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Robin Hood in Popular Culture

Robin Hood in Popular Culture
Author: Thomas G. Hahn
Publisher: Boydell & Brewer
Total Pages: 300
Release: 2000
Genre: Literary Criticism
ISBN: 9780859915649

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Studies of varied aspects of Robin Hood legends and associated topics: the greenwood, archery, outlawry, and 20c response to the legends. The Robin Hood tradition has had a continuing appeal from the middle ages to the present day, the hero himself holding a distinctive place within popular culture, his exploits, and those of his companions, being celebrated in multiple forms, from the earliest rituals, plays and ballads to musical theatre, lyric poetry, modern popular fiction, cinema and TV. The essays in this volume provide a rich and coherent perspective on this enigmatic figure and the legends which have grown up around him, offering a wide range of approaches. Topics include place-name study; examinations of surviving manuscripts and their cultural context; appraisals of the links between Robin Hood and medievalarchery; other medieval outlaws; mythic figures such as the Green Man; patterns of masculine and feminine identity; and the popularity of Robin Hood on stage and screen, in comic books and videos, and in modern Japan. There are also extended overviews of the hero's origins and status; and the future of Robin Hood studies. Professor THOMAS HAHN teaches in the Department of English at the University of Rochester, New York. Contributors: THOMAS HAHN, FRANK ABBOTT, SARAH BEACH, LAURA BLUNK, KELLY DEVRIES, R.B. DOBSON, MICHAEL EATON, KEVIN J. HARTY, STUART KANE, STEPHEN KNIGHT, DAVID LAMPE, GARY YERSHON


Robin Hood: People's Outlaw and Forest Hero

Robin Hood: People's Outlaw and Forest Hero
Author: Paul Buhle
Publisher: PM Press
Total Pages: 157
Release: 2011-12-01
Genre: History
ISBN: 1604866594

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Where and what was Robin Hood? Why is an outlaw from fourteenth century England still a hero today, with films, festivals and songs dedicated to his living memory? This book explores the mysteries, the historical evidence, and the trajectory that led to centuries of village festivals around Mayday and the green space of nature unconquered by the forces in power. Great revolutionaries including William Morris adopted Robin as hero, children’s books offered many versions, and Robin entered modern popular culture with cheap novels, silent films and comics. There, in the world of popular culture, Robin Hood continues to holds unique and secure place. The “bad-good” hero of pulp urban fiction of the 1840s–50s, and more important, the Western outlaw who thwarts the bankers in pulps, films, and comics, is essentially Robin Hood. So are Zorro, the Cisco Kid, and countless Robin Hood knockoff characters in various media. Robin Hood has a special resonance for leftwing influences on American popular culture in Hollywood, film and television. During the 1930s–50s, future blacklist victims devised radical plots of “people’s outlaws,” including anti-fascist guerilla fighters, climaxing in The Adventures of Robin Hood, network television 1955–58, written under cover by victims of the Blacklist, seen by more viewers than any other version of Robin Hood. Robin Hood: People’s Outlaw and Forest Hero also features 30 pages of collages and comic art, recuperating the artistic interpretations of Robin from seven centuries, and offering new comic art as a comic-within-a book. With text by Paul Buhle, comics and assorted drawings by Christopher Hutchinson, Gary Dumm, and Sharon Rudahl; Robin Hood: People’s Outlaw and Forest Hero adds another dimension to the history and meaning of rebellion.


Some Merry Adventures of Robin Hood

Some Merry Adventures of Robin Hood
Author:
Publisher:
Total Pages: 204
Release: 1911
Genre: Robin Hood (Legendary character)
ISBN:

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Twelve selected adventures of Robin Hood and his outlaw band who stole from the rich to give to the poor.


Robin Hood

Robin Hood
Author: Stephen Knight
Publisher: Cornell University Press
Total Pages: 280
Release: 2003
Genre: Biography & Autobiography
ISBN: 9780801438851

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In this engaging and deeply informed book, Knight looks at the different manifestations of Robin Hood at different times and places in a mythic biography with a thematic structure. Illustrations.


The Legend of Robin Hood

The Legend of Robin Hood
Author: Julia McDonnell
Publisher: Gareth Stevens Publishing LLLP
Total Pages: 34
Release: 2015-07-15
Genre: Juvenile Nonfiction
ISBN: 1482427508

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Stories of the outlaw archer Robin Hood reach back to medieval times. However, movies, books, comic books, and television shows about him still populate our popular culture. Readers will not only become absorbed by the legend of the folk hero, complete with his Merry Men and the evil Sheriff of Nottingham, they'll be intrigued by the debate about whether Robin Hood is based on a real person. Famous illustrations and fun facts abound in this high-interest volume.


