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| Author | : Gioacchino Rossini |
| Publisher | : |
| Total Pages | : 12 |
| Release | : 1825 |
| Genre | : |
| ISBN | : |
| Author | : British Library. Department of Printed Books |
| Publisher | : |
| Total Pages | : 440 |
| Release | : 1981 |
| Genre | : Music |
| ISBN | : |
| Author | : Albert R. Rice |
| Publisher | : Oxford University Press |
| Total Pages | : 344 |
| Release | : 2008-01-15 |
| Genre | : Music |
| ISBN | : 0199887780 |
A comprehensive study of the clarinet in use through the classical period, 1760 to 1830, a period of intensive musical experimentation. The book provides a detailed review and analysis of construction, design, materials, and makers of clarinets. Rice also explores how clarinet construction and performance practice developed in tandem with the musical styles of the period.
| Author | : Carl Philipp Emanuel Bach |
| Publisher | : Clear Note Publications |
| Total Pages | : 15 |
| Release | : 2022-03-26 |
| Genre | : Music |
| ISBN | : 1625592183 |
Under the tutelage of his famous father Johann Sebastian Bach, Carl Philipp Emanuel Bach studied harpsichord and clavichord during his early years and eventually adopted the piano as his primary instrument. A prolific composer, producing over 200 works, C.P.E. Bach wrote symphonies, sonatas and other instrumental works in the Rococo and early Classical style of the 18th century. This style of writing is marked by lyric phrases and light ornamentation that put aside the polyphony and thorough bass of the late baroque composers. The ideas for interpreting and ornamenting the sonatinas in this collection are taken from "Essay on the True Art of Playing Keyboard Instruments" by C.P.E. Bach. They transpose quite well for solo guitar and are a refreshing alternative to compositions by guitarists of the classical era like Sor and Giuliani.
| Author | : Colin James Lawson |
| Publisher | : Cambridge University Press |
| Total Pages | : 264 |
| Release | : 1995-12-14 |
| Genre | : Music |
| ISBN | : 9780521476683 |
Written for students, performers, and music lovers.
| Author | : Library of Congress. Copyright Office |
| Publisher | : Copyright Office, Library of Congress |
| Total Pages | : 1760 |
| Release | : 1975 |
| Genre | : Copyright |
| ISBN | : |
| Author | : David Rowland |
| Publisher | : Cambridge University Press |
| Total Pages | : 268 |
| Release | : 1998-11-19 |
| Genre | : Music |
| ISBN | : 9780521479868 |
A Companion to the piano, one of the world's most popular instruments.
| Author | : Richard Ingham |
| Publisher | : Cambridge University Press |
| Total Pages | : 252 |
| Release | : 1999-02-13 |
| Genre | : Music |
| ISBN | : 1107494052 |
The Cambridge Companion to the Saxophone, first published in 1999, tells the story of the saxophone, its history and technical development from Adolphe Sax (who invented it c. 1840) to the end of the twentieth century. It includes extensive accounts of the instrument's history in jazz, rock and classical music as well as providing practical performance guides. Discussion of the repertoire and soloists from 1850 to the present day includes accessible descriptions of contemporary techniques and trends, and moves into the electronic age with midi wind instruments. There is a discussion of the function of the saxophone in the orchestra, in 'light music' and in rock and pop studios, as well as of the saxophone quartet as an important chamber music medium. The contributors to this volume are some of the finest performers and experts on the saxophone.
| Author | : Deborah Mawer |
| Publisher | : Cambridge University Press |
| Total Pages | : 316 |
| Release | : 2000-08-24 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521648561 |
A comprehensive introduction to the life, music and compositional aesthetic of Maurice Ravel.
| Author | : Trevor Herbert |
| Publisher | : Cambridge University Press |
| Total Pages | : 366 |
| Release | : 1997-10-13 |
| Genre | : Music |
| ISBN | : 9780521565226 |
This Companion covers many diverse aspects of brass instruments and in such detail. It provides an overview of the history of brass instruments, and their technical and musical development. Although the greatest part of the volume is devoted to the western art music tradition, with chapters covering topics from the medieval to the contemporary periods, there are important contributions on the ancient world, non-western music, vernacular and popular traditions and the rise of jazz. Despite the breadth of its narrative, the book is rich in detail, with an extensive glossary and bibliography. The editors are two of the most respected names in the world of brass performance and scholarship, and the list of contributors includes the names of many of the world's most prestigious scholars and performers on brass instruments.
