Russian Writing Since 1953
Author | : David Allan Lowe |
Publisher | : New York : Ungar |
Total Pages | : 224 |
Release | : 1987 |
Genre | : Literary Criticism |
ISBN | : |
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Author | : David Allan Lowe |
Publisher | : New York : Ungar |
Total Pages | : 224 |
Release | : 1987 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Neil Cornwell |
Publisher | : Routledge |
Total Pages | : 1020 |
Release | : 2013-12-02 |
Genre | : Literary Criticism |
ISBN | : 1134260776 |
First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
Author | : Deming Brown |
Publisher | : |
Total Pages | : |
Release | : 1976 |
Genre | : |
ISBN | : |
Author | : Rolf Hellebust |
Publisher | : Cornell University Press |
Total Pages | : 154 |
Release | : 2024-01-15 |
Genre | : History |
ISBN | : 1501773429 |
How Russian Literature Became Great explores the cultural and political role of a modern national literature, orchestrated in a Slavonic key but resonating far beyond Russia's borders. Rolf Hellebust investigates a range of literary tendencies, philosophies, and theories from antiquity to the present: Roman jurisprudence to German Romanticism, French Enlightenment to Czech Structuralism, Herder to Hobsbawm, Samuel Johnson to Sainte-Beuve, and so on. Besides the usual Russian suspects from Pushkin to Chekhov, Hellebust includes European writers: Byron and Shelley, Goethe and Schiller, Chateaubriand and Baudelaire, Dante, Mickiewicz, and more. As elsewhere, writing in Russia advertises itself via a canon of literary monuments constituting an atemporal "ideal order among themselves" (T.S. Eliot). And yet this is a tradition that could only have been born at a specific moment in the golden nineteenth-century age of historiography and nation-building. The Russian example reveals the contradictions between immutability and innovation, universality and specificity at the heart of modern conceptions of tradition from Sainte-Beuve through Eliot and down to the present day. The conditions of its era of formation—the prominence of the crucial literary-historical question of the writer's social function, and the equation of literature with national identity—make the Russian classical tradition the epitome of a unified cultural text, with a complex narrative in which competing stories of progress and decline unfold through the symbolic biographical encounters of the authors who constitute its members. How Russian Literature Became Great thus offers a new paradigm for understanding the paradoxes of modern tradition.
Author | : Deming Bronson Brown |
Publisher | : Cambridge University Press |
Total Pages | : 404 |
Release | : 1979-09-27 |
Genre | : Literary Criticism |
ISBN | : 9780521296496 |
This study describes and evaluates the main trends in Soviet Russian prose and poetry since the death of Stalin in the light of the cultural, ideological, social and political developments of the past quarter-century. It relates the literary history of the period to the evolution of Soviet literature as a whole, and is the only study to approach the topic so comprehensively and in such depth. Professor Brown begins with an account of the general literary situation as it evolved during this period and describes how the Soviet literary community is organised. He then examines Soviet poets who have written since 1953 and traces the general thematic and stylistic trends that their writing represents. Beginning with Akhmatova, Pasternak, and other members of the generation of Soviet poets who established their greatness before the Revolution, the author discusses this and each succeeding generation. He concludes with a consideration of the post-World War II generation as exemplified by Voznesensky and Evtushenko.
Author | : Adele Marie Barker |
Publisher | : Cambridge University Press |
Total Pages | : 411 |
Release | : 2002-07-11 |
Genre | : Literary Criticism |
ISBN | : 1139433156 |
A History of Women's Writing in Russia offers a comprehensive account of the lives and works of Russia's women writers. Based on original and archival research, this volume forces a re-examination of many of the traditionally held assumptions about Russian literature and women's role in the tradition. In setting about the process of reintegrating women writers into the history of Russian literature, contributors have addressed the often surprising contexts within which women's writing has been produced. Chapters reveal a flourishing literary tradition where none was thought to exist. They redraw the map defining Russia's literary periods, they look at how Russia's women writers articulated their own experience, and they reassess their relationship to the dominant male tradition. The volume is supported by extensive reference features including a bibliography and guide to writers and their works.
