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| Author | : M. Wilson |
| Publisher | : Springer |
| Total Pages | : 395 |
| Release | : 2013-08-20 |
| Genre | : Literary Criticism |
| ISBN | : 113732094X |
Rhys Matters, the first collection of essays focusing on Rhys's writing in over twenty years, encounters her oeuvre from multiple disciplinary perspectives and appreciates the interventions in modernism, postcolonial studies, Caribbean studies, and women's and gender studies.
| Author | : M. Wilson |
| Publisher | : Springer |
| Total Pages | : 271 |
| Release | : 2013-08-20 |
| Genre | : Literary Criticism |
| ISBN | : 113732094X |
Rhys Matters, the first collection of essays focusing on Rhys's writing in over twenty years, encounters her oeuvre from multiple disciplinary perspectives and appreciates the interventions in modernism, postcolonial studies, Caribbean studies, and women's and gender studies.
| Author | : Erica L Johnson |
| Publisher | : Edinburgh University Press |
| Total Pages | : 256 |
| Release | : 2015-06-21 |
| Genre | : Literary Criticism |
| ISBN | : 1474402208 |
The 10 newly commissioned essays and introduction collected in this volume demonstrate Jean Rhys's centrality to modernism and to postcolonial literature alike by addressing her stories and novels from the 1920s and 1930s.
| Author | : Juliana Lopoukhine |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 224 |
| Release | : 2020-12-10 |
| Genre | : Literary Criticism |
| ISBN | : 1501361317 |
This volume investigates the frameworks that can be applied to reading Caribbean author Jean Rhys. While Wide Sargasso Sea famously displays overt forms of literary influences, Jean Rhys's entire oeuvre is so fraught with connections to other texts and textual practices across geographical boundaries that her classification as a cosmopolitan modernist writer is due for reassessment. Transnational Jean Rhys argues against the relative isolationism that is sometimes associated with Rhys's writing by demonstrating both how she was influenced by a wide range of foreign especially French authors and how her influence was in turn disseminated in myriad directions. Including an interview with Black Atlantic novelist Caryl Phillips, this collection charts new territories in the influences on/of an author known for her dislike of literary coteries, but whose literary communality has been underestimated.
| Author | : Sue Thomas |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 240 |
| Release | : 2022-01-27 |
| Genre | : Literary Criticism |
| ISBN | : 135027576X |
Addressing Jean Rhys's composition and positioning of her fiction, this book invites and challenges us to read the tacit, silent and explicit textual bearings she offers and reveals new insights about the formation, scope and complexity of Rhys's experimental aesthetics. Tracing the distinctive and shifting evolution of Rhys's experimental aesthetics over her career, Sue Thomas explores Rhys's practices of composition in her fiction and drafts, as well as her self-reflective comment on her writing. The author examines patterns of interrelation, intertextuality, intermediality and allusion, both diachronic and synchronic, as well as the cultural histories entwined within them. Through close analysis of these, this book reveals new experimental, thematic, generic and political reaches of Rhys's fiction and sharpens our insight into her complex writerly affiliations and lineages.
| Author | : Veronica Marie Gregg |
| Publisher | : UNC Press Books |
| Total Pages | : 242 |
| Release | : 2017-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 1469617358 |
As the foremost white West Indian writer of this century and author of the widely acclaimed novel Wide Sargasso Sea, Jean Rhys (1890-1979) has attracted much critical attention, most often from the perspective of gender analysis. Veronica Gregg extends our critical appreciation of Rhys by analyzing the complex relationship between Rhys's identity and the structures of her fiction, and she reveals the ways in which this relationship is connected to the history of British colonization of the West Indies. Gregg focuses on Rhys as a writer--a Creole woman analyzing the question of identity through literary investigations of race, gender, and colonialism. Arguing that history itself can be a site where different narratives collide and compete, she explores Rhys's rewriting of the historical discourses of the West Indies and of European canonical texts, such as Rhys's treatment of Jane Eyre in Wide Sargasso Sea. Gregg's analysis also reveals the precision with which Rhys crafted her work and her preoccupation with writing as performance.
