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| Author | : Suzanne Preston Blier |
| Publisher | : Laurence King |
| Total Pages | : 282 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : |
"First published in Great Britain 1998 by Calmann and King Ltd."-- T.p.
| Author | : Suzanne Preston Blier |
| Publisher | : Discontinued 3pd |
| Total Pages | : 0 |
| Release | : 1998 |
| Genre | : Art, Black |
| ISBN | : 9780131833432 |
Draws on a range of individual objects and archival photos to explore questions of royalty and power, divine kingship, cosmology, and use of art in the African royal states.
| Author | : Kathleen Bickford Berzock |
| Publisher | : |
| Total Pages | : 44 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
In the late 15th century, the Kingdom of Benin (located in present-day southwestern Nigeria) established a mercantile relationship with Portugal, significantly increasing its wealth and might. Benin became a regional powerhouse and, under a long lineage of divine rulers, or obas, it wielded great economic and political influence. The obas also supported guilds of artists--chief among them brass casters and ivory carvers--whom they employed to produce objects that honored royal ancestors, recorded history, and glorified life at court. The sophisticated creations of Benin’s royal artists stand among the greatest works of African art. This stunning book features a selection of Benin’s extraordinary artworks that range from finely cast bronze figures, altar heads, and wall plaques to ivory tusks, pendants, and arm cuffs embellished in detailed bas relief. An insightful essay outlines the kingdom’s history and sheds light on these masterworks by describing their production and function in the context of the royal court.
| Author | : Michèle Coquet |
| Publisher | : University of Chicago Press |
| Total Pages | : 189 |
| Release | : 1998-12-01 |
| Genre | : Art |
| ISBN | : 9780226115757 |
In this visually stunning work, anthropologist Michèle Coquet presents the power and the brilliance of African court arts. Grounding her analysis in the social and historical context of traditional royalty systems, Coquet examines the diverse roles played by artisans, nobles, and kings in the production and use of royal objects. From the precolonial kingdoms of the Edo and the Yoruba, the Ashanti and the Igbo, Coquet reconstructs from a comparativist view the essential cultural connections between art, representation, and the king. More than ornamentation, royal objects embodied the strength and status of African rulers. The gold-plated stools of the Ashanti, the delicately carved ivory bracelets of the Edo-these objects were meant not simply to adorn but to affirm and enhance the power and prestige of the wearer. Unlike the abstract style frequently seen in African ritual art, realism became manifest in courtly arts. Realism directly linked the symbolic value of the object-a portrait or relief-with the physical person of the king. The contours of the monarch's face, his political and military exploits rendered on palace walls, became visual histories, the work of art in essence corroborating the ruler's sovereign might. Richly illustrated and wonderfully detailed, Coquet's influential volume offers both a splendid visual presentation and an authoritative analysis of African royal arts. "[This] beautiful and exciting book emphasizes the skillful court art of the Benin, Dahomey, and the Kongo. A very interesting and unusual approach to the art of the continent that has been too easily situated 'outside of history.'"—Le Figaro
| Author | : Kate Ezra |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 346 |
| Release | : 1992 |
| Genre | : Art |
| ISBN | : 0870996339 |
Tantalizing trivia. this Hitler, spoiling everything?"
| Author | : Christa Clarke |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 218 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 1588391906 |
A CD-ROM and DVD set extracted from the 'The Art of Africa: A Resource for Educators.' The CD-ROM "contains a PDF of 'The Art of Africa: A Resource for Educators, ' which features forty traditional works of African art in The Metropolitan Museum of Art. It includes a brief overview of the Metropolitan's collection of African art; a short introduction and history of Africa; an explanation of the role of visual expression in the continent; descriptions of the featured works of art and background about the materials and techniques that were used to created them ... The DVD, 'Ci Wara Invocation, ' "presents the highlights of a dozen ci wara performances in Bamana communities in present-day Mali that were recorded by five different observers between 1970-2002. Among the Bamana, oral traditions credit a mythical being named Ci Wara, a divine being half mortal and half antelope, with the introduction of agriculture to the Bamana. The ci wara performances are part of biannual celebrations that either launch or conclude the farming season."--Container
| Author | : Tom Phillips |
| Publisher | : Prestel Pub |
| Total Pages | : 615 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9783791320045 |
This magnificent celebration of the world's oldest and most diverse artistic traditions is considered the definitive book on African art. Ranging from the oldest known human artifact, circa 1.6 million BC, to pieces made within living memory, the objects collected in this extraordinary volume reflect a continent of enormous cultural and historical scope. Arranged chronologically within seven geographical sections, it offers an astonishing array of sculptures in wood, bronze, stone, and gold, as well as rock paintings, ceremonial pieces, ceramics, jewelry, and textiles culled from private and public collections around the world. Commentary by renowned scholars illuminates the cultural and historical significance of these pieces, and in-depth authoritative texts highlight critical aspects of each region. Together these words and images take readers on an artistic grand tour through a continent of unparalleled diversity, and towards the thrilling discovery of not one Africa, but many.
