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| Author | : Frank Edgar Farley |
| Publisher | : |
| Total Pages | : 272 |
| Release | : 1903 |
| Genre | : Comparative literature |
| ISBN | : |
| Author | : R. R. Agrawal |
| Publisher | : Abhinav Publications |
| Total Pages | : 316 |
| Release | : 1990 |
| Genre | : Art |
| ISBN | : 9788170172628 |
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| Author | : F. W. Stokoe |
| Publisher | : Cambridge University Press |
| Total Pages | : 217 |
| Release | : 2013-10-10 |
| Genre | : Literary Criticism |
| ISBN | : 1107662745 |
Originally published in 1926, this book examines how interest in German literature in England grew immediately before and during the Romantic period.
| Author | : Andrew Radford |
| Publisher | : Routledge |
| Total Pages | : 268 |
| Release | : 2017-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351902474 |
In tracing those deliberate and accidental Romantic echoes that reverberate through the Victorian age into the beginning of the twentieth century, this collection acknowledges that the Victorians decided for themselves how to define what is 'Romantic'. The essays explore the extent to which Victorianism can be distinguished from its Romantic precursors, or whether it is possible to conceive of Romanticism without the influence of these Victorian definitions. Romantic Echoes in the Victorian Era reassesses Romantic literature's immediate cultural and literary legacy in the late nineteenth century, showing how the Victorian writings of Matthew Arnold, Wilkie Collins, the Brontës, the Brownings, Elizabeth Gaskell, Charles Dickens, Gerard Manley Hopkins, Thomas Hardy, and the Rossettis were instrumental in shaping Romanticism as a cultural phenomenon. Many of these Victorian writers found in the biographical, literary, and historical models of Chatterton, Coleridge, Byron, Shelley, Keats, and Wordsworth touchstones for reappraising their own creative potential and artistic identity. Whether the Victorians affirmed or revolted against the Romanticism of their early years, their attitudes towards Romantic values enriched and intensified the personal, creative, and social dilemmas described in their art. Taken together, the essays in this collection reflect on current critical dialogues about literary periodisation and contribute to our understanding of how these contemporary debates stem from Romanticism's inception in the Victorian age.
| Author | : Isaiah Berlin |
| Publisher | : |
| Total Pages | : 360 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : |
'I was exhausted at the end, & yet I am sure that if ever I saw & heard anyone in a true state of inspiration it was then.'So wrote Isaiah Berlin's secretary Lelia Brodersen to a friend in 1952, after hearing one of Berlin's Mary Flexner Lectures at Bryn Mawr College, Pennsylvania. POLITICAL IDEAS IN THE ROMANTIC AGE, written in preparation for these lectures, was heavily revised by Berlin afterwards, though he never brought it to final published form. But it is a work of the greatest interest, both for what Berlin says about his subject and for what it tells us about his own intellectual development. It is the only text he ever wrote in which he laid out in one connected account most of his key insights about the history of ideas in the period which he made his own - the 'romantic age'- the bridge between the eighteenth and ninetheenth centuries. This is also the mine from which Berlin quarried many of his well-known later publications, including 'Two Concepts of Liberty', 'Historical Inevitability' and his essays on Vico and Herder; the continuities and changes that appear when the earlier and later versions of his ideas are compared throw new light on his thought. Written in Berlin's characteristically accessible style, the book also contains much that is not to be found elsewhere in his writings. It is a distillate of his formative early work in the history of ideas, and the longest continuous text he ever wrote. The often problematic script left by Berlin has been edited for publication by Henry Hardy. Joshua Cherniss contributes an introduction setting the work in its context in Berlin's life and work, and a bibliography of related works by Berlin and others.
