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| Author | : Thomas Streissguth |
| Publisher | : Twenty-First Century Books |
| Total Pages | : 84 |
| Release | : 2007-12-15 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0822585707 |
Presents a photographic introduction to the land, history, government, economy, people, and culture of the African nation of Rwanda.
| Author | : Piotr Cieplak |
| Publisher | : Springer |
| Total Pages | : 230 |
| Release | : 2017-08-05 |
| Genre | : Photography |
| ISBN | : 1137579889 |
This book explores how photography and documentary film have participated in the representation of the 1994 genocide in Rwanda and its aftermath. This in-depth analysis of professional and amateur photography and the work of Rwandan and international filmmakers offers an insight into not only the unique ability of images to engage with death, memory and the need for evidence, but also their helplessness and inadequacy when confronted with the enormity of the event. Focusing on a range of films and photographs, the book tests notions of truth, evidence, record and witnessing – so often associated with documentary practice – in the specific context of Rwanda and the wider representational framework of African conflict and suffering. Death, Image, Memory is an inquiry into the multiple memorial and evidentiary functions of images that transcends the usual investigations into whether photography and documentary film can reliably attest to the occurrence and truth of an event.
| Author | : Allan Thompson |
| Publisher | : IDRC |
| Total Pages | : 480 |
| Release | : 2007-01-20 |
| Genre | : History |
| ISBN | : 0745326250 |
Explores the role of the media in the Rwandan genocide -- within the country and beyond.
| Author | : Michela Wrong |
| Publisher | : PublicAffairs |
| Total Pages | : 528 |
| Release | : 2021-03-30 |
| Genre | : Political Science |
| ISBN | : 1610398432 |
A powerful investigation into a grisly political murder and the authoritarian regime behind it: Do Not Disturb upends the narrative that Rwanda sold the world after one of the deadliest genocides of the twentieth century. We think we know the story of Africa’s Great Lakes region. Following the Rwandan genocide, an idealistic group of young rebels overthrew the brutal regime in Kigali, ushering in an era of peace and stability that made Rwanda the donor darling of the West, winning comparisons with Switzerland and Singapore. But the truth was considerably more sinister. Vividly sourcing her story with direct testimony from key participants, Wrong uses the story of the murder of Patrick Karegeya, once Rwanda’s head of external intelligence and a quicksilver operator of supple charm, to paint the portrait of a modern African dictatorship created in the chilling likeness of Paul Kagame, the president who sanctioned his former friend’s assassination.
| Author | : Barbie Zelizer |
| Publisher | : University of Chicago Press |
| Total Pages | : 304 |
| Release | : 2000-05 |
| Genre | : History |
| ISBN | : 9780226979731 |
AcknowledgmentsI: Collective Memories, Images, and the Atrocity of War II: Before the Liberation: Journalism, Photography, and the Early Coverage of Atrocity III: Covering Atrocity in Word IV: Covering Atrocity in Image V: Forgetting to Remember: Photography as Ground of Early Atrocity MemoriesVI: Remembering to Remember: Photography as Figure of Contemporary Atrocity Memories VII: Remembering to Forget: Contemporary Scrapbooks of Atrocity Notes Selected Bibliography Index Copyright © Libri GmbH. All rights reserved.
| Author | : Yutaka Sho |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Architectural design |
| ISBN | : 9780983617273 |
Literary Nonfiction. Poetry. Photography. Art. African American Studies. SPACES OF EVERYDAY RWANDA captures the collective emotional experience of a number of first-generation Rwandan architecture students who are engaged in a collaborative project to reshape their environment and rebuild their war-torn country. Their words and pictures invite us to share in their everyday lives, and in the process, introduces us to new ways of looking and thinking, and a deeper understanding of what it is to be a citizen of the world. The "authors" of this book are the Rwandan architecture students of Yutaka Sho. The book consists primarily of the students' drawings and poems, accompanied by Yutaka's photographs and commentary. The book has an introduction by Yutaka and also by the respected poet Michael Burkard, who provided editorial assistance for the students' poems.A portion of the proceeds from the sale of this book will go directly to the charity set up by Yutaka Sho to support sustainable building in Rwanda.