| Author | : Suzanne Preston Blier |
| Publisher | : Duke University Press |
| Total Pages | : 625 |
| Release | : 2019-12-13 |
| Genre | : Art |
| ISBN | : 1478002042 |
In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.
| Author | : Armand Duchâteau |
| Publisher | : |
| Total Pages | : 146 |
| Release | : 1994 |
| Genre | : Art |
| ISBN | : |
"The ancient kingdom of Benin lies in the tropical rain forest of West Africa, in present-day Nigeria. During its classical age, from the fourteenth to the nineteenth century, it produced one of the continent's most glorious artistic legacies. To reflect the splendor of the royal court, the Oba (king) commissioned highly skilled artisans to create rare and beautiful works of cast brass and carved ivory. These included human and animal figures, relief plaques, elephant tusks, pendants, bracelets, life-size commemorative heads of Obas and queen mothers, and ceremonial objects to adorn the royal palace and the altars honoring Obas of the past. The exquisite brass heads were intended to function as objects celebrating ancestors, as war trophies, and as focal points for sacrificial ceremonies." "This volume presents a superb selection of artifacts from the Museum fur Volkerkunde in Vienna, home to one of the world's foremost collections of Benin art. Most of these artifacts were acquired at the end of the last century, when the influx of Benin objects into Europe after the destruction of Benin City caused a sensation among art experts and caught the interest of museum representatives and private collectors. Of the more than one hundred works reproduced here in full color, the majority have never been seen as a group in the U.S. Most celebrated are the cast brass sculptures - including the two figures of dwarfs - which have no parallel in sub-Saharan Africa." "A history of the kingdom of Benin up to the British punitive expedition of 1897 provides insight into the politics and culture of one of Africa's greatest civilizations. Further chapters discuss the court hierarchy, the art of brasscasting, the art of Benin and its symbolism, and the history of the Benin Collection in Vienna. To interpret the rich symbolism in Benin art, the book furnishes detailed analyses of the works that are reproduced. In his description of myths and ritual observances, the author presents a fascinating cosmology, in which animals were assigned magical and medicinal powers, and the Oba was seen as an intermediary between the earth and the world of spirits."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
| Author | : Suzanne Preston Blier |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023-11-07 |
| Genre | : Art |
| ISBN | : 9780500296257 |
This indispensable introductory guide explores the art of the African continent from its early origins over 75,000 years ago to the contemporary, set in the context of postcolonial debates, the restitution of cultural objects and artifacts, and the challenges of the present. This enormous and complex field of study, once under-appreciated by the Western art world, is now of global importance and an essential subject of education in art history. For ease of reference and analysis, leading African art expert Suzanne Preston Blier has structured this guide chronologically into manageable and meaningful chapters covering ancient art, the Middle Ages, travel and trade, encounters with Europe in the age of exploration, the colonial era, the rebuilding of the continent in recent times, and contemporary art. Addressed are core, continent-wide themes in African visual and cultural expression, from the life cycle (children, initiation, motherhood, religion) to the body and representations of power dynamics. Important regional artistic expressions are also explored, such as the cultures of Mali (the Western Sudan), Nigeria (the lower Niger and Benue area), the Congo Basin, and various nomadic populations across the continent. Written from an inclusive, modern perspective, focusing not only on royal traditions but also the broader global history of the continent and its artistic practices, this is an excellent introduction for students, museum visitors, and anyone with an interest in fine art, African history, and cultural studies.
