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| Author | : Robert B. Bennett |
| Publisher | : University of Delaware Press |
| Total Pages | : 204 |
| Release | : 2000 |
| Genre | : Drama |
| ISBN | : 9780874136715 |
Shakespeare explored this question in Measure for Measure at a time when the humanist consensus of roughly a century's duration in English culture seemed about to be eclipsed by a hardening of the positions of people who held opposing views on social issues."--BOOK JACKET.
| Author | : Robert M. Ryan |
| Publisher | : Cambridge University Press |
| Total Pages | : 312 |
| Release | : 2004-07-29 |
| Genre | : Literary Criticism |
| ISBN | : 9780521604543 |
First book to examine the Romantic poets' engagement with the religious debates that dominated the period.
| Author | : Celestina Savonius-Wroth |
| Publisher | : Springer Nature |
| Total Pages | : 311 |
| Release | : 2022-01-17 |
| Genre | : History |
| ISBN | : 3030828557 |
This book is a major new contribution to the study of cultural identities in Britain and Ireland from the Reformation to Romanticism. It provides a fresh perspective on the rise of interest in British vernacular (or “folk”) cultures, which has often been elided with the emergence of British Romanticism and its Continental precursors. Here the Romantics’ discovery of and admiration for vernacular traditions is placed in a longer historical timeline reaching back to the controversies sparked by the Protestant Reformation. The book charts the emergence of a nuanced discourse about vernacular cultures, developing in response to the Reformers’ devastating attack on customary practices and beliefs relating to the natural world, seasonal festivities, and rites of passage. It became a discourse grounded in humanist Biblical and antiquarian scholarship; informed by the theological and pastoral problems of the long period of religious instability after the Reformation; and, over the course of the eighteenth century, colored by new ideas about culture drawn from Enlightenment historicism and empiricism. This study shows that Romantic literary primitivism and Romantic social thought, both radical and conservative, grew out of this rich context. It will be welcomed by historians of early modern and eighteenth-century Britain and those interested in the study of religious and vernacular cultures.
| Author | : William M. Reddy |
| Publisher | : University of Chicago Press |
| Total Pages | : 450 |
| Release | : 2012-07-09 |
| Genre | : History |
| ISBN | : 0226706281 |
In the twelfth century, the Catholic Church attempted a thoroughgoing reform of marriage and sexual behavior aimed at eradicating sexual desire from Christian lives. Seeking a refuge from the very serious condemnations of the Church and relying on a courtly culture that was already preoccupied with honor and secrecy, European poets, romance writers, and lovers devised a vision of love as something quite different from desire. Romantic love was thus born as a movement of covert resistance. In The Making of Romantic Love: Longing and Sexuality in Europe, South Asia, and Japan, William M. Reddy illuminates the birth of a cultural movement that managed to regulate selfish desire and render it innocent—or innocent enough. Reddy strikes out from this historical moment on an international exploration of love, contrasting the medieval development of romantic love in Europe with contemporaneous eastern traditions in Bengal and Orissa, and in Heian Japan from 900-1200 CE, where one finds no trace of an opposition between love and desire. In this comparative framework, Reddy tells an appealing tale about the rise and fall of various practices of longing, underscoring the uniqueness of the European concept of sexual desire.
| Author | : Christina Wald |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 298 |
| Release | : 2014-08-27 |
| Genre | : Literary Criticism |
| ISBN | : 3110394960 |
This study takes a fresh look at the abundant scenarios of disguise in early modern prose fiction and suggests reading them in the light of the contemporary religio-political developments. More specifically, it argues that Elizabethan narratives adopt aspects of the heated Eucharist debate during the Reformation, including officially renounced notions like transubstantiation, to negotiate culturally pressing concerns regarding identity change. Drawing on the rich field of research on the adaptation of pre-Reformation concerns in Anglican England, the book traces a cross-fertilisation between the Reformation and the literary mode of romance. The study brings together topics which are currently being strongly debated in early modern studies: the turn to religion, a renewed interest in aesthetics, and a growing engagement with prose fiction. Narratives which are discussed in detail are William Baldwin’s Beware the Cat, Robert Greene’s Pandosto and Menaphon, Philip Sidney’s Old and New Arcadia, and Thomas Lodge’s Rosalynd and A Margarite of America, George Gascoigne’s Steele Glas, John Lyly’s Euphues: An Anatomy of Wit and Euphues and his England, Barnabe Riche’s Farewell, Greene’s A Quip for an Upstart Courtier, and Thomas Nashe’s The Unfortunate Traveller.
