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Salman Rushdie and Visual Culture

Salman Rushdie and Visual Culture
Author: Ana Cristina Mendes
Publisher: Routledge
Total Pages: 263
Release: 2012-05-22
Genre: Literary Criticism
ISBN: 1136593586

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In Salman Rushdie’s novels, images are invested with the power to manipulate the plotline, to stipulate actions from the characters, to have sway over them, seduce them, or even lead them astray. Salman Rushdie and Visual Culture sheds light on this largely unremarked – even if central – dimension of the work of a major contemporary writer. This collection brings together, for the first time and into a coherent whole, research on the extensive interplay between the visible and the readable in Rushdie’s fiction, from one of the earliest novels – Midnight’s Children (1981) – to his latest – The Enchantress of Florence (2008).


Verbal-Visual Configurations in Postcolonial Literature

Verbal-Visual Configurations in Postcolonial Literature
Author: Birgit Neumann
Publisher: Routledge
Total Pages: 283
Release: 2020-04-23
Genre: Literary Criticism
ISBN: 1000060586

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Examining a range of contemporary Anglophone texts, this book opens up postcolonial and transcultural studies for discussions of visuality and vision. It argues that the preoccupation with visual practices in Anglophone literatures addresses the power of images, vision and visual aesthetics to regulate cultural visibility and modes of identification in an unevenly structured world. The representation of visual practices in the imaginative realm of fiction opens up a zone in which established orders of the sayable and visible may be revised and transformed. In 12 chapters, the book examines narrative fiction by writers such as Michael Ondaatje, Derek Walcott, Salman Rushdie, David Dabydeen and NoViolet Bulawayo, who employ word-image relations to explore the historically fraught links between visual practices and the experience of modernity in a transcultural context. Against this conceptual background, the examination of verbal-visual relations will illustrate how Anglophone fiction models alternative modes of re-presentation that reflect critically on hegemonic visual regimes and reach out for new, more pluralized forms of exchange.


Salman Rushdie's Cities

Salman Rushdie's Cities
Author: Vassilena Parashkevova
Publisher: Bloomsbury Publishing
Total Pages: 257
Release: 2012-02-16
Genre: Literary Criticism
ISBN: 1441192565

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Employing Salman Rushdie as a guide to a historicized contemporary, this study offers an interdisciplinary exploration of the plurality of cities along his transnational trajectory. It engages with the geographically identifiable Bombay, Karachi, Islamabad, London or New York; the phantasmal, politically coded, Jahilia or Mildendo, the inspirational yet flawed urban precedents of Fatehpur Sikri or Renaissance Florence and the ways these cities generate, interact with and transform each other. The book situates Rushdie's cities in relation to developments in Bombay, Karachi, Islamabad and London writing and focuses on novels which shuttle between cities. Parashkevova attends to cities' cultural and historical contexts, to many of Rushdie's numerous literary, cinematic and artistic influences and to diverse events, processes and paradigms - earthquakes, translations, seductions - that politically re-position cities and citizens on the contemporary urban map.


Mobility and Fantasy in Visual Culture

Mobility and Fantasy in Visual Culture
Author: Lewis Johnson
Publisher: Routledge
Total Pages: 356
Release: 2014-02-05
Genre: Art
ISBN: 113674715X

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This volume offers a varied and informed series of approaches to questions of mobility—actual, social, virtual, and imaginary—as related to visual culture. Contributors address these questions in light of important contemporary issues such as migration; globalization; trans-nationality and trans-cultural difference; art, space and place; new media; fantasy and identity; and the movement across and the transgression of the proprieties of boundaries and borders. The book invites the reader to read across the collection, noting differences or making connections between media and forms and between audiences, critical traditions and practitioners, with a view to developing a more informed understanding of visual culture and its modalities of mobility and fantasy as encouraged by dominant, emergent, and radical forms of visual practice.


Joseph Anton

Joseph Anton
Author: Salman Rushdie
Publisher: Random House
Total Pages: 670
Release: 2012-09-18
Genre: Biography & Autobiography
ISBN: 0679643885

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NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle • Newsweek/The Daily Beast • The Seattle Times • The Economist • Kansas City Star • BookPage On February 14, 1989, Valentine’s Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been “sentenced to death” by the Ayatollah Khomeini. For the first time he heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being “against Islam, the Prophet and the Quran.” So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov—Joseph Anton. How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom. It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day. Praise for Joseph Anton “A harrowing, deeply felt and revealing document: an autobiographical mirror of the big, philosophical preoccupations that have animated Mr. Rushdie’s work throughout his career.”—Michiko Kakutani, The New York Times “A splendid book, the finest . . . memoir to cross my desk in many a year.”—Jonathan Yardley, The Washington Post “Thoughtful and astute . . . an important book.”—USA Today “Compelling, affecting . . . demonstrates Mr. Rushdie’s ability as a stylist and storytelle. . . . [He] reacted with great bravery and even heroism.”—The Wall Street Journal “Gripping, moving and entertaining . . . nothing like it has ever been written.”—The Independent (UK) “A thriller, an epic, a political essay, a love story, an ode to liberty.”—Le Point (France) “Action-packed . . . in a literary class by itself . . . Like Isherwood, Rushdie’s eye is a camera lens —firmly placed in one perspective and never out of focus.”—Los Angeles Review of Books “Unflinchingly honest . . . an engrossing, exciting, revealing and often shocking book.”—de Volkskrant (The Netherlands) “One of the best memoirs you may ever read.”—DNA (India) “Extraordinary . . . Joseph Anton beautifully modulates between . . . moments of accidental hilarity, and the higher purpose Rushdie saw in opposing—at all costs—any curtailment on a writer’s freedom.”—The Boston Globe


