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| Author | : George William MacArthur Reynolds |
| Publisher | : |
| Total Pages | : |
| Release | : 1861 |
| Genre | : Encyclopedias and dictionaries |
| ISBN | : |
| Author | : George William MacArthur Reynolds |
| Publisher | : |
| Total Pages | : 858 |
| Release | : 1851 |
| Genre | : Penny dreadfuls |
| ISBN | : |
| Author | : George William MacArthur Reynolds |
| Publisher | : |
| Total Pages | : 428 |
| Release | : 1851 |
| Genre | : |
| ISBN | : |
| Author | : George William MacArthur Reynolds |
| Publisher | : |
| Total Pages | : |
| Release | : 1847 |
| Genre | : Penny dreadfuls |
| ISBN | : |
| Author | : George William MacArthur Reynolds |
| Publisher | : |
| Total Pages | : 884 |
| Release | : 1849 |
| Genre | : Penny dreadfuls |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 948 |
| Release | : 1849 |
| Genre | : |
| ISBN | : |
| Author | : Jennifer Conary |
| Publisher | : Taylor & Francis |
| Total Pages | : 349 |
| Release | : 2023-04-21 |
| Genre | : Literary Criticism |
| ISBN | : 1000821609 |
This essay collection proposes that G.W.M. Reynolds’s contribution to Victorian print culture reveals the interrelations between authorship, genre, and radicalism in popular print culture of the nineteenth century. As a best-selling author of popular fiction marketed to the lower classes, and a passionate champion of radical politics and "the industrious classes," Reynolds and his work demonstrate the relevance of Victorian Studies to topics of pressing contemporary concern including populism, working-class fiction, the concept of ‘originality’, and the collective scholarly endeavour to ‘widen’ and ‘undiscipline’ Victorian Studies. Bringing together well-known and newly-emerging scholars from across different disciplinary perspectives, the volume explores the importance of Reynolds Studies to scholarship on the nineteenth-century. This book will appeal to students and scholars of the nineteenth-century press, popular culture, and of authorship, as well as to Victorian Studies scholars interested in the translation of Victorian texts into new and indigenous markets.
| Author | : Anne Humpherys |
| Publisher | : Routledge |
| Total Pages | : 314 |
| Release | : 2017-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351935089 |
G.W.M. Reynolds (1814-1879) had a major impact on the mid-Victorian era that until now has been largely unacknowledged. A prolific novelist whose work had a massive circulation, and an influential journalist and editor, he was a man of contradictions in both his life and writing: a middle-class figure who devoted his life to working class issues but seldom missed a chance to profit from the exploitation of current issues; the founder of the radical newspaper Reynolds Weekly, as well as a bestselling author of historical romances, gothic and sensation novels, oriental tales, and domestic fiction; a perennial bankrupt who nevertheless ended his life prosperously. A figure of such diversity requires a collaborative study. Bringing together a distinguished group of scholars, this volume does justice to the full range of Reynolds's achievement and influence. With proper emphasis on new work in the field, the contributors take on Reynolds's involvement with Chartism, serial publication, the mass market periodical, commodity culture, and the introduction of French literature into British consciousness, to name just a few of the topics covered. The Mysteries of London, the century's most widely read serial, receives the extensive treatment this long-running urban gothic work deserves. Adding to the volume's usefulness are comprehensive bibliographies of Reynolds's own writings and secondary criticism relevant to the study of this central figure in mid-nineteenth-century Britain.
| Author | : Stella Pratt-Smith |
| Publisher | : Taylor & Francis |
| Total Pages | : 176 |
| Release | : 2017-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 1317007816 |
Throughout the nineteenth century, practitioners of science, writers of fiction and journalists wrote about electricity in ways that defied epistemological and disciplinary boundaries. Revealing electricity as a site for intense and imaginative Victorian speculation, Stella Pratt-Smith traces the synthesis of nineteenth-century electricity made possible by the powerful combination of science, literature and the popular imagination. With electricity resisting clear description, even by those such as Michael Faraday and James Clerk Maxwell who knew it best, Pratt-Smith argues that electricity was both metaphorically suggestive and open to imaginative speculation. Her book engages with Victorian scientific texts, popular and specialist periodicals and the work of leading midcentury novelists, including Charles Dickens, Charlotte Bronte, Emily Bronte, William Makepeace Thackeray and Wilkie Collins. Examining the work of William Harrison Ainsworth and Edward Bulwer-Lytton, Pratt-Smith explores how Victorian novelists attributed magical qualities to electricity, imbuing it with both the romance of the past and the thrill of the future. She concludes with a case study of Benjamin Lumley’s Another World, which presents an enticing fantasy of electricity’s potential based on contemporary developments. Ultimately, her book contends that writing and reading about electricity appropriated and expanded its imaginative scope, transformed its factual origins and applications and contravened the bounds of literary genres and disciplinary constraints.
| Author | : James Henry James |
| Publisher | : |
| Total Pages | : 269 |
| Release | : 1851 |
| Genre | : Fraternal organizations |
| ISBN | : |
