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The Partnership

The Partnership
Author: Pamela Katz
Publisher: Anchor
Total Pages: 498
Release: 2015-12-08
Genre: Biography & Autobiography
ISBN: 0307744167

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This fascinating portrait of two of the most brilliant theater artists of the twentieth century—and the women who made their work possible—is set against the explosive years of the Weimar Republic. Among the most outsized personalities of the sizzling, decadent period between the Great War and the Nazis’ rise to power were the renegade poet Bertolt Brecht and the avant-garde composer Kurt Weill. These two young geniuses and the three women vital to their work—actresses Lotte Lenya and Helene Weigel and writer Elisabeth Hauptmann—joined talents to create the theatrical masterworks The Threepenny Opera and The Rise and Fall of the City of Mahagonny, only to split in rancor as their culture cracked open and their differences became irreconcilable. The Partnership is the first book to tell the full story of one of the most important creative collaborations of the last century, and the first to give full credit to the women who contributed their enormous gifts. Theirs is a thrilling story of artistic daring entwined with sexual freedom during the Weimar Republic’s most fevered years, a time when art and politics and society were inextricably mixed.


The Rest Is Noise

The Rest Is Noise
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
Total Pages: 640
Release: 2007-10-16
Genre: Music
ISBN: 1429932880

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Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.


City of Nets

City of Nets
Author: Otto Friedrich
Publisher: Univ of California Press
Total Pages: 518
Release: 1997-05-02
Genre: History
ISBN: 9780520209497

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History of Hollywood in the 1940's


Who Married Figaro?

Who Married Figaro?
Author: Joyce Bourne Kennedy
Publisher: Oxford University Press, USA
Total Pages: 392
Release: 2008
Genre: Music
ISBN:

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"From Aeneas to Zaida, Who Married Figaro? contains more than 2,500 entries on operatic characters from around the world. Giving details of the composer of each role as well as notable performances, this unique reference book also provides comprehensive synopses for over 200 operas and operettas. It features articles by well-known personalities from the world of opera, including Placido Domingo, Dame Janet Baker, and, new to this edition, Christine Brewer, Susan Bullock, Simon Keenlyside, and Joyce DiDonato. This fully revised edition now contains an appendix of contemporary opera of the last ten years, offering detailed synopses and world premiere cast lists. Up to date, authoritative, and packed with valuable information, this A-Z is an essential book for opera lovers."--BOOK JACKET.


The Caucasian Chalk Circle

The Caucasian Chalk Circle
Author: Bertolt Brecht
Publisher: Bloomsbury Publishing
Total Pages: 210
Release: 2015-03-16
Genre: Drama
ISBN: 140816101X

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This Student Edition of Brecht's classic dramatisation of the conflict over possession of a child features an extensive introduction and commentary that includes a plot summary, discussion of the context, themes, characters, style and language as well as questions for further study and notes on words and phrases in the text. It is the perfect edition for students of theatre and literature. Brecht projects an ancient Chinese story onto a realistic setting in Soviet Georgia. In a theme that echoes the Judgment of Solomon, two women argue over the possession of a child; thanks to the unruly judge, Azdak (one of Brecht's most vivid creations) natural justice is done and the peasant Grusha keeps the child she loves, even though she is not its mother. Written in exile in the United States during the Second World War, The Caucasian Chalk Circle is a politically-charged, much-revived and complex example of Brecht's epic theatre. This volume contains expert notes on the author's life and work, historical and political background to the play, photographs from stage productions and a glossary of difficult words and phrases. It features the acclaimed translation by James and Tania Stern with W. H. Auden.


Bad Time for Poetry

Bad Time for Poetry
Author: Bertolt Brecht
Publisher:
Total Pages: 186
Release: 1995
Genre: Poetry
ISBN:

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This is a selection of the best of Brecht's poems and songs, combining private and public poems from all stages of an intense and turbulent life as well as the most popular lyrics from plays such as Mahagonny and Mother Courage.


Kurt Weill on Stage

Kurt Weill on Stage
Author: Foster Hirsch
Publisher: Hal Leonard Corporation
Total Pages: 420
Release: 2004-02-01
Genre: Biography & Autobiography
ISBN: 9780879109905

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(Limelight). His best-known song is "Mack the Knife," with words by Bertolt Brecht, from The Threepenny Opera , first performed in Weimar Berlin in 1928. Five years later, Kurt Weill fled the Nazis to come to America, where he soon emerged as one of the most admired composers of the Broadway musical stage. His shows included: Knickerbocker Holiday, Lady in the Dark, One Touch of Venus, Street Scene and Lost in the Stars . His songs: "My Ship," "September Song," "Speak Low" and "It Never Was You." This biography concentrates on Weill's career in the United States, but its aim is to explore the truth in the comment made by Weill's wife, the unforgettable Lotte Lenya: "There is no American Weill, there is no German Weill. There is no difference between them. There is only Weill."


Forbidden Music

Forbidden Music
Author: Michael Haas
Publisher: Yale University Press
Total Pages: 505
Release: 2013-04-15
Genre: Music
ISBN: 0300154313

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DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div


The Business Affairs of Mr Julius Caesar

The Business Affairs of Mr Julius Caesar
Author: Bertolt Brecht
Publisher: Bloomsbury Publishing
Total Pages: 211
Release: 2016-01-28
Genre: Fiction
ISBN: 1472582748

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Bertolt Brecht's extraordinary historical novel presents an aspiring scholar's efforts to write an idealized life of Julius Caesar twenty years after his death. But the historian abandons his planned biography, confronted by a baffling range of contradictory views. Was Caesar an opportunist, a permanently bankrupt businessman who became too big for the banks to allow him to fail – as his former banker claims? Did he stumble into power while trying to make money, as suggested by the diary of his former slave? Across these different versions of Caesar's career in the political and economic life of Rome, Brecht wryly contrasts the narratives of imperial progress with the reality of grasping self-interest, in a sly allegory that points to the Weimar Republic and perhaps even to our own times. Brecht reminds his readers of the need for constant vigilance and critical suspicion towards the great figures of the past. In an echo of his dramatic theories, the audience is confronted with its own task of active interpretation rather than passive acceptance -- we have to work out our own views about Mr Julius Caesar. This edition is translated by Charles Osborne and features an introduction and editorial notes by Anthony Phelan and Tom Kuhn.