Rock Art of South-East Cape York
| Author | : Percy J. Trezise |
| Publisher | : |
| Total Pages | : 131 |
| Release | : 1990 |
| Genre | : |
| ISBN | : |
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Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Rock Art Of South East Cape York PDF full book. Access full book title Rock Art Of South East Cape York.
The Figured Landscapes of Rock-Art
| Author | : George Nash |
| Publisher | : Cambridge University Press |
| Total Pages | : 424 |
| Release | : 2004-04 |
| Genre | : Art |
| ISBN | : 9780521524247 |
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A companion to The Archaeology of Rock-Art (Cambridge 1998), this new collection edited by Christopher Chippindale and George Nash addresses the most important component around the rock-art panel - its landscape. The Figured Landscapes of Rock-Art draws together the work of many well-known scholars from key regions of the world for rock-art and for rock-art research. It provides a unique, broad and varied insight into the arrangement, location, and structure of rock-art and its place within the landscapes of ancient worlds as ancient people experienced them. Packed with illustrations, as befits a book about images, The Figured Landscapes of Rock-Art offers a visual as well as a literary key to the understanding of this most lovely and alluring of archaeological traces.
Quinkan Country
| Author | : Laura Cultural Heritage Body Inc. |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023-07-07 |
| Genre | : Electronic books |
| ISBN | : 9780645767995 |
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Quinkan Country refers to the lands around the small township of Laura in southeast Cape York Peninsula, Queensland, Australia. The area was added to the National Heritage List in recognition of its spectacular rock art, as featured in this book. This book shares Aboriginal traditional knowledge about the rock art and cultural heritage of Quinkan Country with readers, with proceeds going to help the Laura Rangers care for Quinkan Country.
Histories of Australian Rock Art Research
| Author | : Jo McDonald |
| Publisher | : ANU Press |
| Total Pages | : 306 |
| Release | : 2022-09-06 |
| Genre | : Social Science |
| ISBN | : 1760465364 |
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Australia has one of the largest inventories of rock art in the world with pictographs and petroglyphs found almost anywhere that has suitable rock surfaces – in rock shelters and caves, on boulders and rock platforms. First Nations people have been marking these places with figurative imagery, abstract designs, stencils and prints for tens of thousands of years, often engaging with earlier rock markings. The art reflects and expresses changing experiences within landscapes over time, spirituality, history, law and lore, as well as relationships between individuals and groups of people, plants, animals, land and Ancestral Beings that are said to have created the world, including some rock art. Since the late 1700s, people arriving in Australia have been fascinated with the rock art they encountered, with detailed studies commencing in the late 1800s. Through the 1900s an impressive body of research on Australian rock art was undertaken, with dedicated academic study using archaeological methods employed since the late 1940s. Since then, Australian rock art has been researched from various perspectives, including that of Traditional Owners, custodians and other community members. Through the 1900s, there was also growing interest in Australian rock art from researchers across the globe, leading many to visit or migrate to Australia to undertake rock art research. In this volume, the varied histories of Australian rock art research from different parts of the country are explored not only in terms of key researchers, developments and changes over time, but also the crucial role of First Nations people themselves in investigations of this key component of their living heritage.
Quinkan Prehistory
| Author | : Mike J. Morwood |
| Publisher | : |
| Total Pages | : 228 |
| Release | : 1995 |
| Genre | : Aboriginal Australians |
| ISBN | : |
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Collection of 15 papers on aspects of the archaeology of the region from Laura to Princess Charlotte Bay, S.E. Cape York, Queensland; includes excavation report; environmental and palaeoecological studies; papers on local history, ethnography, rock art and technological change by Morwood; Ruig and Morwood; Cole; Morwood and LOste-Brown annotated separately.