Author | : Norman N. Shneidman |
Publisher | : University of Toronto Press |
Total Pages | : 258 |
Release | : 1995-12-15 |
Genre | : Literary Criticism |
ISBN | : 1442656077 |
The collapse of the Soviet Union brought about radical changes in the Russian literary world. With the state's relinquishment of control over literary production, writers acquired freedom of expression and publication. State publishing houses, now self-supporting enterprises, stopped printing money-losing books and turned to foreign detective novels and erotic literature, effecting a considerable shift in popular taste. The writer, no longer a producer of ideology, has been recast as a struggling competitor in a free-market environment. Focusing on the current Russian literary scene, Russian Literature, 1988-1994 examines these recent changes. Beginning with a general overview of the political, intellectual, and social atmosphere in the country and its effect on artistic creativity, Shneidman surveys the period's literature. He considers the work of succeeding generations of prose fiction writers: the 'old guard,' the writers of the intermediate generation, and the younger authors of perestroika, whose works first appeared in print after Gorbachev's ascent to power. The writing of this last group is divided into three categories: novels written in the style of conventional Russian realism; works that combine realistic prose with modernist narrative techniques; and the body of work that constitutes Russian post-modernism. Exploring artistic and social issues in an integrated manner, the volume will be of interest not only to students of Russian literature but also to those concerned with the culture and social life of the former Soviet Union.
Author | : Neil Cornwell |
Publisher | : Routledge |
Total Pages | : 282 |
Release | : 2002-06-01 |
Genre | : Literary Criticism |
ISBN | : 1134569076 |
The Routledge Companion to Russian Literature is an engaging and accessible guide to Russian writing of the past thousand years. The volume covers the entire span of Russian literature, from the Middle Ages to the post-Soviet period, and explores all the forms that have made it so famous: poetry, drama and, of course, the Russian novel. A particular emphasis is given to the nineteenth and twentieth centuries, when Russian literature achieved world-wide recognition through the works of writers such as Pushkin, Dostoevsky, Tolstoy, Chekhov, Nabokov and Solzhenitsyn. Covering a range of subjects including women's writing, Russian literary theory, socialist realism and émigré writing, leading international scholars open up the wonderful diversity of Russian literature. With recommended lists of further reading and an excellent up-to-date general bibliography, The Routledge Companion to Russian Literature is the perfect guide for students and general readers alike.
Author | : Margaret Ziolkowski |
Publisher | : Camden House |
Total Pages | : 220 |
Release | : 1998 |
Genre | : Literary Criticism |
ISBN | : 9781571131799 |
A study of the cultural implications of portraits of Stalin and his era since his death in 1953. This work explores the cultural implications of prominent images in Russian thought and literature devoted to the Stalin era since the dictator's death in 1953. Author of the works discussed include some of the most important Russian writers of the past four decades: Solzhenitsyn, Vasilii Grossman, Vladimir Voinovich, Anatolii Rybackov among others.
Author | : Roland Greene |
Publisher | : Princeton University Press |
Total Pages | : 718 |
Release | : 2016-11-22 |
Genre | : Literary Criticism |
ISBN | : 1400880637 |
An authoritative and comprehensive guide to poetry throughout the world The Princeton Handbook of World Poetries—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides a comprehensive and authoritative survey of the history and practice of poetry in more than 100 major regional, national, and diasporic literatures and language traditions around the globe. With more than 165 entries, the book combines broad overviews and focused accounts to give extensive coverage of poetic traditions throughout the world. For students, teachers, researchers, poets, and other readers, it supplies a one-of-a-kind resource, offering in-depth treatment of Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, and others); ancient Middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian); subcontinental Indian poetries (Bengali, Hindi, Marathi, Punjabi, Sanskrit, Tamil, Urdu, and more); Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, Nepalese, Thai, and Tibetan); Spanish American poetries (those of Mexico, Peru, Argentina, Chile, and many other Latin American countries); indigenous American poetries (Guaraní, Inuit, and Navajo); and African poetries (those of Ethiopia, Somalia, South Africa, and other countries, and including African languages, English, French, and Portuguese). Complete with an introduction by the editors, this is an essential volume for anyone interested in understanding poetry in an international context. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides more than 165 authoritative entries on poetry in more than 100 regional, national, and diasporic literatures and language traditions throughout the world Features extensive coverage of non-Western poetic traditions Includes an introduction, bibliographies, cross-references, and a general index