Ritual Vessels of Bronze Age China
Author | : Max Loehr |
Publisher | : |
Total Pages | : 192 |
Release | : 1968 |
Genre | : Bronzes |
ISBN | : |
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Author | : Max Loehr |
Publisher | : |
Total Pages | : 192 |
Release | : 1968 |
Genre | : Bronzes |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 408 |
Release | : 1980 |
Genre | : Bronze age |
ISBN | : 0870992260 |
Describes the Chinese Bronze Age, including the development of the Chinese state, writing, religion and architecture.
Author | : |
Publisher | : |
Total Pages | : 174 |
Release | : 1983 |
Genre | : Bronzes, Chinese |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 183 |
Release | : 1968 |
Genre | : |
ISBN | : |
Author | : Kwang-chih CHANG |
Publisher | : Harvard University Press |
Total Pages | : 157 |
Release | : 2009-06-30 |
Genre | : Social Science |
ISBN | : 0674029402 |
A leading scholar in the United States on Chinese archaeology challenges long-standing conceptions of the rise of political authority in ancient China. Questioning Marx's concept of an "Asiatic" mode of production, Wittfogel's "hydraulic hypothesis," and cultural-materialist theories on the importance of technology, K. C. Chang builds an impressive counterargument, one which ranges widely from recent archaeological discoveries to studies of mythology, ancient Chinese poetry, and the iconography of Shang food vessels.
Author | : William Thomas Chase |
Publisher | : University of Washington Press |
Total Pages | : 116 |
Release | : 1991 |
Genre | : Art |
ISBN | : |
This catalog focuses on the casting techniques of archiac bronzes.
Author | : Natasha Fischer-Vaidya |
Publisher | : |
Total Pages | : |
Release | : 2015 |
Genre | : |
ISBN | : |
Author | : J.G. Cheock |
Publisher | : J.G. Cheock |
Total Pages | : 96 |
Release | : 2024-04-04 |
Genre | : Art |
ISBN | : |
This is the first book in a series wherein Late Shang to Zhou dynasty ritual bronze vessels with inscriptions that have been found in the Philippines will be documented including: details, background, photographs, inscriptions, relevant and historical information. Part 1 focuses on bronze ritual wine vessels with inscriptions that have been unearthed in the Philippines.
Author | : Lai Guolong |
Publisher | : Univ of California Press |
Total Pages | : 240 |
Release | : 2022-10-04 |
Genre | : Art |
ISBN | : 0520341643 |
"Featuring about 150 loans from China's Hubei Provincial Museum, this exhibition, set to open at the Asian Art Museum of San Francisco under the name Lost Kingdoms of Ancient China, examines the new finds of Zeng and Chu tombs together to explore the cultural landscape of the southern borderland of the Zhou dynasty. It also reveals the legendary rising story of the phoenix kingdom erased by the Qin, highlighting the importance of the middle Yangtze River region in forming a southern style in Chinese art. For a better understanding of the Zeng and Chu material, the exhibition catalogue consists of seven essays to elaborate the introduction to the remarkable art and culture of this region, with entries of about 150 works in six categories (jade, bronze ritual vessels, musical instruments and weapons, lacquerware for luxury and ceremony, funerary bronze and wood objects, and textiles and artefacts with designs). Seven contributors have written for this catalogue, including five outside scholars with expertise on different subjects"--
Author | : Kristina Laun |
Publisher | : |
Total Pages | : 116 |
Release | : 2008 |
Genre | : |
ISBN | : |
The purpose of this thesis is to catalog the collection of Shang Dynasty bronze ritual vessels within the collection of the Buffalo Museum of Science. Consisting of a li-ding, a gu, a jue, and a hu, each vessel is treated separately, being given its own biographical chapter. Each chapter gives detailed descriptions, analysis of form and design, possible interpretations of inscriptions (where applicable), discusses its purpose and use, and concludes with what the observations may tell us about Shang society as a whole. Concluding remarks are given linking the vessels to each other and then to the museum itself. Finally, an explanation is given as to why this collection, consisting of only four vessels, should be considered at all by scholars in the field. Since they belong neither to the very highest rank in Shang society, nor to the very lowest, but to members of the intermediate classes, they help complete the story of Shang civilization by giving voice to those who silently and loyally made the bureaucracy run.