Salman Rushdie and Postcolonial Authorship

Salman Rushdie and Postcolonial Authorship
Author: Trajanka Kortova Jovanovska
Publisher: Ethics International Press
Total Pages: 519
Release: 2023-12-07
Genre: Literary Criticism
ISBN: 180441283X

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The main focus of interest in this book are the figures of writers and writing subjects in Rushdie’s oeuvre who contemplate and reflect on the nature and purpose of their craft, their authorial identity and their positioning in society and intellectual history, though their writing. It discusses the aesthetics of the texts they produce, and their subsequent agency in the world through the various ways they are interpreted and appropriated. Authorship is a special category of storytelling; a specific craft and vocation giving expression to a conscious and purposeful project. The book focuses on what postcolonial literature specialist Dr Jane Poyner calls “the ethics of intellectual practice” as the major theme pervading Rushdie’s entire corpus of writing; fictional, essayistic and autobiographical). The key audience for the book is, primarily, students of postcolonial literature, and of Salman Rushdie’s work in particular. It will also be of interest to readers wishing to get a deep insight into the works of one of the most prominent, and most controversial, contemporary writers.


The Visual Culture Reader

The Visual Culture Reader
Author: Nicholas Mirzoeff
Publisher: Psychology Press
Total Pages: 766
Release: 2002
Genre: Art
ISBN: 9780415252218

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This thoroughly revised and updated second edition of The Visual Culture Readerbrings together key writings as well as specially commissioned articles covering a wealth of visual forms including photography, painting, sculpture, fashion, advertising, television, cinema and digital culture. The Readerfeatures an introductory section tracing the development of visual culture studies in response to globalization and digital culture, and articles grouped into thematic sections, each prefaced by an introduction by the editor and conclude with suggestions for further reading.


Salman Rushdie in Context

Salman Rushdie in Context
Author: Florian Stadtler
Publisher: Cambridge University Press
Total Pages: 720
Release: 2023-03-31
Genre: Literary Criticism
ISBN: 1009084917

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Salman Rushdie in Context discusses Rushdie's life and work in the context of the multiple geographies he has inhabited and the wider socio-cultural contexts in which his writing is emerging, published and read. This book reveals the evolving political trajectory around transnationalism, multiculturalism and its discontents, so prominently engaged with by Salman Rushdie in relation to South Asia, its diasporas, Britain, and the USA in the late twentieth and early twenty-first century. Focused on the aesthetic, biographical, cultural, creative, historical and literary contexts of his works, the book reveals his deep engagement with processes of decolonization, emergent nationalisms in South Asia, Europe and the USA, and diasporic identity constructions and how they have been affected by globalisation. The book traces how, through his fiction and non-fiction, Rushdie has profoundly shaped the discussion of important questions of global citizenship and migration that continue to resonate today.


Annotating Salman Rushdie

Annotating Salman Rushdie
Author: Vijay Mishra
Publisher: Taylor & Francis
Total Pages: 377
Release: 2018-05-20
Genre: Literary Criticism
ISBN: 1351006568

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How does one read a foundational postcolonial writer in English with declared Indian subcontinent roots? This book looks at ways of reading, and uncovering and recovering meanings, in postcolonial writing in English through the works of Salman Rushdie. It uses textual criticism and applied literary theory to resurrect the underlying literary architecture of one of the world’s most controversial, celebrated and enigmatic authors. It sheds light upon key aspects of Rushdie’s craft and the literary influences that contribute to his celebrated hybridity. It analyses how Rushdie uses his exceptional mastery of European, Anglo-American, Indian, Arabic and Persian literary and cultural forms to cultivate a fresh register of English that expands Western literary traditions. It also investigates an archival modernism that characterizes the writings of Rushdie. Drawing on the hitherto unexplored Rushdie Emory Archive, this book will be essential reading for students of literature, especially South Asian writing, postcolonial studies, cultural studies, linguistics and history.


Fact and Fiction in Contemporary Narratives

Fact and Fiction in Contemporary Narratives
Author: Jan Alber
Publisher: Routledge
Total Pages: 132
Release: 2021-05-10
Genre: Literary Criticism
ISBN: 100038845X

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This book explores the complex interrelationship between fact and fiction in narratives of the twenty-first century. Current cultural theory observes a cultural shift away from postmodernism to new forms of expression. Rather than a radical break from the postmodern, however, postmodernist techniques are repurposed to express a new sincerity, a purposeful self-reflexivity, a contemporary sense of togetherness and an associated commitment to reality. In what the editors consider to be one manifestation of this general tendency, this book explores the ways in which contemporary texts across different media play with the boundary between fact and fiction. This includes the examination of novels, autobiography, autofiction, film, television, mockumentary, digital fiction, advertising campaigns and media hoaxes. The chapters engage with theories of what comes after postmodernism and analyse the narratological, stylistic and/or semiotic devices on which such texts rely. The chapters in this book were originally published as a special issue of the European Journal of English Studies.