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| Author | : Robert Grudin |
| Publisher | : |
| Total Pages | : |
| Release | : 1991 |
| Genre | : |
| ISBN | : |
| Author | : International Shakespeare Association. World Congress |
| Publisher | : University of Delaware Press |
| Total Pages | : 476 |
| Release | : 2004 |
| Genre | : Drama |
| ISBN | : 9780874138160 |
Shakespeare's career-long fascination with the Mediterranean made the association a natural one for this first World Shakespeare Congress of the Third Millennium. The plenary lectures and selected papers in this volume represent some of the best contemporary thought and writing on Shakespeare, in the ranging plenary lectures by Jonathan Bate on Shakespeare's islands and the Muslim connection, Michael Coveney's on the late Sir John Gielgud, Robert Ellrodt's on Shakespeare's sonnets and Montaigne's essays, Stephen Orgel's on Shakespeare's own Shylock, and Marina Warner's on Shakespeare's fairy-tale uses of magic. Also included in the volume's several sections are original pagers selected from special sessions and seminars by other distinguished writers, including Jean E. Howard, Gary Taylor, and Richard Wilson. Tom Clayton is Regents' Professor of English Language and Literature and chair of the Classical Civilization Program at the University of Minnesota. Susan Brock is Head of Library and Information Resources at the Shakespeare Birthplace Trust in Stratford-upon-Avon and Honorary Fellow of the Shakespeare Institute of the University of Birmingham. Vicente Fores is Associate Profe
| Author | : Peter Hulme |
| Publisher | : Reaktion Books |
| Total Pages | : 344 |
| Release | : 2000 |
| Genre | : Drama |
| ISBN | : 9781861890665 |
The Tempest and its Travels offers a new map of the play by means of an innovative collection of historical, critical, and creative texts and images.
| Author | : Eileen Reeves |
| Publisher | : Princeton University Press |
| Total Pages | : 340 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : 9780691009766 |
The remarkable astronomical discoveries made by Galileo with the new telescope in 1609-10 led to his famous disputes with philosophers and religious authorities, most of whom found their doctrines threatened by his evidence for Copernicus's heliocentric universe. In this book, Eileen Reeves brings an art historical perspective to this story as she explores the impact of Galileo's heavenly observations on painters of the early seventeenth century. Many seventeenth-century painters turned to astronomical pastimes and to the depiction of new discoveries in their work, yet some of these findings imposed controversial changes in their use of religious iconography. For example, Galileo's discovery of the moon's rough topography and the reasons behind its "secondary light" meant rethinking the imagery surrounding the Virgin Mary's Immaculate Conception, which had long been represented in paintings by the appearance of a smooth, incandescent moon. By examining a group of paintings by early modern artists all interested in Galileo's evidence for a Copernican system, Reeves not only traces the influence of science on painting in terms of optics and content, but also reveals the painters in a conflict between artistic depiction and dogmatic representation. Reeves offers a close analysis of seven works by Lodovico Cigoli, Peter Paul Rubens, Francisco Pacheco, and Diego Velázquez. She places these artists at the center of the astronomical debate, showing that both before and after the invention of the telescope, the proper evaluation of phenomena such as moon spots and the aurora borealis was commonly considered the province of the painter. Because these scientific hypotheses were complicated by their connection to Catholic doctrine, Reeves examines how the relationship between science and art, and their mutual production of knowledge and authority, must themselves be seen in a broader context of theological and political struggle.
| Author | : Claus Zittel |
| Publisher | : BRILL |
| Total Pages | : 617 |
| Release | : 2008 |
| Genre | : Biography & Autobiography |
| ISBN | : 9004170502 |
The essays in the present volume attempt to historically reconstruct the various dependencies of philosophical and scientific knowledge of the material and technical culture of the early modern era and to draw systematic conclusions for the writing of early modern history of science. The divisive transformation of humanist scholarly culture, the Scholastic school philosophy, as well as magic in the form of a philosophy of practice is always associated with the work of Francis Bacon. All of these essays in this volume reflect the close interaction between technical models and knowledge production in natural philosophy, natural history and epistemology. It becomes clear that the technological developments of the early modern era cannot be adequately depicted in the form of a pure history of technology but rather only as part of a broader, cultural history of the sciences. Contributors include: Todd Andrew Borlik, Arianna Borrelli, Thomas Brandstetter, Daniel Damler, Luisa Dolza, Moritz Epple, Berthold Heinecke, Dana Jalobeanu, J rgen Klein, Staffan M ller-Wille, Romano Nanni, Jarmo Pulkkinen, Pablo Schneider, Andr s Vaccari, Benjamin Wardhaugh, Sophie Weeks, and Claus Zittel.