Robin Hood and the Outlaw/ed Literary Canon

Robin Hood and the Outlaw/ed Literary Canon
Author: Lesley Coote
Publisher: Routledge
Total Pages: 252
Release: 2018-08-06
Genre: History
ISBN: 0429810059

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This cutting-edge volume demonstrates both the literary quality and the socio-economic importance of works on "the matter of the greenwood" over a long chronological period. These include drama texts, prose literature and novels (among them, children's literature), and poetry. Whilst some of these are anonymous, others are by acknowledged canonical writers such as William Shakespeare, Ben Jonson, and John Keats. The editors and the contributors argue that it is vitally important to include Robin Hood texts in the canon of English literary works, because of the high quality of many of these texts, and because of their significance in the development of English literature.


The Birth of Popular Culture

The Birth of Popular Culture
Author: Thomas Wilson Hayes
Publisher:
Total Pages: 232
Release: 1992
Genre: Drama
ISBN:

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"The Birth of Popular Culture: Ben Jonson, Maid Marian and Robin Hood explores the relationship between the profession of author and the discursive construction of "folk" or "popular" culture. Borrowing the tone of Nietzsche's Birth of Tragedy, Tom Hayes deconstructs the concept of the author as it appears in Ben Jonson's texts." "This approach to Jonson is unusual--indeed, revolutionary. Its theoretical underpinnings derive from Gramsci, Bakhtin, Foucault, Derrida, Clement and others. Hayes demonstrates how the creation of the authorial persona coincided with the spread of print and the rise of popular literacy. Jonson's authorial voice, then, embodies the contradictions and tensions between the various forms of domination in the courtly culture and the transgressive, disruptive and oppositional forces such as alchemy and witchcraft in the popular culture of the late sixteenth and early seventeenth centuries." "Hayes diverges from the more traditional views that perceive the dominant culture as merely repressive of folk culture. He contends, on the other hand, that Jonson is the forerunner and, in effect, the prototype of the modern artist/intellectual who seeks to redefine the relationship between the dominant culture and popular culture. The Jonsonian model of the artist/intellectual, reconstructed by T.S. Eliot, is evident in paradigmatic texts of high modernism, such as Thomas Mann's Death in Venice. This concept, however, is now undergoing a profoundly antihumanist deconstruction, which may be seen in Manuel Puig's Kiss of the Spider Woman." "The theoretical language of The Birth of Popular Culture derives from several schools of critical theory and culture studies, including Marxism, post-structuralism and feminism. But unlike numerous theorists, Hayes is understandable, lucid, persuasive and more text-oriented. This study, perhaps more than any other, brings Jonson into the postmodern era and transforms our understanding of his works. Hayes provides a cogent balance of theoretical elaboration and textual explication, concentrating on the unfinished play Jonson was working on at the time of his death, The Sad Shepherd: Or, A Tale of Robin Hood." "While focusing on Jonson, this work will have much wider appeal, especially to literary theorists."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Robin Hood

Robin Hood
Author: Stephen Thomas Knight
Publisher: Boydell & Brewer Ltd
Total Pages: 512
Release: 1999
Genre: Literary Criticism
ISBN: 9780859915250

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The legends of Robin Hood are very familiar, but scholarship and criticism dealing with the long and varied tradition of the famous outlaw is as elusive as the identity of Robin himself, and is scattered in a wide range of sources, many difficult of access. This book is the first to bring together major studies of aspects of the tradition. The thirty-one studies take a variety of approaches, from archival exploration in quest of a real Robin Hood, to a political angle seeking the social meaning of the texts across time, to literary scholars concerned with origin, structures and generic variation, or moral and social significance; also included are considerations of theatre and film studies, and folklore and children's literature. Overall, the collection provides a valuable basis for further study. STEPHEN KNIGHT is Professor of English Literature at the University of Wales, Cardiff; he is well-known as an authority on the Robin Hood tradition, and has edited the recently-discovered Robin Hood Forresters Manuscript.


Medieval Afterlives in Popular Culture

Medieval Afterlives in Popular Culture
Author: G. Ashton
Publisher: Springer
Total Pages: 404
Release: 2012-12-10
Genre: Literary Criticism
ISBN: 1137105178

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This book is concerned with our ideological, technical and emotional investments in reclaiming medieval for contemporary popular culture. The authors illuminate both medieval and contemporary popular culture in surprising and productive ways while interrogating the many ways in which metamedievalism reinterprets and reconceptualises the medieval.


Robin Hood

Robin Hood
Author: Helen Phillips
Publisher:
Total Pages: 384
Release: 2005-09-01
Genre:
ISBN: 9781903206218

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