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| Author | : Rob Weiner |
| Publisher | : |
| Total Pages | : 252 |
| Release | : 2019-08-20 |
| Genre | : Art |
| ISBN | : 9781942884422 |
This publication is devoted to the titular work by the legendary San Diego-based light and space artist Irwin, the most recent addition to the Chinati Foundation's permanent collection, inaugurated in July 2016 after 17 years of planning.
| Author | : Marianne Stockebrand |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Art |
| ISBN | : 9780300251456 |
A beautiful book on the famed Chinati Foundation in Marfa, Texas The Chinati Foundation, a world-famous destination for large-scale contemporary art, was founded by Donald Judd (1928-1994) to preserve and present a select number of permanent installations that were inextricably linked to the surrounding landscape in Marfa, Texas. This handsome publication, first published in 2010 and now available with a new chapter devoted to the permanent installation by Robert Irwin that was inaugurated in 2016 and a new foreword by Jenny Moore, director of the Chinati Foundation, describes how Judd developed his ideas of the role of art and museums from the early 1960s onward, culminating in the creation of Chinati. The individual installations featured here include work by John Chamberlain, Dan Flavin, David Rabinowitch, Roni Horn, Ilya Kabakov, Richard Long, Ingólfur Arnarsson, Carl Andre, Claes Oldenburg and Coosje Van Bruggen, and John Wesley, as well as by Judd himself. The book also features a complete catalogue of the collection and writings by Judd relating to Chinati and Marfa. Published in association with the Chinati Foundation/La Fundación Chinati
| Author | : Dan Beachy-Quick |
| Publisher | : Omnidawn |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : POETRY |
| ISBN | : 9781632430700 |
"The poems that comprise Variations on Dawn and Dusk are best considered as a single inquiry broken into discrete parts--they don't build exactly one upon another, they aren't a progressive series, but each is a meditation gathered around fundamental points of concern: light, dark, sky, cloud, faith, doubt, thought, care, memory, dust, and more. The project as a whole is meant as an imitation of so deep it becomes a participation in Robert Irwin's untitled (dawn to dusk) (2016), a permanent installation at the Chinati Foundation in Marfa, TX"--
| Author | : Matthew Thomas Simms |
| Publisher | : Delmonico Books |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : ART |
| ISBN | : 9783791356716 |
This book explores four decades of Robert Irwin's outdoor environment projects through his drawings and architectural models. Over the course of a storied career, Robert Irwin has come to regard art as site determined, or something that works in and responds to its surroundings. This book opens with his projects on college campuses between 1975 and 1982. These are followed by Irwin's major, yet never realized, commission for the Miami International Airport, where he proposed to transform the structure, parking lots, and roadways into a sequence of aesthetic and practical spaces that engaged directly with the South Florida environment. It then turns to one of Irwin's most celebrated works, the Central Garden at the J. Paul Getty Museum in Los Angeles. Finally, the book takes readers to the Chinati Foundation in Marfa, Texas, and one of Irwin's most ambitious works to date--a monumental artwork that brilliantly connects viewers to the land and sky. Throughout this collection of drawings, models, and photographs of magnificent, groundbreaking projects, readers will come to see Irwin as a visionary artist and a brilliant draftsman.
| Author | : John Chamberlain |
| Publisher | : Guggenheim Museum |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Sculpture, American |
| ISBN | : 9780892074259 |
Amassing a body of work that could not be ignored, Chamberlain has been clumsily shoehorned into a variety of ill-fitting categories. Perhaps the most fertile of these is the retroactive link with Abstract Expressionism. His choice of vernacular materials also tied him to Pop. These same materials understood as products of standardized manufacturing associated him with Minimalism, encouraged by the unwavering critical support of Donald Judd. His method of assembly drew him toward Neo-Dada. He remains the inveterate rebel without a tribe, while still being recognized as a standard-bearer of sculptural practice. Driven by the pursuit of what he does not already know, the desire for unprecedented information and knowledge, Chamberlain turned away from car metal to experiment with new materials for a period. In the summer of 1966, he began squeezing and tying urethane foam.
