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Post-Romantic Consciousness

Post-Romantic Consciousness
Author: J. Beer
Publisher: Palgrave Macmillan
Total Pages: 0
Release: 2003-06-24
Genre: Literary Criticism
ISBN: 9781137018229

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In this sequel to his Romantic Consciousness, John Beer discusses further questionings of human consciousness; both the degree to which Dickens's conscious dramatizing differs from the subconscious workings of his psyche and the exploration of subliminal consciousness by nineteenth-century psychical researchers.


Post-Romantic Consciousness

Post-Romantic Consciousness
Author: J. Beer
Publisher: Springer
Total Pages: 204
Release: 2003-06-24
Genre: Literary Criticism
ISBN: 1403919313

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In this sequel to his Romantic Consciousness, John Beer discusses further questionings of human consciousness; both the degree to which Dickens's conscious dramatizing differs from the subconscious workings of his psyche and the exploration of subliminal consciousness by nineteenth-century psychical researchers.


Romanticism and Consciousness

Romanticism and Consciousness
Author: Harold Bloom
Publisher: W. W. Norton
Total Pages: 405
Release: 1970
Genre: History
ISBN: 9780393099546

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'Romanticism and Consciousness' is a comprehensive collection of essays on Romanticism-its intellectual and political backgrounds, its place in literary history, its continued relevance to the present age, its relation to psychoanalysis and other modern trends of thought-and on the major English Romantic poets. The topics covered include the relations between nature and consciousness, nature and revolution, and nature and literary form; the principal poets studied are Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats.


Consciousness

Consciousness
Author: Christof Koch
Publisher: MIT Press
Total Pages: 195
Release: 2012-03-09
Genre: Science
ISBN: 0262301032

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A fascinating exploration of the human brain that combines “the leading edge of consciousness science with surprisingly personal and philosophical reflection . . . shedding light on how scientists really think”—this is “science writing at its best” (Times Higher Education). In which a scientist searches for an empirical explanation for phenomenal experience, spurred by his instinctual belief that life is meaningful. What links conscious experience of pain, joy, color, and smell to bioelectrical activity in the brain? How can anything physical give rise to nonphysical, subjective, conscious states? Christof Koch has devoted much of his career to bridging the seemingly unbridgeable gap between the physics of the brain and phenomenal experience. This engaging book—part scientific overview, part memoir, part futurist speculation—describes Koch’s search for an empirical explanation for consciousness. Koch recounts not only the birth of the modern science of consciousness but also the subterranean motivation for his quest—his instinctual (if “romantic”) belief that life is meaningful. Koch describes his own groundbreaking work with Francis Crick in the 1990s and 2000s and the gradual emergence of consciousness (once considered a “fringy” subject) as a legitimate topic for scientific investigation. Present at this paradigm shift were Koch and a handful of colleagues, including Ned Block, David Chalmers, Stanislas Dehaene, Giulio Tononi, Wolf Singer, and others. Aiding and abetting it were new techniques to listen in on the activity of individual nerve cells, clinical studies, and brain-imaging technologies that allowed safe and noninvasive study of the human brain in action. Koch gives us stories from the front lines of modern research into the neurobiology of consciousness as well as his own reflections on a variety of topics, including the distinction between attention and awareness, the unconscious, how neurons respond to Homer Simpson, the physics and biology of free will, dogs, Der Ring des Nibelungen, sentient machines, the loss of his belief in a personal God, and sadness. All of them are signposts in the pursuit of his life's work—to uncover the roots of consciousness.


The Romance of Reality

The Romance of Reality
Author: Bobby Azarian
Publisher: BenBella Books
Total Pages: 321
Release: 2022-06-28
Genre: Science
ISBN: 1637740441

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Why do we exist? For centuries, this question was the sole province of religion and philosophy. But now science is ready to take a seat at the table. According to the prevailing scientific paradigm, the universe tends toward randomness; it functions according to laws without purpose, and the emergence of life is an accident devoid of meaning. But this bleak interpretation of nature is currently being challenged by cutting-edge findings at the intersection of physics, biology, neuroscience, and information theory—generally referred to as “complexity science.” Thanks to a new understanding of evolution, as well as recent advances in our understanding of the phenomenon known as emergence, a new cosmic narrative is taking shape: Nature’s simplest “parts” come together to form ever-greater “wholes” in a process that has no end in sight. In The Romance of Reality, cognitive neuroscientist Bobby Azarian explains the science behind this new view of reality and explores what it means for all of us. In engaging, accessible prose, Azarian outlines the fundamental misunderstanding of thermodynamics at the heart of the old assumptions about the universe’s evolution, and shows us the evidence that suggests that the universe is a “self-organizing” system, one that is moving toward increasing complexity and awareness. Cosmologist and science communicator Carl Sagan once said of humanity that “we are a way for the cosmos to know itself.” The Romance of Reality shows that this poetic statement in fact rests on a scientific foundation and gives us a new way to know the cosmos, along with a riveting vision of life that imbues existence with meaning—nothing supernatural required.


