Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Russian Futurist Theatre PDF full book. Access full book title Russian Futurist Theatre.
| Author | : Robert Leach |
| Publisher | : Edinburgh University Press |
| Total Pages | : 244 |
| Release | : 2018-03-07 |
| Genre | : Literary Criticism |
| ISBN | : 1474402453 |
Russian Futurist Theatre explores is the first book to comprehensively uncover the Russian futurist theatre in all its virtuosity and diversity.
| Author | : Rosamund Bartlett |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Avant-garde (Music) |
| ISBN | : 9780859898393 |
The Futurist opera Victory over the Sun was a key event of the Russian avant-garde. This volume brings together the first fully annotated translation of the libretto and other important primary source materials.
| Author | : Marvin A. Carlson |
| Publisher | : Cornell University Press |
| Total Pages | : 554 |
| Release | : 2018-07-05 |
| Genre | : Performing Arts |
| ISBN | : 1501726889 |
Beginning with Aristotle and the Greeks and ending with semiotics and post-structuralism, Theories of the Theatre is the first comprehensive survey of Western dramatic theory. In this expanded edition the author has updated the book and added a new concluding chapter that focuses on theoretical developments since 1980, emphasizing the impact of feminist theory.
| Author | : Anna M. Lawton |
| Publisher | : New Academia Publishing, LLC |
| Total Pages | : 376 |
| Release | : 2005 |
| Genre | : Literary Criticism |
| ISBN | : 9780974493473 |
In her extensive Introduction, Lawton has highlighted the historical development of the movement and has related futurism both to the Russian national scene and to avant-garde movements worldwide.
| Author | : Ryan Tvedt |
| Publisher | : |
| Total Pages | : 190 |
| Release | : 2010 |
| Genre | : |
| ISBN | : |
| Author | : Günter Berghaus |
| Publisher | : Walter de Gruyter |
| Total Pages | : 660 |
| Release | : 2012-10-25 |
| Genre | : Literary Criticism |
| ISBN | : 3110804220 |
This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.
| Author | : Susan P. Compton |
| Publisher | : London : British Museum Publications |
| Total Pages | : 150 |
| Release | : 1978 |
| Genre | : Art |
| ISBN | : |
"The British Library has recently acquired a superb and representative collection of Russian Futurist books, which form a unique record of a modern movement. Based on this material, this book surveys the complexity of Russian futurism, and proviudes an unrivalled collection of illustrations which highlight developments in theatre, graphic design, and art in the years of flowering, 1912-16"--Back cover
| Author | : Nancy Perloff |
| Publisher | : Getty Publications |
| Total Pages | : 210 |
| Release | : 2017-01-21 |
| Genre | : Art |
| ISBN | : 1606065084 |
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.
| Author | : Mladen Ovadija |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 261 |
| Release | : 2013-07-01 |
| Genre | : Drama |
| ISBN | : 0773588671 |
Sound is born and dies with action. In this surprising, resourceful study, Mladen Ovadija makes a case for the centrality of sound as an integral element of contemporary theatre. He argues that sound in theatre inevitably "betrays" the dramatic text, and that sound is performance. Until recently, theatrical sound has largely been regarded as supplemental to the dramatic plot. Now, however, sound is the subject of renewed interest in theatrical discourse. Dramaturgy of sound, Ovadija argues, reads and writes a theatrical idiom based on two inseparable, intertwined strands - the gestural, corporeal power of the performer’s voice and the structural value of stage sound. His extensive research in experimental performance and his examination of the pioneering work by Futurists, Dadaists, and Expressionists enable Ovadija to create a powerful study of autonomous sound as an essential element in the creation of synesthetic theatre. Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre presents a cogent argument about a continuous tradition in experimental theatre running from early modernist to contemporary works.
| Author | : Aleksei Eliseevich Kruchenykh |
| Publisher | : |
| Total Pages | : 156 |
| Release | : 2008-05 |
| Genre | : Futurism (Music) |
| ISBN | : 9780946311194 |
This Futurist opera was presented in snowy Petrograd in December 1913 to a riotous audience. The atonal music composed by Mikhail Matiushin accompanied the alogical libretto by Aleksei Kruchenykh, the action taking place in the 10th Land where "the windows of houses all face inside" and "all the paths go up to the earth," while the hands of a clock "both go backwards immediately before dinner." The cardboard costumes by Kazimir Malevich were surfaces lit by his roving colored spotlights, the characters bigger than life. This first English translation by Dr. Evgeny Steiner is accompanied by the Russian facsimile, followed by what is known of the musical score by Mikhail Matiushin, and a selection of Malevich's Cubist costume designs. Contemporary documents, from statements by the artists and photographs, to press reviews complete the contents of Vol. 1. Vol. 2 is a collection of scholarly essays on the Russian Futurist arts of language, music and performance, with Kruchenykh's own contribution to the "New Ways of the Word" first published in 1913. Together, this two volume collection of Victory Over the Sun presents Russian Futurism in all its guises. It is a tool for study, while it invites recreations of it today by theatre groups and those interested in the arts of language.