| Author | : Yasmil Raymond |
| Publisher | : Dia Art Foundation, New York |
| Total Pages | : 398 |
| Release | : 2014 |
| Genre | : Art |
| ISBN | : 9780300191714 |
A major retrospective catalogue on the career of minimalist sculptor and poet Carl Andre Carl Andre (b. 1935) redefined the parameters of abstract sculpture in the 1960s and 1970s. He was a highly influential voice in the American minimalist movement, recognized for his ordered linear and grid formats. In the early 1960s, Andre's creative focus shifted to writing poetry when he took a job as a freight brakeman and conductor for the Pennsylvania Railroad. His poems echoed and extended the themes in his sculptural work, and his experience with the railroad significantly influenced his choice of materials in later years. In this stunning catalogue, which accompanies the first retrospective of Andre's work since 1970, the artist's legacy is examined in eleven essays by international scholars. The book presents a broad range of sculpture made over the past fifty years, including Andre's emblematic floor and corner pieces, highlighting his radical use of standardized units of industrial material such as timber planks, concrete blocks, and metal plates. A vast selection of Andre's previously unpublished concrete poems, together with letters, postcards, ephemera, and documentation of important installations, further complements our understanding of an essential figure in the history of contemporary art.
| Author | : Kyle Chayka |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 273 |
| Release | : 2020-01-21 |
| Genre | : Art |
| ISBN | : 1635572118 |
The New Yorker staff writer and Filterworld author Kyle Chayka examines the deep roots-and untapped possibilities-of our newfound, all-consuming drive to reduce. “Less is more”: Everywhere we hear the mantra. Marie Kondo and other decluttering gurus promise that shedding our stuff will solve our problems. We commit to cleanse diets and strive for inbox zero. Amid the frantic pace and distraction of everyday life, we covet silence-and airy, Instagrammable spaces in which to enjoy it. The popular term for this brand of upscale austerity, “minimalism,” has mostly come to stand for things to buy and consume. But minimalism has richer, deeper, and altogether more valuable gifts to offer. In The Longing for Less, one of our sharpest cultural critics delves beneath the glossy surface of minimalist trends, seeking better ways to claim the time and space we crave. Kyle Chayka's search leads him to the philosophical and spiritual origins of minimalism, and to the stories of artists such as Agnes Martin and Donald Judd; composers such as John Cage and Julius Eastman; architects and designers; visionaries and misfits. As Chayka looks anew at their extraordinary lives and explores the places where they worked-from Manhattan lofts to the Texas high desert and the back alleys of Kyoto-he reminds us that what we most require is presence, not absence. The result is an elegant synthesis of our minimalist desires and our profound emotional needs. With a new afterword by the author.
| Author | : Donald Judd |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1975 |
| Genre | : Art |
| ISBN | : 9780888842770 |
| Author | : Lawrence Weschler |
| Publisher | : Univ of California Press |
| Total Pages | : 330 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 0520256093 |
"Robert Irwin, perhaps the most influential of the California artists, moved from his beginnings in abstract expressionism through successive shifts in style and sensibility, into a new aesthetic territory altogether, one where philosophical concepts of perception and the world interact. Weschler has charted the journey with exceptional clarity and cogency. He has also, in the process, provided what seems to me the best running history of postwar West Coast art that I have yet seen."—Calvin Tomkins
| Author | : Lierre Keith |
| Publisher | : |
| Total Pages | : 662 |
| Release | : 2011-06-10 |
| Genre | : Health & Fitness |
| ISBN | : 9780369370570 |
Part memoir, nutritional primer, and political manifesto, this controversial examination exposes the destructive history of agricultureâ "causing the devastation of prairies and forests, driving countless species extinct, altering the climate, and destroying the topsoilâ "and asserts that, in order to save the planet, food must come from within living communities. In order for this to happen, the argument champions eating locally and sustainably and encourages those with the resources to grow their own food. Further examining the question of what to eat from the perspective of both human and environmental health, the account goes beyond health choices and discusses potential moral issues from eatingâ "or not eatingâ "animals. Through the deeply personal narrative of someone who practiced veganism for 20 years, this unique exploration also discusses alternatives to industrial farming, reveals the risks of a vegan diet, and explains why animals belong on ecologically sound farms.