| Author | : Tiffany J. Werth |
| Publisher | : JHU Press |
| Total Pages | : 247 |
| Release | : 2011-12 |
| Genre | : Literary Criticism |
| ISBN | : 1421403013 |
Romances were among the most popular books in the sixteenth and seventeenth centuries among both Protestant and Catholic readers. Modeled after Catholic narratives, particularly the lives of saints, these works emphasized the supernatural and the marvelous, themes commonly associated with Catholicism. In this book, Tiffany Jo Werth investigates how post-Reformation English authors sought to discipline romance, appropriating its popularity while distilling its alleged Catholic taint. Charged with bewitching readers, especially women, into lust and heresy, romances sold briskly even as preachers and educators denounced them as papist. Protestant reformers, as part of their broader indictment of Catholicism, sought to redirect certain elements of the Christian tradition, including this notorious literary genre. Werth argues that through the writing and circulation of romances, Protestants repurposed their supernatural and otherworldly motifs in order to “fashion,” as Edmund Spenser wrote, godly "vertuous" readers. Through careful examinations of the period’s most renowned romances—Sir Philip Sidney’s The Countess of Pembrokes Arcadia, Spenser’s The Faerie Queen, William Shakespeare’s Pericles, and Lady Mary Wroth’s Urania—Werth illustrates how post-Reformation writers struggled to transform the literary genre. As a result, the romance, long regarded as an archetypal form closely allied with generalized Christian motifs, emerged as a central tenet of the religious controversies that divided Renaissance England.
| Author | : Mimi Ensley |
| Publisher | : Manchester University Press |
| Total Pages | : 279 |
| Release | : 2023-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 1526157888 |
Medieval romances were widely condemned by early modern thinkers: the genre of questing knights and marvellous adventure was decried as bloody, bawdy and superstitious. Despite such proclamations, though, the Middle English romance genre remained popular across the early modern period. Difficult pasts examines the reception of Middle English romances after the Protestant Reformation in England, arguing that the genre’s popularity rested not in its violent or superstitious qualities, but in its multivocality. Incorporating insights from book history, reception history and cultural memory studies, Ensley argues that the medieval romance book became a flexible site of memory with which early modern readers could both connect with and distance themselves from the recent ‘difficult past’, a past that invited controversy and encouraged divided perspectives. Central characters in this study range from canonical authors like Geoffrey Chaucer and Edmund Spenser to less studied figures, such as printer William Copland, Elizabethan scribe Edward Banister and seventeenth-century poet and romance enthusiast, John Lane. In uniting a wide range of romance readers’ perspectives, the book complicates clear ruptures between manuscript and print, Catholic and Protestant, or medieval and Renaissance. Difficult pasts reveals how the romance book offers a new way to understand the simultaneous change and continuity that defines post-Reformation England.
| Author | : William Roscoe Estep |
| Publisher | : Wm. B. Eerdmans Publishing |
| Total Pages | : 354 |
| Release | : 1986 |
| Genre | : History |
| ISBN | : 9780802800503 |
Readable and informative, this major text in Reformation history is a detailed exploration of the many facets of the Reformation, especially its relationship to the Renaissance. Estep pays particular attention to key individuals of the period, including Wycliffe, Huss, Erasmus, Luther, Zwingli, and Calvin. Illustrated with maps and pictures.
| Author | : Robert Bennett |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2000-04 |
| Genre | : Literary Criticism |
| ISBN | : 9781611491838 |
This book argues that Measure for Measure is not a cynical problem play but a comic romance through which Shakespeare examines Tudor humanism's desire to reform social ills through art.
| Author | : Deborah Alcock |
| Publisher | : |
| Total Pages | : 310 |
| Release | : 1908 |
| Genre | : Protestantism |
| ISBN | : |
