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| Author | : Laura Salah Nasrallah |
| Publisher | : Cambridge University Press |
| Total Pages | : 351 |
| Release | : 2010-01-25 |
| Genre | : Architecture |
| ISBN | : 0521766524 |
Laura Nasrallah argues that early Christian literature is best understood when read alongside the archaeological remains of Roman antiquity.
| Author | : Jaś Elsner |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 344 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : 9780192842015 |
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford
| Author | : Charles Rufus Morey |
| Publisher | : |
| Total Pages | : 220 |
| Release | : 1924 |
| Genre | : Excavations (Archaeology) |
| ISBN | : |
| Author | : Franz Wickhoff |
| Publisher | : |
| Total Pages | : 256 |
| Release | : 1900 |
| Genre | : Art, Roman |
| ISBN | : |
| Author | : Robin M. Jensen |
| Publisher | : Routledge |
| Total Pages | : 398 |
| Release | : 2018-05-20 |
| Genre | : History |
| ISBN | : 1317514173 |
The Routledge Handbook of Early Christian Art surveys a broad spectrum of Christian art produced from the late second to the sixth centuries. The first part of the book opens with a general survey of the subject and then presents fifteen essays that discuss specific media of visual art—catacomb paintings, sculpture, mosaics, gold glass, gems, reliquaries, ceramics, icons, ivories, textiles, silver, and illuminated manuscripts. Each is written by a noted expert in the field. The second part of the book takes up themes relevant to the study of early Christian art. These seven chapters consider the ritual practices in decorated spaces, the emergence of images of Christ’s Passion and miracles, the functions of Christian secular portraits, the exemplary mosaics of Ravenna, the early modern history of Christian art and archaeology studies, and further reflection on this field called “early Christian art.” Each of the volume’s chapters includes photographs of many of the objects discussed, plus bibliographic notes and recommendations for further reading. The result is an invaluable introduction to and appraisal of the art that developed out of the spread of Christianity through the late antique world. Undergraduate and graduate students of late classical, early Christian, and Byzantine culture, religion, or art will find it an accessible and insightful orientation to the field. Additionally, professional academics, archivists, and curators working in these areas will also find it valuable as a resource for their own research, as well as a textbook or reference work for their students.
| Author | : Maia Kotrosits |
| Publisher | : Fortress Press |
| Total Pages | : 279 |
| Release | : 2015-02-01 |
| Genre | : Religion |
| ISBN | : 1451494262 |
Maia Kotrosits challenges the contemporary notion of “early Christian literature,” showing that a number of texts usually so described—including Hebrews, Acts, the Gospel of John, Colossians, 1 Peter, the letters of Ignatius, the Gospel of Truth, and the Secret Revelation of John—are “not particularly interested” in a distinctive Christian identity. By appealing to trauma studies and diaspora theory and giving careful attention to the dynamics within these texts, she shows that this sample of writings offers complex reckonings with chaotic diasporic conditions and the transgenerational trauma of colonial violence.
| Author | : Yukako Suzawa |
| Publisher | : British Archaeological Reports Oxford Limited |
| Total Pages | : 184 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
This study of the beginnings of Christian art looks at the period when Christianity co-existed alongside paganism, and identifies juxtapositions of paganism in Christian art. Chapters discuss iconography and ritual space, architecture, and the re-use of monuments and other artworks. Throughout Suzawa uses the theological concept of syncretism to analyse these juxtapositions.
| Author | : Lee M. Jefferson |
| Publisher | : Fortress Press |
| Total Pages | : 368 |
| Release | : 2015-10-01 |
| Genre | : Religion |
| ISBN | : 1506402844 |
In recent years, art historians such as Johannes Deckers (Picturing the Bible, 2009) have argued for a significant transition in fourth- and fifth-century images of Jesus following the conversion of Constantine. Broadly speaking, they perceive the image of a peaceful, benevolent shepherd transformed into a powerful, enthroned Jesus, mimicking and mirroring the dominance and authority of the emperor. The powers of church and state are thus conveniently synthesized in such a potent image. This deeply rooted position assumes that ante-pacem images of Jesus were uniformly humble while post-Constantinian images exuded the grandeur of power and glory. The Art of Empire contends that the art and imagery of Late Antiquity merits a more nuanced understanding of the context of the imperial period before and after Constantine. The chapters in this collection each treat an aspect of the relationship between early Christian art and the rituals, practices, or imagery of the Empire, and offer a new and fresh perspective on the development of Christian art in its imperial background.
| Author | : Jeffrey Spier |
| Publisher | : Yale University Press |
| Total Pages | : 334 |
| Release | : 2007-01-01 |
| Genre | : Art |
| ISBN | : 9780300116830 |
Published on the occasion of the exhibition organized by the Kimbell Art Museum and shown there November 18, 2007 - March 30, 2008.
| Author | : Guntram Koch |
| Publisher | : |
| Total Pages | : 236 |
| Release | : 1996 |
| Genre | : Art |
| ISBN | : |
The early Christian period, especially the time between the third and sixth centuries, is one of the most fascinating in church history. The Christianity which developed into a state church in the Roman empire during the fourth century gave new content to traditional Graeco-Roman art and adapted it to changed needs. Different forms of churches, monasteries and baptisms came into being, as did Christian art in paintings, mosaics and sculptures; biblical manuscripts were illustrated and liturgical furnishings and vessels were given new form. Here for the first time in a single volume is an account of architecture sacred and profane, funerary art in catacombs and tombs and especially sarcophagi, the graphic arts and the various forms of art in miniature. The text is illustrated with numerous line drawings and photographs, including ground plans and elevations of churches, actual and conjectural, and there are full descriptions of the art and architecture discussed against its social and historical background. In addition there are full bibliographies and details of the most important collections of Christian art. This will prove not only an invaluable work for art historians but also a guide for those travelling in the Mediterranean area and an indication of the riches of the first centuries of the church. Guntram Koch is Professor of Christian Archaeology and the History of Byzantine Art in the University of Marburg.
