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The Cambridge Companion to Schumann

The Cambridge Companion to Schumann
Author: Beate Perrey
Publisher: Cambridge University Press
Total Pages:
Release: 2007-06-28
Genre: Music
ISBN: 1139826379

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This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period.


Robert Schumann: Piano Concerto

Robert Schumann: Piano Concerto
Author: Julian Horton
Publisher: Cambridge University Press
Total Pages: 219
Release: 2023-11-30
Genre: Music
ISBN: 1009079891

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Offering a concise introduction to one of the most important and influential piano concertos in the history of Western music, this handbook provides an example of the productive interaction of music history, music theory and music analysis. It combines an account of the work's genesis, Schumann's earlier, unsuccessful attempts to compose in the genre and the evolving conception of the piano concerto evident in his critical writing with a detailed yet accessible analysis of each movement, which draws on the latest research into the theory and analysis of nineteenth-century instrumental forms. This handbook also reconstructs the Concerto's critical reception, performance history in centres including London, Vienna, Leipzig and New York, and its discography, before surveying piano concertos composed under its influence in the century after its completion, including well-known concertos by Brahms, Grieg, Tchaikovsky and Rachmaninov, as well as lesser-known music by Scharwenka, Rubinstein, Beach, Macdowell and Stanford.


Piano Concerto in A Minor, Op. 54

Piano Concerto in A Minor, Op. 54
Author: Robert Schumann
Publisher: Alfred Music
Total Pages: 146
Release: 2005-05-03
Genre: Music
ISBN: 1457411008

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Editor Thomas Labí© has produced a new critical edition of Robert Schumann's Piano Concerto in A Minor, Op. 54 based on the autograph manuscript and the composer's personal copy of the first printed edition. Labí© has included extensive historical background, helpful performance suggestions, expert fingering and a new orchestral reduction for second piano, making this among the most comprehensive editions available of Schumann's only published piano concerto.


Schumann's Virtuosity

Schumann's Virtuosity
Author: Alexander Stefaniak
Publisher: Indiana University Press
Total Pages: 311
Release: 2016-09-19
Genre: Music
ISBN: 0253022096

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“A valuable resource for musicologists, theorists, pianists, and aestheticians interested in reading about Schumann’s views on virtuosity.” —Notes Considered one of the greatest composers—and music critics—of the Romantic era, Robert Schumann (1810–1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western “art music” well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse.


Robert Schumann and the Piano Concerto

Robert Schumann and the Piano Concerto
Author: Claudia Macdonald
Publisher:
Total Pages: 365
Release: 2005
Genre: Music
ISBN: 9780415972475

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This study follows the aesthetic of the sublime from Burke and Kant, through Wordsworth and the Shelleys, into Thackeray, Dickens, Eliot and Hardy. Exploring the continuities between the romantic and Victorian "periods" that have so often been rather read as differences, the book demonstrate that the sublime mode enables the transition from a paradigm of overwhelming power exemplified by the body of the king to the pervasive power of surveillance utilized by the rising middle classes. While the domestic woman connected with the rise of the middle class is normally seen as beautiful, the book contends that the moral authority given to this icon of depth and interiority is actually sublime. The binary of the beautiful and the sublime seeks to contain the sublimity of womanhood by insisting on sublimity's masculine character. This is the book's most important claim: rather than exemplifying masculine strength, the sublime marks the transition to a system of power gendered as feminine and yet masks that transition because it fears the power it ostensibly accords to the feminine. This aesthetic is both an inheritance the Victorians receive from their romantic predecessors, and, more importantly, a broad historical phenomenon that questions the artificial boundaries between romantic and Victorian.


The Grieg and Schumann piano concertos

The Grieg and Schumann piano concertos
Author: Edvard Grieg
Publisher: Courier Corporation
Total Pages: 178
Release: 1995-01-01
Genre: Music
ISBN: 0486287718

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Two of the great nineteenth-century Romantics, Robert Schumann and Edvard Grieg, each composed only one piano concerto. These world-famous works are cornerstones of the concerto literature and considered among the most popular and accessible piano concertos in the repertory. Both works are paired in this finely made, inexpensive two-piano edition. This side-by-side presentation clarifies the close relationship between the two works. In his concerto, completed in 1868, Grieg gave Schumann the ultimate tribute, patterning his music on the Schumann concerto completed two decades earlier. Both are in A Minor. Both introduce the soloist immediately, in a dazzling outburst from top to bottom of the keyboard. Principal themes are unusually alike, as are episodes of tender simplicity and dramatic intensity. Both works are presented here in authoritative two piano playing editions. This classic format for two keyboards is the universal standard for students and professionals alike, for learning and rehearsing all piano concertos. It gives the pianist the most accessible form and practical means to prepare a work for performance. Dover adds to this practicality the convenience and economy of two major concertos within a single volume.


Piano Concerto in a Minor Op. 54

Piano Concerto in a Minor Op. 54
Author: Robert Schumann
Publisher:
Total Pages: 48
Release: 2014-10-02
Genre: Music
ISBN: 9781502574060

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Robert Schumann's Piano Concerto In A Minor Opus 54.This edition contains only the piano part, with orchestral cues. It does not contain the music for any of the other parts.This edition is a reprint of the "Edition Peters" version.


Piano Concerto in A Minor, Op. 54

Piano Concerto in A Minor, Op. 54
Author: Robert Schumann
Publisher: Alfred Music
Total Pages: 72
Release: 1996-02-01
Genre: Music
ISBN: 9781457476679

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Expertly arranged Piano Duet by Robert Schumann from the Kalmus Edition series. This Piano Duet (2 Pianos, 4 Hands) is from the Romantic era and requires 2 copies needed for performance.


Concertos, violoncello, orchestra

Concertos, violoncello, orchestra
Author: Robert Schumann
Publisher: Courier Corporation
Total Pages: 194
Release: 1983-01-01
Genre: Music
ISBN: 0486245845

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Lovers of the rich burnished tones of the cello will appreciate the keynote of this volume: complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination, and individual interpretation of the concerto form. The works in this volume are Robert Schumann: Cello Concerto in A Minor, Op. 129; Camille Saint-Saens: Cello Concerto No. 1, Op. 33; and Antonin Dvo ak: Cello Concerto in B Minor, Op. 104. Generations of cellists and music lovers have savored these works for their unique qualities: the Schumann concerto for its ravishing interweaving of cello and orchestra; that of Saint-Saens for solid musical craftsmanship; the Dvo ak work for enchanting melodies and exceptionally rich invention. Now musicians can enjoy the felicities of each work, complete and unabridged, in this sturdy, attractive Dover volume. Reprinted directly from authoritative editions, this volume offers not only great music but also the quality features that musicians have come to expect from Dover: clear reproduction of musical notation; ample space for analysis, notes, fingerings, etc.; glossaries of musical terms; and more. For playing or study, this inexpensive edition is a must for every serious cellist. "