Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Sacred Shock Framing Visual Experience In Byzantium PDF full book. Access full book title Sacred Shock Framing Visual Experience In Byzantium.
| Author | : Glenn Peers |
| Publisher | : Penn State Press |
| Total Pages | : 216 |
| Release | : 2004 |
| Genre | : |
| ISBN | : 9780271047485 |
Sacred Shock attempts to lay bare the inner workings of Byzantine art by looking closely at the marginal or subsidiary areas in works of art.
| Author | : Jelena Bogdanovic |
| Publisher | : Routledge |
| Total Pages | : 419 |
| Release | : 2018-04-09 |
| Genre | : History |
| ISBN | : 1351359606 |
Perceptions of the Body and Sacred Space in Late Antiquity and Byzantium seeks to reveal Christian understanding of the body and sacred space in the medieval Mediterranean. Case studies examine encounters with the holy through the perspective of the human body and sensory dimensions of sacred space, and discuss the dynamics of perception when experiencing what was constructed, represented, and understood as sacred. The comparative analysis investigates viewers’ recognitions of the sacred in specific locations or segments of space with an emphasis on the experiential and conceptual relationships between sacred spaces and human bodies. This volume thus reassesses the empowering aspects of space, time, and human agency in religious contexts. By focusing on investigations of human endeavors towards experiential and visual expressions that shape perceptions of holiness, this study ultimately aims to present a better understanding of the corporeality of sacred art and architecture. The research points to how early Christians and Byzantines teleologically viewed the divine source of the sacred in terms of its ability to bring together – but never fully dissolve – the distinctions between the human and divine realms. The revealed mechanisms of iconic perception and noetic contemplation have the potential to shape knowledge of the meanings of the sacred as well as to improve our understanding of the liminality of the profane and the sacred.
| Author | : Roland Betancourt |
| Publisher | : |
| Total Pages | : 356 |
| Release | : 2021-05-13 |
| Genre | : Art |
| ISBN | : 1108491391 |
Tracing the Gospel text from script to illustration to recitation, explores the ritual and architectural context of illuminated manuscripts.
| Author | : David K. Pettegrew |
| Publisher | : Oxford Handbooks |
| Total Pages | : 724 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 0199369046 |
"This handbook brings together work by leading scholars of the archaeology of early Christianity in the Mediterranean and surrounding regions. The 34 essays to this volume ground the history, culture, and society of the first seven centuries of Christianity in the latest currents of archaeological method, theory, and research."--
| Author | : Christina M. Gschwandtner |
| Publisher | : Fordham University Press |
| Total Pages | : 352 |
| Release | : 2019-10-01 |
| Genre | : Philosophy |
| ISBN | : 0823286452 |
What does it mean to experience and engage in religious ritual? How does liturgy structure time and space? How do our bodies move within liturgy, and what impact does it have on our senses? How does the experience of ritual affect us and shape our emotions or dispositions? How is liturgy experienced as a communal event, and how does it form the identity of those who participate in it? Welcoming Finitude explores these broader questions about religious experience by focusing on the manifestation of liturgical experience in the Eastern Christian tradition. Drawing on the methodological tools of contemporary phenomenology and on insights from liturgical theology, the book constitutes a philosophical exploration of Orthodox liturgical experience.
| Author | : Evan Freeman |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 320 |
| Release | : 2024-06-04 |
| Genre | : History |
| ISBN | : 3110980738 |
This volume explores the power of matter and materials in the Eastern Roman Empire, also known as Byzantium. Recent attention to matter as dynamic and meaningful constitutes an emerging, interdisciplinary field of inquiry known as materiality, new materialism, or the material turn. Materials can be symbolic, but matter can also act on human subjects. This volume builds on these insights to consider the role of matter, materials, form, and embodied experiences in Byzantium. In many respects, Byzantine materiality represents a continuation of its Greco-Roman inheritance, which was also shared by neighboring peoples such as the Umayyads and Abbasids. But the Byzantines also developed their own, unique perspectives on matter and form, as with their parsing of the sacred materialities of icons, the Eucharist, and relics. Chapters in this volume consider the cultural meanings and functions of materials such as gold and ivory, the materiality of icons and relics, experiences of objects, as well as Byzantine philosophies of matter and form. Materiality takes center stage in Byzantine constructions of power, luxury, belief, and identity, which will be of interest to scholars and students of Byzantium and the wider medieval world.
| Author | : Editor of Res and Associate of Middle American Ethnology Francesco Pellizzi |
| Publisher | : Harvard University Press |
| Total Pages | : 257 |
| Release | : 2007-07-11 |
| Genre | : Art |
| ISBN | : 0873657756 |
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, among others.
| Author | : Ellen C. Schwartz |
| Publisher | : Oxford University Press |
| Total Pages | : 665 |
| Release | : 2021 |
| Genre | : Architecture |
| ISBN | : 0190277351 |
"This handbook offers a wide-ranging introduction to the richness and diversity of the arts in the Byzantine world. It includes thirty-eight essays by international authors, from prominent researchers to emerging scholars, on various issues and media. Discussions consider art created for religious purposes, to enhance and beautify the Orthodox liturgy and worship space, as well as art made to serve in royal and domestic contexts. While Byzantium is defined as the years 330-1453 CE, some chapters treat the aftermath and influence of Byzantine art on later periods. Arts covered include buildings and objects from the Eastern Mediterranean region, including the Balkans, Russia, North Africa, and the Near East. The volume brings together object-based considerations of themes and monuments which form the backbone of art history, with considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, among others-all in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a rich field of study, offering a window into the world of this distinct and fascinating period of art"--
| Author | : Eva Frojmovic |
| Publisher | : Routledge |
| Total Pages | : 418 |
| Release | : 2017-03-16 |
| Genre | : Art |
| ISBN | : 1351867237 |
Postcolonial theories have transformed literary, historical and cultural studies over the past three decades. Yet the study of medieval art and visualities has, in general, remained Eurocentric in its canon and conservative in its approaches. 'Postcolonising', as the eleven essays in this volume show, entails active intervention into the field of medieval art history and visual studies through a theoretical reframing of research. This approach poses and elicits new research questions, and tests how concepts current in postcolonial studies - such as diaspora and migration, under-represented artistic cultures, accented art making, displacement, intercultural versus transcultural, hybridity, presence/absence - can help medievalists to reinvigorate the study of art and visuality. Postcolonial concepts are deployed in order to redraft the canon of medieval art, thereby seeking to build bridges between medievalist and modernist communities of scholars. Among the varied topics explored in the volume are the appropriation of Roman iconography by early medieval Scandinavian metalworkers, multilingualism and materiality in Anglo-Saxon culture, the circulation and display of Islamic secular ceramics on Pisan churches, cultural negotiation by Jewish minorities in Central Europe and the Iberian peninsula, Holy Land maps and medieval imaginative geography, and the uses of Thomas Becket in the colonial imaginary of the Plantagenet court.
| Author | : Thomas Arentzen |
| Publisher | : Cambridge University Press |
| Total Pages | : 381 |
| Release | : 2019-08-15 |
| Genre | : Art |
| ISBN | : 1108476287 |
Images and texts tell various stories about the Virgin Mary in Byzantium, reflecting an important cult with strong doctrinal foundations.
