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Salus

Salus
Author: Fictor
Publisher:
Total Pages:
Release: 1866
Genre:
ISBN:

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Mid-Victorian Poetry, 1860-1879

Mid-Victorian Poetry, 1860-1879
Author: Catherine Reilly
Publisher: Bloomsbury Publishing
Total Pages: 583
Release: 1999-12-01
Genre: Literary Criticism
ISBN: 184714179X

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Mid-Victorian Poetry 1860-1879 is the second volume of a comprehensive three-volume Bibliography of Victorian poetry. National libraries, university libraries, and older-established public libraries contain thousands of volumes of poetry and verse, yet the majority of the authors are quite unknown as no bibliography of Victorian Poetry has existed until now. The identifies 2,605 authors of the United Kingdom.


The Athenaeum

The Athenaeum
Author:
Publisher:
Total Pages: 812
Release: 1866
Genre: England
ISBN:

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Allegory of the Church

Allegory of the Church
Author: Calvin Kendall
Publisher: University of Toronto Press
Total Pages: 458
Release: 2011-11-01
Genre: History
ISBN: 1442613092

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The Allegory of the Church is the first full-length study of Romanesque verse inscriptions in the context of church portals and portal sculpture, and is the product of a twenty-year study.


Castiglione's Allegory

Castiglione's Allegory
Author: W.R. Albury
Publisher: Routledge
Total Pages: 331
Release: 2016-04-08
Genre: Literary Criticism
ISBN: 1317169476

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Castiglione’s Book of the Courtier (Il libro del cortegiano, 1528), a dialogue in which the interlocutors attempt to describe the perfect courtier, was one of the most influential books of the Renaissance. In recent decades a number of postmodern readings of this work have appeared, emphasizing what is often characterized as the playful indeterminacy of the text, and seeking to detect inconsistencies which are interpreted as signs of anxiety or bad faith in its presentation. In contrast to these postmodern readings, the present study conducts an experiment. What understanding does one gain of Castiglione’s book if one attempts an early modern reading? The author approaches The Book of the Courtier as a text in which some of its most important aspects are intentionally concealed and veiled in allegory. W.R. Albury argues that this early modern reading of The Book of the Courtier enables us to recover a serious political message which has a great deal of contemporary relevance and which is lost from sight when the work is approached primarily as a courtly etiquette book, or as a lament for the lost influence of the aristocracy in an age when autocratic nation-states were coming into being, or as an impersonal textual field upon which a free play of transformations and deconstructions may be performed.