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Rural Artists' Colonies in Europe, 1870-1910

Rural Artists' Colonies in Europe, 1870-1910
Author: Nina Lübbren
Publisher: Manchester University Press
Total Pages: 270
Release: 2001
Genre: Art
ISBN: 9780719058677

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This ground-breaking book presents a critical study of pictorial narrative in nineteenth-century European painting. Covering works from France, Germany, Britain, Italy and elsewhere, it traces the ways in which immensely popular artists like Jean-Léon Gérôme, Karl von Piloty and William Quiller Orchardson used unique visual strategies to tell thrilling and engaging stories. Regardless of genre, content or national context, these paintings share a fundamental modern narrative mode. Unlike traditional art, they do not rely on textual sources; nor do they tell stories through the human body alone. Instead, they experiment with objects, spaces, cause-and-effect relations and open-ended ambiguity, prompting viewers and reviewers to read for clues in order to weave their own elaborate tales.


Painting by Numbers

Painting by Numbers
Author: Diana Seave Greenwald
Publisher: Princeton University Press
Total Pages: 256
Release: 2021-02-16
Genre: Art
ISBN: 0691214948

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A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.


Regionalism and Modern Europe

Regionalism and Modern Europe
Author: Xosé M. Núñez Seixas
Publisher: Bloomsbury Publishing
Total Pages: 384
Release: 2018-12-13
Genre: History
ISBN: 1474275214

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Providing a valuable overview of regionalism throughout the entire continent, Regionalism in Modern Europe combines both geographical and thematic approaches to examine the origins and development of regional movements and identities in Europe from 1890 to the present. A wide range of internationally renowned scholars from the USA, the UK and mainland Europe are brought together here in one volume to examine the historical roots of the current regional movements, and to explain why some of them - Scotland, Catalonia and Flanders, among others – evolve into nationalist movements and even strive for independence, while others – Brittany, Bavaria – do not. They look at how regional identities - through regional folklore, language, crafts, dishes, beverages and tourist attractions - were constructed during the 20th century and explore the relationship between national and subnational identities, as well as regional and local identities. The book also includes 7 images, 7 maps and useful end-of-chapter further reading lists. This is a crucial text for anyone keen to know more about the history of the topical – and at times controversial – subject of regionalism in modern Europe.


Aesthetics as a Religious Factor in Eastern and Western Christianity

Aesthetics as a Religious Factor in Eastern and Western Christianity
Author: William Peter van den Bercken
Publisher: Peeters Publishers
Total Pages: 458
Release: 2005
Genre: Philosophy
ISBN: 9789042916821

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This volume contains selected papers of a conference in 2004 at Utrecht University on aesthetics as a religious factor in Eastern and Western Christianity. They discuss the role of aesthetics in the presentation and expression of Christian faith in Catholic and Orthodox tradition. During its history Christianity has produced many works of art: church architecture, iconography, painting, music and literary texts. And in Orthodoxy beauty has always been the main form of religious expression, more than verbal presentation of Christian teaching, which is embedded in the aesthetic context of liturgy. In Christian theology beauty has often been seen as a form of divine revelation, related to the mystery of incarnation. The relation between aesthetics and religious belief has acquired new relevance in our secularised world. Today the visible products of Catholic and Orthodox aesthetics are for many people the main means through which they come into contact with Christianity and many people without affinity to religion are attracted by the beauty of Christian art, inside and outside the church. In modern religious studies the experience of beauty is recognised as a factor in explaining religious feelings. The papers are divided in four sections: 1. Comparative aspects of Orthodox and Catholic aesthetics, 2. Religious aesthetics in Russian literary culture, 3. Applied aesthetics in church art, 4. Art-theoretical, ideological and religious-philosophical aspects.


British Artists and the Modernist Landscape

British Artists and the Modernist Landscape
Author: Ysanne Holt
Publisher: Routledge
Total Pages: 270
Release: 2018-01-12
Genre: Art
ISBN: 1351771817

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Title first published in 2003. In this detailed study of the landscapes and rural scenes of Britain and France made by artists like George Clausen, Philip Wilson Steer, Augustus John, Laura Knight, J. D. Fergusson and Spencer Gore, Ysanne Holt investigates the imaginary geographies behind the pictures and reconsiders the relationship between national identity, 'Englishness' and the native landscape. Combining close investigation of important works with a broader enquiry into the appeal of the Mediterranean for an age preoccupied with cultural degeneracy and bodily health, Ysanne Holt draws fascinating conclusions about the impact of modernism on the British tradition of landscape painting.


