Time Out 'Pure theatre or rather impure theatre: dirty, alarming, dangerous' Observer 'delivered with punch and laced with black humour' Financial Times
| Author | : Sarah J. Ablett |
| Publisher | : transcript Verlag |
| Total Pages | : 205 |
| Release | : 2020-07-31 |
| Genre | : Literary Criticism |
| ISBN | : 3839452104 |
Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human.
| Author | : Sarah Kane |
| Publisher | : Bloomsbury Methuen Drama |
| Total Pages | : 48 |
| Release | : 2000-07-13 |
| Genre | : Drama |
| ISBN | : 9780413748300 |
4.48 Psychosis sees the ultimate narrowing of Sarah Kane's focus in her work. The struggle of the self to remain intact has moved in her work from civil war, into the family, into the couple, into the individual, and finally into the theatre of phychosis: the mind itself. This play was written in 1999 shortly before the playwright took her own life at age 28. On the page, the piece looks like a poem. No characters are named, and even their number is unspecified. It could be a journey through one person's mind, or an interview between a doctor and his patient.
