Principles of Orchestration
| Author | : Nikolay Rimsky-Korsakov |
| Publisher | : |
| Total Pages | : 524 |
| Release | : 1923 |
| Genre | : Instrumentation and orchestration |
| ISBN | : |
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My Musical Life
| Author | : Nikolay Rimsky-Korsakov |
| Publisher | : |
| Total Pages | : 584 |
| Release | : 1942 |
| Genre | : Autobiography |
| ISBN | : |
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Practical Manual of Harmony
| Author | : Nikolay Rimsky-Korsakov |
| Publisher | : Carl Fischer, L.L.C. |
| Total Pages | : 128 |
| Release | : 2005 |
| Genre | : Harmony |
| ISBN | : 9780825856990 |
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Nikolay Andreevich Rimsky-Korsakov
| Author | : Gerald Seaman |
| Publisher | : Routledge |
| Total Pages | : 367 |
| Release | : 2014-12-17 |
| Genre | : Music |
| ISBN | : 1317646193 |
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Nikolay Andreevich Rimsky-Korsakov: A Research and Information Guide, Second Edition is an annotated bibliography of all substantial, relevant published resources relating to the Russian composer. First published in 1988, this revised and expanded volume incorporates new information about the composer appearing over the last two decades, including literary publications, articles and reviews. Other sections provide a brief biographical sketch, selective discography, chronology and list of Rimsky-Korsakov’s works.
Rimsky-Korsakov
| Author | : Tatʹi︠a︡na Vladimirovna Rimskai︠a︡-Korsakova |
| Publisher | : Amadeus |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Music |
| ISBN | : 9781574674545 |
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RIMSKY-KORSAKOV: LETTERS TO HIS FAMILY AND FRIENDS
Nikolay Andreevich Rimsky-Korsakov
| Author | : Gerald Seaman |
| Publisher | : Routledge |
| Total Pages | : 408 |
| Release | : 2014-12-17 |
| Genre | : Music |
| ISBN | : 1317646185 |
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Nikolay Andreevich Rimsky-Korsakov: A Research and Information Guide, Second Edition is an annotated bibliography of all substantial, relevant published resources relating to the Russian composer. First published in 1988, this revised and expanded volume incorporates new information about the composer appearing over the last two decades, including literary publications, articles and reviews. Other sections provide a brief biographical sketch, selective discography, chronology and list of Rimsky-Korsakov’s works.
The Mighty Kuchka
| Author | : John P Roach Jr |
| Publisher | : AuthorHouse |
| Total Pages | : 186 |
| Release | : 2009-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 1438958773 |
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" THE MIGHTY KUCHKA " Teen prodigy NIKOLAI RIMSKY-KORSAKOV is brought by his piano teacher to the home of composer and music instructor MILI BALAKRIEV (antagonist) who recognizes the talent of the young man immediately. Mili's quest is to intentionally deprive his pupils of the musical knowledge of Mozart, Beethoven, Bach and Europeans in order that his circle of composers would write pure Russian Music without outside influence. After a tour with the Russian Navy to New York City, Rio de Janerio a few Mediterranean ports, Nikolai returns to St. Petersburg as a mature Naval Officer and rejoins Mili's circle of five composers which include MODEST MOUSSORGSKY, ALEXANDER BORODIN and CAESAR CUI. After awhile, Modest, Alexander and Nikolai realize they have been categorized as pupils by Mili and feel a certain coolness as they grow more independent. Nicolai has written his first two symphonies. Nikolai falls in love with NADEZHDA a talented pianist, they get married and travel to many romantic spots in Europe on their honeymoon. Nadezhda is a wonderful influence on Nikolai's music. PETER TCHAIKOVSKI becomes their friend and visits the couple occasionally when in St. Petersburg. One day Nadezhda sees Nikolai in tears claiming "Everything I have composed is wrong!" "I have wasted my life with Mili Balakriev." Nikolai realizes that he has been deprived of the knowledge of the European Masters. Nikolai feeling betrayed suffers a complete nervous breakdown. . .. Peter Tchaikovski credits Nadzhda with nursing Nikolai back to health. Now stronger than ever he completes more than 20 Operas. The Suites, Sheherazade, Easter Overture, Capriccio Espagnol are on repertoires around the world. Nikolai teaches his own group of pupils which include the younger ALEXANDER GLAZANOV and IGOR STRAVINSKY. See Other Books By This Author and when finished, Click here to return to www.JPRoach.org
Rimsky-Korsakov and His World
