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Romanticism Gendered

Romanticism Gendered
Author: Andrea Fischerová
Publisher: Cambridge Scholars Publishing
Total Pages: 315
Release: 2020-11-09
Genre: Literary Criticism
ISBN: 1527561763

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This study focuses on the six writing men who have been throughout decades regarded as the alpha and omega of British Romanticism: Byron, Coleridge, Keats, Scott, Shelley, and Wordsworth. It sees these men as a representative cohort of their time and examines their letters as results of a reading process. Although letters are usually seen as additional sources of reference in literary studies, in this book they are treated as the dominant information material: correspondence enables to reconsider British Romanticism on the basis of the epistolary communication of the first half of the nineteenth century. The target information from the letters are references to women writers and to their writings. A detailed analysis of the correspondence manages to answer the question whether male Romantics regarded writing women as “provoking” from time to time, as Duncan Wu assumes, and whether the gender identity of the woman author influenced the way male readers read her literary works. The examination of the correspondence thus takes a gendered perspective on British Romanticism. This approach to the target research data discloses a long list of almost 120 names of women writers from different periods and of different literary genres. Whereas the male readers in question have acquired a well-established, stable long-term position within literary history, the women were often marginalized, even forgotten. The study presents plentiful examples proving the discrepancies between what the twenty-first-century reader regards as the core of women’s Romantic literary tradition, and what the Romantic reader did. The following women writers are discussed in the study in detail: Susannah Centlivre, Anne Finch (Lady Winchelsea), Ann Radcliffe, Mary Robinson, Felicia Hemans, Mary Shelley, Joanna Baillie, Maria Edgeworth, Maria Jane Jewsbury, Catherine Grace Godwin, and Emmeline Fisher.


Romanticism and Gender

Romanticism and Gender
Author: Anne K. Mellor
Publisher: Routledge
Total Pages: 277
Release: 2013-08-06
Genre: Literary Criticism
ISBN: 1136040307

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Taking twenty women writers of the Romantic period, Romanticism and Gender explores a neglected period of the female literary tradition, and for the first time gives a broad overview of Romantic literature from a feminist perspective.


Women in Romanticism

Women in Romanticism
Author: Meena Alexander
Publisher: Rowman & Littlefield
Total Pages: 240
Release: 1989
Genre: Biography & Autobiography
ISBN: 9780389208853

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What did it mean to write as a woman in the Romantic era? How did women writers test and refashion the claims or the grand self, the central 'I, ' we typically see in Romanticism? In this powerful and original study Meena Alexander examines the work of three women: Mary Wollstonecraft (1759-97) the radical feminist who typically thought of life as 'warfare' and revolted against the social condition of women; Dorothy Wordsworth (1771-1855) who lived a private life enclosed by the bonds of femininity, under the protection of her poet brother William and his family; Mary Shelley (1797-1851), the daughter that Wollstonecraft died giving birth to, mistress then wife of the poet Percy Shelley, and precocious author of Frankenstein. Contents: Introduction: Mapping a Female Romanticism; Romantic Feminine; True Appearances; Of Mothers and Mamas; Writing in Fragments; Natural Enclosures; Unnatural Creation; Revising the Feminine; Versions of the Sublime R


Women & Romanticism Vol1

Women & Romanticism Vol1
Author: Roxanne Eberle
Publisher: Routledge
Total Pages: 171
Release: 2020-01-08
Genre: Literary Collections
ISBN: 1000747646

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First published in 2006. Women and Romanticism’s first two volumes gather material from the vast body of work produced around the subjects of education and employment. VOLUME I covers Education and Employment in the Early Romantic Period. Until the 1980s, a five-volume collection of materials on ‘Women and Romanticism’ would have been inconceivable, since Romantic studies largely restricted itself to a consideration of the major male poets of the period (William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley and John Keats), When women were present in accounts of Romanticism, they were considered in terms of their literary function (as objects of representation), or in relation to their domestic (as mothers, daughters, wives and lovers of the authors). Indeed, the first Romantic women writers to enter academic discourse were those with familial connections to the canonized poets: Mary Wollstonecraft, Mary Shelley and Dorothy Wordsworth. Other writers of interest in the 1970s included Frances Burney and Jane Austen.


Women and Romanticism 5V

Women and Romanticism 5V
Author: Roxanne Eberle
Publisher: Taylor & Francis
Total Pages: 1984
Release: 2022-07-30
Genre: Literary Criticism
ISBN: 1000743659

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Demonstrating the breadth and scope of women’s writing in the Romantic period, this collection covers a variety of topics ranging across polemical treatises, private correspondence, philosophical and historical disquisitions, and poetry and prose fiction. Helping to contextualise the areas discussed, the collection includes a general introduction by the editor, which traces the history of criticism in the field, and thus current definitions of "Women and Romanticism", before going on to discuss the contents of each volume.