| Author | : Antoon van den Braembussche |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 218 |
| Release | : 2008-12-03 |
| Genre | : Philosophy |
| ISBN | : 1402057806 |
In this book the editors brought together outstanding articles concerning intercultural aesthetics. The concept ‘Intercultural aesthetics’ creates a home space for an artistic cross-fertilization between cultures, and for heterogeneity, but it is also firmly linked with the intercultural turn within Western and non-Western philosophy. The book is divided into two parts, yet one can sense a clear unity throughout the whole book. This unity is related to the underlying subject that the different authors, each in their own way and from their own background, try to reveal. They use related, and overlapping terms such as ‘the suchness of things’, ‘dancing and shaping lives’, ‘presenting a meaning beyond words, presenting the unpresentable, experiencing’, in order to bring to our awareness the genuine importance of the non-conceptual, next to the conceptual. Several authors moreover take on a reflective, and at times even a self-reflective stance, pointing to the intrinsic relation between cultural aesthetics and ethics, making this book unique in its kind.
| Author | : Pieter Hugo |
| Publisher | : |
| Total Pages | : 72 |
| Release | : 2011 |
| Genre | : Genocide |
| ISBN | : 9780957038905 |
In 2004 South African photographer Pieter Hugo was astonished by a photograph used to illustrate an article on the Rwandan genocide. The picture showed a human skull on an altar inside the Catholic church at Ntarama, south of Kigali. Ten years previously an estimated 5,000 Tutsis were massacred there by government soldiers, civilians and the feared Interahamwe; across Rwanda many victims had believed, mistakenly, that churches would provide secure refuge. But what most arrested Hugo was the fact that a decade after the killings (the photograph was made in 2004) the evidence, remains and detritus of genocide were still to be seen. He resolved to visit, 'photographing and contemplating' the sites of Rwanda's carnage. These photographs, taken a decade later, are the results of that journey. They offer a forensic view of some of the sites of mass execution and graves that stand as lingering memorials to the many thousands of people slaughtered, and present, as Hugo writes, "a glimpse of what I saw there before the reburials took place."
| Author | : David C. King |
| Publisher | : Marshall Cavendish |
| Total Pages | : 148 |
| Release | : 2007 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9780761423331 |
This book provides a brief look at the geography, history, governmental structure, economy, cultural diversity, peoples, religion, and culture of Rwanda.
| Author | : Edouard Kayihura |
| Publisher | : BenBella Books, Inc. |
| Total Pages | : 229 |
| Release | : 2014-04-01 |
| Genre | : Performing Arts |
| ISBN | : 1937856739 |
In 2004, the Academy Award–nominated movie Hotel Rwanda lionized hotel manager Paul Rusesabagina for single-handedly saving the lives of all who sought refuge in the Hotel des Milles Collines during Rwanda's genocide against the Tutsi in 1994. Because of the film, the real-life Rusesabagina has been compared to Oskar Schindler, but unbeknownst to the public, the hotel's refugees don't endorse Rusesabagina's version of the events. In the wake of Hotel Rwanda's international success, Rusesabagina is one of the most well-known Rwandans and now the smiling face of the very Hutu Power groups who drove the genocide. He is accused by the Rwandan prosecutor general of being a genocide negationist and funding the terrorist group Democratic Forces for the Liberation of Rwanda (FDLR). In Inside the Hotel Rwanda, survivor Edouard Kayihura tells his own personal story of what life was really like during those harrowing 100 days within the walls of that infamous hotel and offers the testimonies of others who survived there, from Hutu and Tutsi to UN peacekeepers. Kayihura tells of his life in a divided society and his journey to the place he believed would be safe from slaughter. Inside the Hotel Rwanda exposes Paul Rusesabagina as a profiteering, politically ambitious Hutu Power sympathizer who extorted money from those who sought refuge, threatening to send those who did not pay to the genocidaires, despite pleas from the hotel's corporate ownership to stop. Inside the Hotel Rwanda is at once a memoir, a critical deconstruction of a heralded Hollywood movie alleged to be factual, and a political analysis aimed at exposing a falsely created hero using his fame to be a political force, spouting the same ethnic apartheid that caused the genocide two decades ago.
