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| Author | : Anthony Uhlmann |
| Publisher | : Cambridge University Press |
| Total Pages | : 489 |
| Release | : 2013-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 1107017033 |
Provides a comprehensive exploration of Beckett's historical, cultural and philosophical contexts, offering new critical insights for scholars and general readers.
| Author | : Anthony Uhlmann |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2015-12-17 |
| Genre | : Literary Criticism |
| ISBN | : 9781107454002 |
When Samuel Beckett first came to international prominence with the success of Waiting for Godot, many critics believed the play was divorced from any recognizable context. The two tramps, and the master and servant they encounter, seemed to represent no one and everyone. Today, critics challenge the assumption that Beckett aimed to break definitively with context, highlighting images, allusions, and motifs that tether Becket's writings to real people, places, and issues in his life. This wide-ranging collection of essays from 37 renowned Beckett scholars reveals how extensively Beckett entered into dialogue with important literary traditions and the realities of his time. Drawing on his major works, as well as on a range of letters and theoretical notebooks, the essays are designed to complement each other, building a broad overview that will allow students and scholars to come away with a better sense of Beckett's life, writings, and legacy.
| Author | : James Baxter |
| Publisher | : Springer Nature |
| Total Pages | : 263 |
| Release | : 2021-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 3030815722 |
Samuel Beckett’s Legacies in American Fiction provides an overdue investigation into Beckett’s rich influences over American writing. Through in-depth readings of postmodern authors such as Robert Coover, Donald Barthelme, Thomas Pynchon, Don DeLillo, Paul Auster and Lydia Davis, this book situates Beckett’s post-war writing of exhaustion and generation in relation to the emergence of an explosive American avant-garde. In turn, this study provides a valuable insight into the practical realities of Beckett’s dissemination in America, following the author’s long-standing relationship with the countercultural magazine Evergreen Review and its dramatic role in redrawing the possibilities of American culture in the 1960s. While Beckett would be largely removed from his American context, this book follows his vigorous, albeit sometimes awkward, reception alongside the authors and institutions central to shaping his legacies in 20th and 21st century America.
| Author | : Ruby Cohn |
| Publisher | : University of Michigan Press |
| Total Pages | : 433 |
| Release | : 2005-12 |
| Genre | : Literary Criticism |
| ISBN | : 0472031317 |
An indispensable guide to the oeuvre of Samuel Beckett, spanning sixty years
| Author | : Anna McMullan |
| Publisher | : Routledge |
| Total Pages | : 145 |
| Release | : 2021-05-18 |
| Genre | : Literary Criticism |
| ISBN | : 1000378497 |
This book, first published in 1993, is the first full-length analysis of Samuel Beckett’s later drama in the context of contemporary critical and performance theory. It employs a close, textual examination of the later plays as a springboard for exploring ideas around authority, gender and the ideology of performance. Recent work in the world of critical theory has suggested new ways of looking at performance practice. McMullan argues that, while contemporary theory can deepen our understanding of Beckett’s dramatic practice, his drama places performance in the context of a metaphysical history and a metatheatrical tradition, thereby confronting and provoking some of the central debates in performance studies’ engagement with critical theory.
| Author | : Emilie Morin |
| Publisher | : Cambridge University Press |
| Total Pages | : 279 |
| Release | : 2017-09-07 |
| Genre | : Literary Criticism |
| ISBN | : 110841799X |
Beckett's Political Imagination uncovers Beckett's lifelong engagement with political thought and political history, showing how this concern informed his work as fiction author, dramatist, critic and translator. This radically new account will appeal to students, researchers and Beckett lovers alike.
| Author | : Ronan McDonald |
| Publisher | : Cambridge University Press |
| Total Pages | : 152 |
| Release | : 2007-12-19 |
| Genre | : Literary Criticism |
| ISBN | : 0511345887 |
This is an eloquent and accessible introduction to one of the most important writers of the twentieth century. This book provides biographical and contextual information, but more fundamentally, it also considers how we might think about an enduringly difficult and experimental novelist and playwright who often challenges the very concepts of meaning and interpretation. It deals with his life, intellectual and cultural background, plays, prose, and critical response and relates Beckett's work and vision to the culture and context from which he wrote. McDonald provides a sustained analysis of the major plays, including Waiting for Godot, Endgame, and Happy Days and his major prose works including Murphy, Watt and his famous 'trilogy' of novels (Molloy, Malone Dies, The Unnamable). This introduction concludes by mapping the huge terrain of criticism Beckett's work has prompted, and it explains the turn in recent years to understanding Beckett within his historical context.
| Author | : S. E. Gontarski |
| Publisher | : Anthem Press |
| Total Pages | : 350 |
| Release | : 2012-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 0857285807 |
“On Beckett: Essays and Criticism” is the first collection of writings about the Nobel Prize–winning author that covers the entire spectrum of his work, and also affords a rare glimpse of the private Beckett. More has been written about Samuel Beckett than about any other writer of this century – countless books and articles dealing with him are in print, and the progression continues geometrically. “On Beckett” brings together some of the most perceptive writings from the vast amount of scrutiny that has been lavished on the man; in addition to widely read essays there are contributions from more obscure sources, viewpoints not frequently seen. Together they allow the reader to enter the world of a writer whose work has left an impact on the consciousness of our time perhaps unmatched by that of any other recent creative imagination.
| Author | : Marcin Tereszewski |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 105 |
| Release | : 2014-01-03 |
| Genre | : Literary Criticism |
| ISBN | : 1443855243 |
Although Beckett scholarship has in recent decades experienced a renaissance as a result of various poststructuralist approaches that tend to emphasize destabilization and inexpressibility as the defining features of Beckett’s output, relatively little attention has been paid to the ethical aspects of his aesthetics of failure. This book fits into that renaissance, but draws on a distinct, though rarely addressed, connection that Samuel Beckett’s work shares with that of Maurice Blanchot and Emmanuel Levinas. It is within this philosophical context that the significance of Beckett’s aesthetics of failure becomes most visible. Beckett’s work can be described as one of gradual reduction and disintegration of language, a stripping away of the tools rendering expression at all possible for the sake of approaching the inexpressible. Traditional representation yields to silence and linguistic aporia; language yields to images of absence and emptiness. The primary purpose of this study is to trace this movement of ‘unwording’ and analyze the role inexpressibility plays in Beckett’s prose in its visual, linguistic and ethical manifestations, as the aesthetics of inexpressibility is intrinsically bound with the ethical responsibility of literature understood as maintaining a relation with alterity.
| Author | : Conor Carville |
| Publisher | : Cambridge University Press |
| Total Pages | : 277 |
| Release | : 2018-04-12 |
| Genre | : Literary Criticism |
| ISBN | : 1108422772 |
This book outlines Beckett's passion for the visual arts as he developed his signature style between the 1930s and 1970s.