Romanticism and Women Poets

Romanticism and Women Poets
Author: Harriet Kramer Linkin
Publisher: University Press of Kentucky
Total Pages: 304
Release: 2014-10-17
Genre: Poetry
ISBN: 081315703X

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One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past theoretical frameworks. The contributors focus their attention on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of Romanticism as an intellectual and cultural phenomenon. Grounding their consideration of the poets in cultural, social, intellectual, and aesthetic concerns, the authors contest the received wisdom about Romantic poetry, its authors, its themes, and its audiences. Some of the essays examine the ways in which many of the poets sought to establish stable positions and identities for themselves, while others address the changing nature over time of the reputations of these women poets.


Romanticism, Gender, and Violence

Romanticism, Gender, and Violence
Author: Nowell Marshall
Publisher: Bucknell University Press
Total Pages: 221
Release: 2013-07-22
Genre: Literary Criticism
ISBN: 1611484677

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Combining queer theory with theories of affect, psychoanalysis, and Foucauldian genealogy, Romanticism, Gender, and Violence: Blake to George Sodini theorizes performative melancholia, a condition where, regardless of sexual orientation, overinvestment in gender norms causes subjects who are unable to embody those norms to experience socially expected (‘normal’) gender as something unattainable or lost. This perceived loss causes an ambivalence within the subject that can lead to self-inflicted violence (masochism, suicide) or violence toward others (sadism, murder). Reading a range of Romantic poetry and novels between 1790-1820, but ultimately moving beyond the period to show its contemporary cultural relevance through readings of Eliot’s The Mill on the Floss, Virginia Woolf’s Mrs. Dalloway, Andrew Holleran’s Dancer from the Dance, and George Sodini’s 2009 murder-suicide case, this study argues that we need to move beyond focusing on bullying, teens, and LGBT students and look at our cultural investment in gender normativity itself. Doing so allows us to recognize that the relationship between non-normative gender performance and violence is not simply a gay problem; it is a human problem that can affect people of any sex, sexuality, age, race, or ethnicity and one that we can trace back to the Romantic period. Bringing late 18th-century novels into conversation with both canonical and lesser-known Romantic poetry, allows us to see that, as people whose performance of gender occasionally exceeds the normal, we too often internalize these norms and punish ourselves or others for our inability to adhere to them. Contrasting paired chapters by male and female authors and including sections on failed romantic coupling, melancholic femininities, melancholic masculinities, failed gender performance and madness, and ending with a section titled After Romanticism, this study works on multiple levels to complicate previous understandings of gender and violence in Romanticism while also offering a model for contemporary issues relating to gender and violence among people who ‘fail’ to perform gender according to social norms.


Tracing Women's Romanticism

Tracing Women's Romanticism
Author: Kari E. Lokke
Publisher: Routledge
Total Pages: 208
Release: 2004-09-09
Genre: Language Arts & Disciplines
ISBN: 113430062X

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This volume argues that the künstlerromane of Mary Shelley, Bettine von Arnim, and George Sand offer feminist understandings of history and transcendence that constitute a critique of Romanticism from within.


Real and Imagined Women in British Romanticism

Real and Imagined Women in British Romanticism
Author: Gaura Shankar Narayan
Publisher: Peter Lang
Total Pages: 218
Release: 2010
Genre: Foreign Language Study
ISBN: 9781433104114

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"Real and Imagined Women in British Romanticism uses feminist ideology and deconstructive criticism to reconstruct the cultural context embedded in Romantic canonical texts. To achieve this end, the book undertakes a close textual study of these texts and places them in the intellectual context of Mary Wollstonecraft's critique of culture. As a result of intellectual contextuallzing as well as theoretical applications, the Romantic imagination, as represented by William Wordsworth and John Keats, emerges as the place where gender division and gender certitude break down. This book intervenes in the traditional critical debates about the Romantic imagination to show that the Romantic imagination, as set forth in these texts, registers the vigorous cultural politics of gender and aesthetics that defined the 1790s and continued to exert influence for decades." --Book Jacket.


Women, Epic, and Transition in British Romanticism

Women, Epic, and Transition in British Romanticism
Author: Elisa Beshero-Bondar
Publisher: University of Delaware
Total Pages: 267
Release: 2011
Genre: Literary Collections
ISBN: 1611490707

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Women, Epic, and Transition in British Romanticism argues that early nineteenth-century women poets contributed some of the most daring work in modernizing the epic genre. The book examines several long poems to provide perspective on women poets working with and against men in related efforts, contributing together to a Romantic movement of large-scale genre revision. Women poets challenged longstanding categorical approaches to gender and nation in the epic tradition, and they raised politically charged questions about women's importance in moments of historical crisis. While Romantic epics did not all engage in radical questioning or undermining of authority, this study calls attention to some of the more provocative poems in their approach to gender, culture, and history. This study prioritizes long poems written by and about women during the Romantic era, and does so in context with influential epics by male contemporaries. The book takes its cue from a dramatic increase in the publication of epics in the early nineteenth-century. At their most innovative, Romantic epics provoked questions about the construction of ideological meaning and historical memory, and they centralized women's experiences in entirely new ways to reflect on defeat, loss, and inevitable transition. For the first time the epic became an attractive genre for ambitious women poets. The book offers a timely response to recent groundbreaking scholarship on nineteenth-century epic by Herbert Tucker and Simon Dentith, and should be of interest to Romanticists and scholars of 18th- and 19th-century literature and history, gender and genre, and women's studies.