Romantic Consciousness

Romantic Consciousness
Author: J. Beer
Publisher: Springer
Total Pages: 223
Release: 2004-06-22
Genre: Literary Criticism
ISBN: 1403997217

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Revolutionary thinking at the end of the Eighteenth century prompted major English writers to probe the riddle of human consciousness and the ways in which it might differ from 'Being' in a divine or universal sense. In the first of two studies, John Beer traces this question in writings by Blake, Coleridge and Wordsworth, and the impact of their ideas on successors such as Keats, De Quincey, Byron and the Shelleys. Relevance to later figures such as the Cambridge Apostles and Tennyson is also discussed.


The Critical Romance

The Critical Romance
Author: Jean-Pierre Mileur
Publisher: Univ of Wisconsin Press
Total Pages: 242
Release: 1990
Genre: Literary Criticism
ISBN: 9780299124144

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Jean-Pierre Mileur asserts that "the literary tradition, the great tradition of the Romantics, is now being carried on by criticism," and that modern criticism "is a late Romantic literary genre, a distinctive form of the romance." By collapsing the boundaries between the literary and the literary-critical traditions, Mileur embarks on a thought-provoking analysis of literary criticism. Criticism becomes a modern version of the age-old quest romance, and the critic becomes a romantic hero--a brooding figure fraught with self-doubt who strives, like Browning's Childe Roland, despite knowledge of certain failure. The Critical Romance is an exciting intervention in the critical study of criticism, and makes a significant contribution to the study of Romanticism as well.


Legacies of Romanticism

Legacies of Romanticism
Author: Carmen Casaliggi
Publisher: Routledge
Total Pages: 318
Release: 2013-03-05
Genre: Literary Criticism
ISBN: 1136273492

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This book visits the Romantic legacy that was central to the development of literature and culture from the 1830s onward. Although critical accounts have examined aspects of this long history of indebtedness, this is the first study to survey both Nineteenth and Twentieth century culture. The authors consider the changing notion of Romanticism, looking at the diversity of its writers, the applicability of the term, and the ways in which Romanticism has been reconstituted. The chapters cover relevant historical periods and literary trends, including the Romantic Gothic, the Victorian era, and Modernism as part of a dialectical response to the Romantic legacy. Contributors also examine how Romanticism has been reconstituted within postmodern and postcolonial literature as both a reassessment of the Modernist critique and of the imperial contexts that have throughout this time-frame underpinned the Romantic legacy, bringing into focus the contemporaneity of Romanticism and its political legacy. This collection reveals the diversity and continuing relevance of the genre in new and exciting ways, offering insights into writers such as Browning, Ruskin, Pater, Wilde, Lewis, MacNeice, and Auster.


Romanticism and the Self-conscious Poem

Romanticism and the Self-conscious Poem
Author: Michael O'Neill
Publisher:
Total Pages: 360
Release: 1997
Genre: Language Arts & Disciplines
ISBN:

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This book explores the "self-conscious poem" - that is, a poem concerned with poetry that displays awareness of itself as poetry - in the work of the major Romantic poets, Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats. Michael O'Neill's readings freshly illuminate the imaginative distinction of many famous and often-studied poems, and revalue less regarded works. An extended coda looks at some post-Romantic poets, particularly Yeats, Stevens, Auden, and Clampitt, in the light of the book's central theme.


Post-Romantic Aesthetics in Contemporary British and Irish Poetry

Post-Romantic Aesthetics in Contemporary British and Irish Poetry
Author: Stefanie John
Publisher: Routledge
Total Pages: 248
Release: 2021-06-24
Genre: Literary Criticism
ISBN: 1000397750

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This book demonstrates the legacies of Romanticism which animate the poetry and poetics of Eavan Boland, Gillian Clarke, John Burnside, and Kathleen Jamie. It argues that the English Romantic tradition serves as a source of inspiration and critical contention for these Irish, Welsh, and Scottish poets, and it relates this engagement to wider concerns with gender, nation, and nature which have shaped contemporary poetry in Britain and Ireland. Covering a substantial number of works from the 1980s to the 2010s, the book discusses how Boland and Clarke, as women poets from the Republic of Ireland and Wales, react to a male-dominated and Anglocentric lyric tradition and thus rework notions of the Romantic. It examines how Burnside and Jamie challenge, adopt, and revise Romantic aesthetics of nature and environment. The book is the first in-depth study to read Boland, Clarke, Burnside, and Jamie as post-Romantics. By disentangling the aesthetic and critical conceptions of Romanticism which inform their inheritance, it develops an innovative approach to the understanding of contemporary poetry and literary influence.