Rock Art of South-east Cape York
| Author | : Percy J. Trezise |
| Publisher | : |
| Total Pages | : 142 |
| Release | : 1971 |
| Genre | : Art |
| ISBN | : |
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Rock art of south-east Cape York; introduction describes discovery of paintings in Laura area, discusses topography of rock shelters, notes occupation of shelters in wet season, collection of water in bark containers at edge of shelter, lists tribal groups on sandstone plateaux from coast north of Cooktown to Palmer River (Gugu-Yalanji, Gugu-Imudji, Gugu-Warra, Gugu-Bullangi, Gugu-Minni), notes on settlement of Cape York by Europeans, subjects in the paintings (culture heroes, animal motifs), relationship between art and magic, sorcery methods, love magic; stencils, pigments, grinding stones, petroglyphs - notes groups found at Laura River west crossing, St George River, Quinkan galleries, Umbrella Tree Creek, Hann River, motifs, outside influences on Cape York art; recording methods, classification, reasons used in motivation summary listed with explanations; for each area lists galleries giving designs, colours, analysis, remarks - Area I, Crocodile Galleries (Crocodile Station, 18m. south east of Laura), Emu Gallery (2m. north east of the Crocodile Galleries), Pig Gallery (40 yards east of Emu Gallery); Area II, Mushroom Rock (6m. south east of Laura, 2m. north of Laura River), Quinkan Galleries (10m. south east of Laura) - remarks include notes on initiation use, X-ray paintings; Giant Horse Galleries (l0m. south east of Laura) - pig & horse motifs, legends; Area III, Split Rock Group (8m. south east of Laura); Areas IV, Gugu- Yalanji Main Camp Group (1m. west of Split Rock); Area V, Ginger Creek Galleries (8-10m. east of Laura); Area VIII, Red Bluff - Jowolbinna (20m. south west of Laura); Area XI, Mun Gin Creek Galleries (40m. south south west of Laura); Area XIII, Hann River (21m. south west of Roolburra homestead); Area XIV, Bull Creek Gallery (35m. north west of Cooktown), Hopevale Turnoff Galleries ((22m. north west of Cooktown), Normanby River Road Galleries (37m. north west of Cooktown); Area XV, Platform Gallery (26m. northwest of Cooktown); Conclusions, discusses distribution of motifs by subject, importance of paintings in sorcery rites, styles & colours, chronology, evidence from Lardil, Olkula & Wik- Munchan legends, affinities between groups, traits (head shapes).
Visions from the Past
| Author | : M. J. Morwood |
| Publisher | : Allen & Unwin |
| Total Pages | : 376 |
| Release | : 2002-07 |
| Genre | : History |
| ISBN | : 9781741150049 |
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Visions from the Past is a clear and comprehensive examination of Aboriginal rock art. It also provides a practical overview of precisely how and why archaeologist study prehistoric art.
Open-Air Rock-Art Conservation and Management
| Author | : Timothy Darvill |
| Publisher | : Routledge |
| Total Pages | : 318 |
| Release | : 2014-06-20 |
| Genre | : Art |
| ISBN | : 1135014736 |
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While much has been achieved in understanding and managing weather effects and erosion phenomena affecting ancient imagery within the relatively protected environments of caves and rock-shelters, the same cannot be said of rock-art panels situated in the open-air. Despite the fact that the number of known sites has risen dramatically in recent decades there are few examples in which the weathering and erosion dynamics are under investigation with a view to developing proposals to mitigate the impact of natural and cultural processes. Most of the work being done in different parts of the world appears to be ad-hoc, with minimal communication on such matters between teams and with the wider archaeological community. This richly illustrated book evaluates rock-art conservation in an holistic way, bringing together researchers from across the world to share experiences of work in progress or recently completed. The chapters focus on a series of key themes: documentation projects and resource assessments; the identification and impact assessment of weathering/erosion processes at work in open-air rock-art sites; the practicalities of potential or implemented conservation interventions; experimentation and monitoring programs; and general management issues connected with public presentation and the demands of ongoing research investigations. Consideration is given to the conservation of open-air rock-art imagery from many periods and cultural traditions across the Old and New Worlds. This timely volume will be of interest to conservators, managers, and researchers dealing with aesthetic and ethical issues as well as technical and practical matters regarding the conservation of open-air rock-art sites.
The Oxford Handbook of the Archaeology and Anthropology of Rock Art
| Author | : Bruno David |
| Publisher | : Oxford University Press |
| Total Pages | : 1168 |
| Release | : 2018-10-17 |
| Genre | : Social Science |
| ISBN | : 0190844957 |
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Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
Australian Rock Art
| Author | : Robert Layton |
| Publisher | : Cambridge University Press |
| Total Pages | : 306 |
| Release | : 1992-11-27 |
| Genre | : Art |
| ISBN | : 0521346665 |
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A survey of Australian rock art, presenting detailed case studies revealing the significance of both recent and ancient art for Australia's living indigenous communities.