Max Liebermann

Max Liebermann
Author: MarionF. Deshmukh
Publisher: Routledge
Total Pages: 476
Release: 2017-07-05
Genre: Art
ISBN: 135155879X

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Max Liebermann: Modern Art and Modern Germany is the first English-language examination of this German impressionist painter whose long life and career spanned nine decades. Through a close reading of key paintings and by a discussion of his many cultural networks across Germany and throughout Europe, this study by Marion Deshmukh illuminates Liebermann?s importance as a pioneer of German modernism. Critics and admirers alike saw his art as representing aesthetic European modernism at its best. His subjects included dispassionate depictions of the rural Dutch countryside, his colorful garden at the Wannsee, and his many portraits of Germany?s cultural, political, and military elites. Liebermann was the largest collector of French Impressionism in Germany - and his cosmopolitan outlook and his art created strong antipathies towards both by political and cultural conservatives throughout his life.


A Companion to Modern Art

A Companion to Modern Art
Author: Pam Meecham
Publisher: John Wiley & Sons
Total Pages: 568
Release: 2018-02-13
Genre: Art
ISBN: 1118639847

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A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. Presents a contemporary debate and dialogue rather than a seamless consensus on Modern Art Aims for reader accessibility by highlighting a plurality of approaches and voices in the field Presents Modern Art’s foundational philosophic ideas and practices, as well as the complexities of key artists such as Cezanne and Picasso, and those who straddled the modern and contemporary Looks at the historical reception of Modern Art, in addition to the latest insights of art historians, curators, and critics to artists, educators, and more


Max Liebermann

Max Liebermann
Author: Dr Marion Deshmukh
Publisher: Ashgate Publishing, Ltd.
Total Pages: 481
Release: 2015-10-28
Genre: Art
ISBN: 1472434153

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This is the first English-language examination of the German impressionist painter Max Liebermann, whose long life and career spanned nine decades. Through a close reading of key paintings and a discussion of his many cultural networks across Germany and throughout Europe, this study by Marion F. Deshmukh illuminates Liebermann’s importance as a pioneer of German modernism.


Questions of Authority

Questions of Authority
Author: Laura Olcelli
Publisher: Routledge
Total Pages: 329
Release: 2017-10-12
Genre: Literary Criticism
ISBN: 1351356399

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Questions of Authority investigates Italian–Australian literary travel exchanges throughout the long nineteenth century. The 1800s witnessed major transformations in Australian overseas travel: it gradually evolved from a replica of the Continental Grand Tour of the British, to a more idiosyncratic cosmopolitan experience, either touristic or professional. Moreover, it was during the second half of this century that both Italy and Australia underwent crucial political upheavals; these resulted in shifts from colonial and subjugated status, to self-government and ultimately independence. This volume connects these geographical, political and sociocultural contexts of Italy and Australia by considering their interlaced odeporic library, produced at a significant time in history. Additionally, this book analyses key texts compiled by Italians in Australia, and Australians in Italy: these chiefly consist of voyage accounts, but also include the records of explorers, missionaries, scientists and migrants coming from the Italian peninsula. These primary sources include unpublished travel diaries compiled by the first Victorian women visitors to the Bel Paese, which have been largely neglected by scholarship thus far. This examination pinpoints the enduring significance of Italy in travel-related terms, showing how this destination was adapted from the map of eighteenth-century British Grand Tourists, to that of nineteenth-century Australian holiday makers. Most critically, Questions of Authority argues Italian–Australian peripatetic connections entail issues of authority, that emerge in the ways in which Italian and Australian travel writers displayed their authorship, cultural capital and national identification in relation to the other country. Finally, it demonstrates how these are highly regulated by, and yet simultaneously challenge, British colonial hegemony.


Ellen Emmet Rand

Ellen Emmet Rand
Author: Alexis L. Boylan
Publisher: Bloomsbury Publishing
Total Pages: 224
Release: 2020-10-29
Genre: Art
ISBN: 1350189944

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Ellen Emmet Rand (1875-1941) was one of the most important and prolific portraitists in the United States in the first decades of the twentieth century. She negotiated her career, reputation, family, and finances in modern and commercially savvy ways-revealing the complex negotiations needed to balance these competing pressures. Engaging with newly available archival documents and featuring scholars with radically different approaches to visual culture, this edited collection not only seeks to interrogate the meaning of Rand's portraits and her career, but indeed to rethink gender, art, race, business, and modernism in the twentieth century.