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Role-Play and the World as Stage in the Comedia

Role-Play and the World as Stage in the Comedia
Author: Jonathan Thacker
Publisher: Liverpool University Press
Total Pages: 218
Release: 2002-04-01
Genre: Literary Criticism
ISBN: 1781388296

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The theatrum mundi metaphor was well-known in the Golden Age, and was often employed, notably by Calderón in his religious theatre. However, little account has been given of the everyday exploitation of the idea of the world as stage in the mainstream drama of the Golden Age. This study examines how and why playwrights of the period time and again created characters who dramatise themselves, who re-invent themselves by performing new roles and inventing new plots within the larger frame of the play. The prevalence of metatheatrical techniques among Golden Age dramatists, including Lope de Vega, Tirso de Molina, Calderón de la Barca and Guillén de Castro, reveals a fascination with role-playing and its implications. Thacker argues that in comedy, these playwrights saw role-playing as a means by which they could comment on and criticise the society in which they lived, and he reveals a drama far less supportive of the social status quo in Golden Age Spain than has been traditionally thought to be the case.


Staging the Spanish Golden Age

Staging the Spanish Golden Age
Author: Kathleen Jeffs
Publisher: Oxford University Press
Total Pages: 265
Release: 2018
Genre: Literary Criticism
ISBN: 019881934X

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In this volume, Kathleen Jeffs draws on first-hand experience of the Royal Shakespeare Company's rehearsal room for the 2004-05 Spanish Golden Age season to put forth a collaborative model for translating, rehearsing, and performing Spanish Golden Age drama. Building on the RSC season, the volume offers methodologies for translation and communication that can feed the creative processes of actors and directors, while maintaining an ethos of fidelity with regards to the original texts. It argues that collaboration between academics and theatre practitioners was instrumental in the success of the season and that the work carried out has repercussions for critical debate of Comedia. The volume posits a model for future productions of the Comedia in English, one that recognizes the need for the languages of the scholar and the theatre artist to be made mutually intelligible by the use of collaborative strategies, mediated by a consultant or dramaturg proficient in both tongues. This model applies more generally to theatrical collaborations involving a translator, writer and director, and will be useful for translation and performance processes in any language.


Women's Somatic Training in Early Modern Spanish Theater

Women's Somatic Training in Early Modern Spanish Theater
Author: Elizabeth Marie Cruz Petersen
Publisher: Taylor & Francis
Total Pages: 158
Release: 2016-11-03
Genre: Literary Criticism
ISBN: 1134780737

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Drawing from early modern plays and treatises on the precepts and practices of the acting process, this study shows how the early modern Spanish actress subscribed to various somatic practices in an effort to prepare for a role. It provides today's reader not only another perspective to the performance aspect of early modern plays, but also a better understanding of how the woman of the theater succeeded in a highly scrutinized profession. Elizabeth Marie Cruz Petersen examines examples of comedias from playwrights such as Lope de Vega, Luis Vélez de Guevara, Tirso de Molina, and Ana Caro, historical documents, and treatises to demonstrate that the women of the stage transformed their bodies and their social and cultural environment in order to succeed in early modern Spanish theater. Women's Somatic Training in Early Modern Spanish Theater is the first full-length, in-depth study of women actors in seventeenth-century Spain. Unique in the field of comedia studies, it approaches the topic from a performance perspective, using somaesthetics as a tool to explain how an artist's lived experiences and emotions unite in the interpretation of art, reconfiguring her "self" via the transformation of habit.


The Criminal Baroque

The Criminal Baroque
Author: Ted Lars Lennard Bergman
Publisher: Boydell & Brewer
Total Pages: 271
Release: 2021
Genre: Drama
ISBN: 1855663392

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TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.


A Companion to Golden Age Theatre

A Companion to Golden Age Theatre
Author: Jonathan Thacker
Publisher: Boydell & Brewer Ltd
Total Pages: 248
Release: 2007
Genre: Spanish drama
ISBN: 9781855661400

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As well as dealing with the lives and major works of the most significant playwrights of the period, this text focuses on other aspects of the growth and maturing of Golden Age theatre, reflecting the interests and priorities of modern scholarship.


