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| Author | : Herbert L. Kessler |
| Publisher | : Yale University Press |
| Total Pages | : 256 |
| Release | : 2000-01-01 |
| Genre | : Religion |
| ISBN | : 9780300081534 |
On this Jubilee year, the authors take readers back to the first Holy Year, 1300, when Pope Boniface VII promised eternal peace for the souls of all Christians who trekked to the Eternal City. 225 illustrations, 60 in color.
| Author | : Henry Bernard Cotterill |
| Publisher | : |
| Total Pages | : 734 |
| Release | : 1919 |
| Genre | : Cities and towns |
| ISBN | : |
| Author | : Azzan Yadin-Israel |
| Publisher | : University of Chicago Press |
| Total Pages | : 202 |
| Release | : 2023-01-10 |
| Genre | : Religion |
| ISBN | : 0226822125 |
A "brisk and entertaining" (Wall Street Journal) journey into the mystery behind why the forbidden fruit became an apple, upending an explanation that stood for centuries. How did the apple, unmentioned by the Bible, become the dominant symbol of temptation, sin, and the Fall? Temptation Transformed pursues this mystery across art and religious history, uncovering where, when, and why the forbidden fruit became an apple. Azzan Yadin-Israel reveals that Eden’s fruit, once thought to be a fig or a grape, first appears as an apple in twelfth-century French art. He then traces this image back to its source in medieval storytelling. Though scholars often blame theologians for the apple, accounts of the Fall written in commonly spoken languages—French, German, and English—influenced a broader audience than cloistered Latin commentators. Azzan Yadin-Israel shows that, over time, the words for “fruit” in these languages narrowed until an apple in the Garden became self-evident. A wide-ranging study of early Christian thought, Renaissance art, and medieval languages, Temptation Transformed offers an eye-opening revisionist history of a central religious icon.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 388 |
| Release | : 2010-09-24 |
| Genre | : History |
| ISBN | : 900418841X |
Building on recent revisionist trends, this book offers a refreshing new perspective on the Renaissance and presents an invaluable examination of continuities and discontinuities from Petrarch to Machiavelli, from Giotto to Dürer, and from Italy to Burgundy, Bohemia and beyond.
| Author | : Trevor Dean |
| Publisher | : Cambridge University Press |
| Total Pages | : 322 |
| Release | : 2002-05-09 |
| Genre | : Family & Relationships |
| ISBN | : 9780521893763 |
A collection of essays about marriage and the role of women in Renaissance Italy.
| Author | : Adele Evans |
| Publisher | : Penguin |
| Total Pages | : 451 |
| Release | : 2011-01-03 |
| Genre | : Travel |
| ISBN | : 0756684889 |
This book divides central Rome into 16 areas and has further sections for sights on the outskirts of the city; including some day trips as well as some suggested walks. Each of the main areas has its own chapter and contains a selection of sights that convey some of its history and distinctive character. The bird’s-eye view photographs, 3-D aerial views of Rome’s most interesting districts, the floor plans of all the major sights and the huge selection of hotels, restaurants, shops and entertainment venues separate this guide from all of the rest. The Eyewitness Travel Guide helps you to get the most from your stay in Rome. Annually revised and updated with beautiful new full-color photos, illustrations, this guide includes information on local customs, currency, medical services, and transportation. Consistently chosen over the competition in national consumer market research. The best keeps getting better!
| Author | : Desmond O'Grady |
| Publisher | : Burns & Oates |
| Total Pages | : 232 |
| Release | : 1999 |
| Genre | : Religion |
| ISBN | : |
The year 2000 is the first Jubilee, or Holy Year, to coincide with a millennium, and it is expected to inspire the world's largest-ever pilgrimage, bringing some thirty million visitors to Rome. What might these contemporary pilgrims expect to find other than the world's largest-ever traffic jam? In this wise and often witty book, longtime Vatican-observer Desmond O'Grady has written a fascinating history of Rome and the papacy seen through the grid of the twenty-five Jubilees that have occurred since the practice was initiated seven hundred years ago. During each Jubilee Year the Holy See has asserted its centrality, its universal relevance, and responded to various challenges: the Islamic threat, the Reformation, the Enlightenment, and the loss of the Papal States. The story of the Jubilees is told by means of the following coordinates: the state of the city and of the church at the time, the most memorable episodes, and the reactions of the pilgrims, many of them kings, queens and emperors. These 'liminal', or threshold, moments find the church often at its best and its worst. The final chapter analyzes the announced goals and prospects for Jubilee 2000 and explains how the church hopes to ferry humankind into the third millennium with a new sense of history as a meaningful journey. Book jacket.
| Author | : Henry Cadwallader Adams |
| Publisher | : |
| Total Pages | : 426 |
| Release | : 1887 |
| Genre | : Jews |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 1040 |
| Release | : 1920 |
| Genre | : |
| ISBN | : |
| Author | : Joanna Story |
| Publisher | : Oxford University Press |
| Total Pages | : 428 |
| Release | : 2023-04-28 |
| Genre | : Social Science |
| ISBN | : 0192575058 |
Charlemagne and Rome is a wide-ranging exploration of cultural politics in the age of Charlemagne. It focuses on a remarkable inscription commemorating Pope Hadrian I who died in Rome at Christmas 795. Commissioned by Charlemagne, composed by Alcuin of York, and cut from black stone quarried close to the king's new capital at Aachen in the heart of the Frankish kingdom, it was carried to Rome and set over the tomb of the pope in the south transept of St Peter's basilica not long before Charlemagne's imperial coronation in the basilica on Christmas Day 800. A masterpiece of Carolingian art, Hadrian's epitaph was also a manifesto of empire demanding perpetual commemoration for the king amid St Peter's cult. In script, stone, and verse, it proclaimed Frankish mastery of the art and power of the written word, and claimed the cultural inheritance of imperial and papal Rome, recast for a contemporary, early medieval audience. Pope Hadrian's epitaph was treasured through time and was one of only a few decorative objects translated from the late antique basilica of St Peter's into the new structure, the construction of which dominated and defined the early modern Renaissance. Understood then as precious evidence of the antiquity of imperial affection for the papacy, Charlemagne's epitaph for Pope Hadrian I was preserved as the old basilica was destroyed and carefully redisplayed in the portico of the new church, where it can be seen today. Using a very wide range of sources and methods, from art history, epigraphy, palaeography, geology, archaeology, and architectural history, as well as close reading of contemporary texts in prose and verse, this book presents a detailed 'object biography', contextualising Hadrian's epitaph in its historical and physical setting at St Peter's over eight hundred years, from its creation in the late eighth century during the Carolingian Renaissance through to the early modern Renaissance of Bramante, Michelangelo, and Maderno.