| Author | : Marina Frolova-Walker |
| Publisher | : Princeton University Press |
| Total Pages | : 385 |
| Release | : 2018-09-11 |
| Genre | : Music |
| ISBN | : 0691185514 |
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A rare look at the life and music of renowned Russian composer Nikolai Rimsky-Korsakov During his lifetime, Nikolai Rimsky-Korsakov (1844–1908) was a composer whose work had great influence not only in his native Russia but also internationally. While he remains well-known in Russia—where many of his fifteen operas and various orchestral pieces are still in the standard repertoire—very little of his work is performed in the West today beyond Scheherezade and arrangements of The Flight of the Bumblebee. In Western writings, he appears mainly in the context of the Mighty Handful, a group of five Russian composers to which he belonged at the outset of his career. Rimsky-Korsakov and His World finally gives the composer center stage and due attention. In this collection, Rimsky-Korsakov’s major operas, The Snow Maiden, Mozart and Salieri, and The Golden Cockerel, receive multifaceted exploration and are carefully contextualized within the wider Russian culture of the era. The discussion of these operas is accompanied and enriched by the composer’s letters to Nadezhda Zabela, the distinguished soprano for whom he wrote several leading roles. Other essays look at more general aspects of Rimsky-Korsakov’s work and examine his far-reaching legacy as a professor of composition and orchestration, including his impact on his most famous pupil Igor Stravinsky. The contributors are Lidia Ader, Leon Botstein, Emily Frey, Marina Frolova-Walker, Adalyat Issiyeva, Simon Morrison, Anna Nisnevich, Olga Panteleeva, and Yaroslav Timofeev. The Bard Music Festival Bard Music Festival 2018 Rimsky-Korsakov and His World Bard College August 10–12 and August 17–19, 2018
Rimsky-Korsakov's Harmonic Theory
| Author | : Larisa P. Jackson |
| Publisher | : University of North Texas Press |
| Total Pages | : 289 |
| Release | : 2022-10-15 |
| Genre | : Music |
| ISBN | : 1574418718 |
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Nikolai Andreyevich Rimsky-Korsakov (1844-1908) was celebrated during his lifetime as a composer and instructor, and his musical works and publications on instrumentation remain prominent today. However, his innovations as a music theorist have gone largely unrecognized. Rimsky-Korsakov’s Harmonic Theory is the first comprehensive study of the composer’s unique concept of harmony. Larisa P. Jackson illuminates Rimsky-Korsakov’s harmonic theory and reveals the intellectual, social, and cultural facets of its historical contexts in both Western and Russian music. In this unprecedented contribution to musicology and music theory, Jackson examines and clarifies Rimsky-Korsakov’s thinking on modulation (key changes), which composers began using much more frequently during the nineteenth century. Based on his discovery of a previously unknown scale, Rimsky-Korsakov saw modulation as shaped by a web of deep relationships among major and minor keys. Jackson charts this tonal space, mapping its implications as well as its often-surprising relationships with the theories of Rimsky-Korsakov’s predecessors and contemporaries, including the famous German music theorists Hauptmann and Riemann.
The Political in Rimsky-Korsakov's Operas
| Author | : John Nelson |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 265 |
| Release | : 2022-02-06 |
| Genre | : Music |
| ISBN | : 1527579050 |
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During the 19th and early 20th centuries, opposition to the tsarist autocracy grew in Russia. To counter this, Tsar Nicholas I instigated the Official Nationality Decree of 1833 basing this on “Orthodoxy, Autocracy, Nationality”. Subsequent tsars who enforced repression, censorship and the suppression of the peripheral counties of the Empire upheld this policy. Nikolai Rimsky-Korsakov questioned whether this “Official Nationality” truly represented the views of the Russian people, and, through his operas, he demonstrated that the interpretation of these three premises was questionable. This book examines each of these facets of nationality and how Rimsky-Korsakov presents them in a new light in his operas. It also shows how the composer’s socio-political views, supported by his use of politically radical Russian writers, and as expressed through his correspondence and discussions with family and colleagues, clearly demonstrate that his political ideology, as well as his opposition to the tsar and his bureaucracy, gave a new interpretation of Russian “nationality”.