| Author | : Stephen Hancock |
| Publisher | : Routledge |
| Total Pages | : 214 |
| Release | : 2013-10-31 |
| Genre | : Literary Criticism |
| ISBN | : 1135492921 |
This study follows the aesthetic of the sublime from Burke and Kant, through Wordsworth and the Shelleys, into Thackeray, Dickens, Eliot and Hardy. Exploring the continuities between the romantic and Victorian "periods" that have so often been rather read as differences, the book demonstrates that the sublime mode enables the transition from a paradigm of overwhelming power exemplified by the body of the king to the pervasive power of surveillance utilized by the rising middle classes. While the domestic woman connected with the rise of the middle class is normally seen as beautiful, the book contends that the moral authority given to this icon of depth and interiority is actually sublime. The binary of the beautiful and the sublime seeks to contain the sublimity of womanhood by insisting on sublimity's masculine character. This is the book's most important claim: rather than exemplifying masculine strength, the sublime marks the transition to a system of power gendered as feminine and yet masks that transition because it fears the power it ostensibly accords to the feminine. This aesthetic is both an inheritance the Victorians receive from their romantic predecessors, and, more importantly, a broad historical phenomenon that questions the artificial boundaries between romantic and Victorian.
| Author | : E. Allison Peers |
| Publisher | : Cambridge University Press |
| Total Pages | : 377 |
| Release | : 2013-11-14 |
| Genre | : Literary Criticism |
| ISBN | : 1107639867 |
Originally published in 1940 as the first part of a two-volume study, this book examines the Romantic Movement in Spain from its roots in the Spanish Golden Age during the sixteenth and seventeenth centuries, to the Romantic revival in the nineteenth century and the ensuing conflict between Classicists and Romanticists, which abated after 1837. Peers looks at key texts in the history of the Romantic style, as well as external influences on Spanish style in this period of literary upheaval. This book will be of value to anyone with an interest in the history of Spanish literature or the Romantic Period.
| Author | : Claude-Hélène Mayer |
| Publisher | : Springer Nature |
| Total Pages | : 74 |
| Release | : 2023-06-01 |
| Genre | : Psychology |
| ISBN | : 3031295331 |
This research study explores the interlinkages of three major themes, namely transcultural romantic love relationships (TRLRs), sense of coherence (SOC), and identity development (ID) in individuals who are presently involved in romantic love relationships (RLR) with partners from different cultural or ethnic backgrounds. The study uses a qualitative research design within the hermeneutical interpretative research paradigm, aiming to understand the interlinkages of TRLR, SOC, and ID. Based on purposive and snowball sampling techniques, the study includes 22 participants (12 female and 10 male) between 23 and 68 years of age, from 14 different (self-defined) cultural backgrounds. At the time of the interview, participants had been in TRLRs for at least 6 months to a maximum of 26 years. Data were collected through semi-structured interviews and analysed through content analysis. Qualitative quality criteria and ethical considerations were applied. The findings show that TRLRs are firmly based on relationship qualities, strong feelings, common actions, spirituality, and future orientation. Further, the findings present clear interlinkages between TRLR and SOC, contributing positively to meaningfulness, manageability, and comprehensibility. Finally, TRLRs support SOC on intrapersonal, cultural, and interpersonal levels. In addition, they influence the development of identity awareness, actions, feelings, and sexual SOC. Conclusions, limitations, and recommendations for theory and practice are provided.
| Author | : Britta Martens |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 300 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 1409423042 |
Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference. --Publisher description.
| Author | : Peter Cook |
| Publisher | : Springer |
| Total Pages | : 276 |
| Release | : 2018-08-29 |
| Genre | : Literary Criticism |
| ISBN | : 3319967916 |
This book explores the relationship between Dickens and canonical Romantic authors: Blake, Wordsworth, Coleridge, Byron, Percy and Mary Shelley, and Keats. Addressing a significant gap in Dickens studies, four topics are identified: Childhood, Time, Progress, and Outsiders, which together constitute the main aspects of Dickens’s debt to the Romantics. Through close readings of key Romantic texts, and eight of Dickens’s novels, Peter Cook investigates how Dickens utilizes Romantic tropes to express his responses to the exponential growth of post-revolutionary industrial, technological culture and its effects on personal life and relationships. In this close study of Dickensian Romanticism, Cook demonstrates the enduring relevance of Dickens and the Romantics to contemporary culture.