Commedia dell'Arte Scenarios

Commedia dell'Arte Scenarios
Author: Sergio Costola
Publisher: Routledge
Total Pages: 280
Release: 2021-11-11
Genre: Performing Arts
ISBN: 1000471489

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Commedia dell'Arte Scenarios gathers together a collection of scenarios from some of the most important Commedia dell'Arte manuscripts, many of which have never been published in English before. Each script is accompanied by an editorial commentary that sets out its historical context and the backstory of its composition and dramaturgical strategies, as well as scene summaries, and character and properties lists. These supplementary materials not only create a comprehensive picture of each script’s performance methods but also offer a blueprint for readers looking to perform the scenarios as part of their own study or professional practice. This collection offers scholars, performers and students a wealth of original performance texts that brig to life one of the most foundational performance genres in world theatre.


Poetics of Friendship in Early Modern Spain

Poetics of Friendship in Early Modern Spain
Author: Gilbert-Santamaria Donald Gilbert-Santamaria
Publisher: Edinburgh University Press
Total Pages: 291
Release: 2020-09-21
Genre: Literary Criticism
ISBN: 1474458076

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Friendship as a poetic principle in early modern Spanish literary worksDonald Gilbert-Santamara shows how the Aristotelian-Ciceronian notion of perfect male friendship operates as an independent poetic force within the development of Spanish literature in the sixteenth and early seventeenth centuries. He traces the trajectory for such a poetics through key prose and theatrical works culminating in an analysis of Don Quixote where friendship emerges as an important formal influence in Cervantes's novel. With chapters covering several important genres from the period including the pastoral novel and the comedia, the book explores the relationship between friendship and other key problems associated with literary representation in the period: subjectivity, exemplarity and imitatio, among others.


A Companion to Lope de Vega

A Companion to Lope de Vega
Author: Alexander Samson
Publisher: Boydell & Brewer Ltd
Total Pages: 406
Release: 2008
Genre: Literary Criticism
ISBN: 1855661683

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An assessment of the life, work and reputation of Spain's leading Golden Age dramatist


The Reinvention of Theatre in Sixteenth-century Europe

The Reinvention of Theatre in Sixteenth-century Europe
Author: T.F. Earle
Publisher: Routledge
Total Pages: 341
Release: 2017-07-05
Genre: Foreign Language Study
ISBN: 1351541153

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The sixteenth century was an exciting period in the history of European theatre. In the Iberian Peninsula, Italy, France, Germany and England, writers and actors experimented with new dramatic techniques and found new publics. They prepared the way for the better-known dramatists of the next century but produced much work which is valuable in its own right, in Latin and in their own vernaculars. The popular theatre of the Middle Ages gave endless material for reinvention by playwrights, and the legacy of the ancient world became a spur to creativity, in tragedy and comedy. As soon as readers and audiences had taken in the new plays, they were changed again, taking new forms as the first experiments were themselves modified and reinvented. Writers constantly adapted the texts of plays to meet new requirements. These and other issues are explored by a group of international experts from a comparative perspective, giving particular emphasis to one of the great European comic dramatists, the Portuguese Gil Vicente. Tom Earle is King John II Professor of Portuguese at Oxford. Catarina Fouto is a Lecturer in Portuguese at King's College London.


Cervantes, the Golden Age, and the Battle for Cultural Identity in 20th-Century Spain

Cervantes, the Golden Age, and the Battle for Cultural Identity in 20th-Century Spain
Author: Ana María G. Laguna
Publisher: Bloomsbury Publishing USA
Total Pages: 316
Release: 2021-07-29
Genre: Literary Criticism
ISBN: 1501374931

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Studies that connect the Spanish 17th and 20th centuries usually do so through a conservative lens, assuming that the blunt imperialism of the early modern age, endlessly glorified by Franco's dictatorship, was a constant in the Spanish imaginary. This book, by contrast, recuperates the thriving, humanistic vision of the Golden Age celebrated by Spanish progressive thinkers, writers, and artists in the decades prior to 1939 and the Francoist Regime. The hybrid, modern stance of the country in the 1920s and early 1930s would uniquely incorporate the literary and political legacies of the Spanish Renaissance into the ambitious design of a forward, democratic future. In exploring the complex understanding of the multifaceted event that is modernity, the life story and literary opus of Miguel de Cervantes (1547-1616) acquires a new significance, given the weight of the author in the poetic and political endeavors of those Spanish left-wing reformists who believed they could shape a new Spanish society. By recovering their progressive dream, buried for almost a century, of incipient and full Spanish modernities, Ana María G. Laguna establishes a more balanced understanding of both the modern and early modern periods and casts doubt on the idea of a persistent conservatism in Golden Age literature and studies. This book ultimately serves as a vigorous defense of the canonical as well as the neglected critical traditions that promoted Cervantes's humanism in the 20th century.