| Author | : Juliana Lopoukhine |
| Publisher | : Taylor & Francis |
| Total Pages | : 136 |
| Release | : 2023-05-29 |
| Genre | : Literary Criticism |
| ISBN | : 1000879062 |
Jean Rhys' position upon the literary map of the 20th century remains unstable, even after Wide Sargasso Sea (1966). She shunned public exposure and yet, desperately sought acknowledgement by her own peers; she stood away from the modernist circles of Montparnasse, in Paris, and yet, explored a radically avant-garde writing which retrospectively makes her rank among them, while her always problematic authority places her in the marginalized position of the postcolonial author. 'Writing precariously', in the case of Jean Rhys, reaches far beyond a mere posture of submission or a necessity to cope with a lack of money or a 'room of one’s own'. Rather, it becomes an ethical and political stance that engages with forms of minimal resistance to forms of subjection just as the very precariousness of her writing thwarts any efforts to 'place' her or her work, to frame her characters or label her style. With Jean Rhys, precariousness is the site where voices silenced and bodies dismissed by a gendered or imperialistic power may be retrieved, until their vulnerability becomes a dislodging force that makes the power structures precarious in turn. This book reassesses the precariousness of Jean Rhys as a distinct positionality eliciting an isolated voice which insists and persists. It was originally published as a special issue of the journal, Women: A Cultural Review.
| Author | : Bootheina Majoul |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 150 |
| Release | : 2022-02-02 |
| Genre | : Literary Criticism |
| ISBN | : 1527579956 |
Pain and pleasure are at the heart of human experiences and literary journeys. This book takes the title of Roland Barthes’s text on the pleasure of writing as a starting point for the discussion of other different wor(l)ds and cartographies of pain and pleasure. Set against the Aristotelian delineation of pleasure as the major principle that should govern a literary endeavor, this volume investigates alternative reflections on the themes of pleasure and pain. Thinking about the ways through which expressions of pain and pleasure may affect the writer and the reader as experiences of other pursuits of the human imagination can place or displace, soothe or enrage, and inspire or discourage the individual search for meaning. By engaging with different theories and expressions, it is possible to understand what pain and pleasure have done in the history of humanity, rather than merely looking at them as representations of others’ distant experiences. This volume entails new reflections on the expressions of pain and pleasure to create new meanings for these words in a world vying for expressions of power with and without bliss.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 253 |
| Release | : 2016-08-15 |
| Genre | : Literary Criticism |
| ISBN | : 9004328378 |
Ford Madox Ford’s Cosmopolis explores and celebrates Ford’s internationalism, underlining his lifelong commitment to an international, transmedial approach to the arts. It brings to life his commitment to cosmopolitanism living, and thinking, and his vibrant intellectual networks spiralling around Paris.
| Author | : Thacker Andrew Thacker |
| Publisher | : Edinburgh University Press |
| Total Pages | : 404 |
| Release | : 2019-01-22 |
| Genre | : Literary Criticism |
| ISBN | : 1474441947 |
Explores the crucial role played by the city in the construction of modernismThis innovative book examines the development of modernist writing in four European cities: London, Paris, Berlin and Vienna. Focusing on how literary outsiders represented various spaces in these cities, it draws upon contemporary theories of affect and literary geography. Particular attention is given to the transnational qualities of modernist writing by examining writers whose view of the cities considered is that of migrants, exiles or strangers, including Mulk Raj Anand, Blaise Cendrars, Bryher, Joseph Conrad, T. S. Eliot, Christopher Isherwood, Hope Mirrlees, Noami Mitchison, Jean Rhys, Sam Selvon and Stephen Spender.Key FeaturesThe first book in modernist studies to bring detailed discussion of these four cities togetherBreaks new ground in being the first book to bring affect theory and literary geography together in order to analyse modernismAn extensive range of authors is analysed, from the canonical to the previously marginalSituates the literary and filmic texts within the context of urban spaces and cultural institutions