| Author | : Lawrence Goldstone |
| Publisher | : Simon and Schuster |
| Total Pages | : 472 |
| Release | : 2017-06-06 |
| Genre | : History |
| ISBN | : 1681774844 |
The controversial history of the attack submarine—and the story of its colorful creator, John Philip Holland—that reveals how this imaginative invention changed the face of modern warfare. From Twenty Thousand Leagues Under the Sea to The Hunt for Red October, readers the world over have demonstrated an enduring fascination with travel under the sea. Yet the riveting story behind the invention of the submarine—an epic saga of genius, persistence, ruthlessness, and deceit—is almost completely unknown. Like Henry Ford and the Wright brothers, John Philip Holland was completely self-taught, a brilliant man raised in humble circumstances, earning his living as a schoolteacher and choirmaster. But all the while he was obsessed with creating a machine that could successfully cruise beneath the waves. His struggle to unlock the mystery behind controlled undersea navigation would take three decades, during which he endured skepticism, disappointment, and betrayal. But his indestructible belief in himself and his ideas led him to finally succeed where so many others had failed. Going Deep is a vivid chronicle of the fierce battles not only under the water, but also in the back rooms of Wall Street and the committee rooms of Congress. A rousing adventure—surrounded by an atmosphere of corruption and greed—at its heart this a story of bravery, passion, and the unbreakable determination to succeed against long odds.
| Author | : Henry E. Huntington Library and Art Gallery |
| Publisher | : |
| Total Pages | : 428 |
| Release | : 1991 |
| Genre | : Electronic journals |
| ISBN | : |
| Author | : Jonathan Bate |
| Publisher | : Random House |
| Total Pages | : 495 |
| Release | : 2009-04-07 |
| Genre | : Drama |
| ISBN | : 1588367819 |
“One man in his time plays many parts, His acts being seven ages.” In this illuminating, innovative biography, Jonathan Bate, one of today’s most accomplished Shakespearean scholars, has found a fascinating new way to tell the story of the great dramatist. Using the Bard’s own immortal list of a man’s seven ages in As You Like It, Bate deduces the crucial events of Shakespeare’s life and connects them to his world and work as never before. Here is the author as an infant, born into a world of plague and syphillis, diseases with which he became closely familiar; as a schoolboy, a position he portrayed in The Merry Wives of Windsor, in which a clever, cheeky lad named William learns Latin grammar; as a lover, married at eighteen to an older woman already pregnant, perhaps presaging Bassanio, who in The Merchant of Venice won a wife who could save him from financial ruin. Here, too, is Shakespeare as a soldier, writing Henry the Fifth’s St. Crispin’s Day speech, with a nod to his own monarch Elizabeth I’s passionate addresses; as a justice, revealing his possible legal training in his precise use of the law in plays from Hamlet to Macbeth; and as a pantaloon, an early retiree because of, Bate postulates, either illness or a scandal. Finally, Shakespeare enters oblivion, with sonnets that suggest he actively sought immortality through his art and secretly helped shape his posthumous image more than anyone ever knew. Equal parts masterly detective story, brilliant literary analysis, and insightful world history, Soul of the Age is more than a superb new recounting of Shakespeare’s experiences; it is a bold and entertaining work of scholarship and speculation, one that shifts from past to present, reality to the imagination, to reveal how this unsurpassed artist came to be.
| Author | : James Hogg |
| Publisher | : |
| Total Pages | : 384 |
| Release | : 1995 |
| Genre | : Drama |
| ISBN | : |
This collection of essays looks at the social criticism of such authors as Middleton, Webster, Massinger, Ford, John Fletcher, as well as considering the activities of the Actors' Companies and the production of Latin plays. Political criticism is found in the form of allusion in the tragedies, while the comedies are seen as mocking the shortcomings of the professional, middle and lower classes, some of the satire being directed against the way of speaking of the characters depicted.
| Author | : Eileen Reeves |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 320 |
| Release | : 2014-04-23 |
| Genre | : History |
| ISBN | : 0812245741 |
Eileen Reeves examines a web of connections between journalism, optics, and astronomy in early modern Europe, devoting particular attention to the ways in which a long-standing association of reportage with covert surveillance and astrological prediction was altered by the near simultaneous emergence of weekly newsheets, the invention of the Dutch telescope, and the appearance of Galileo Galilei's astronomical treatise, The Starry Messenger. Early modern news writers and consumers often understood journalistic texts in terms of recent developments in optics and astronomy, Reeves demonstrates, even as many of the first discussions of telescopic phenomena such as planetary satellites, lunar craters, sunspots, and comets were conditioned by accounts of current events. She charts how the deployment of particular technologies of vision—the telescope and the camera obscura—were adapted to comply with evolving notions of objectivity, censorship, and civic awareness. Detailing the differences between various types of printed and manuscript news and the importance of regional, national, and religious distinctions, Evening News emphasizes the ways in which information moved between high and low genres and across geographical and confessional boundaries in the first decades of the seventeenth century.
