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| Author | : Suzanne Desan |
| Publisher | : Univ of California Press |
| Total Pages | : 475 |
| Release | : 2006-06-19 |
| Genre | : Family & Relationships |
| ISBN | : 0520248163 |
Annotation A sophisticated and groundbreaking book on what women actually did and what actually happened to them during the French Revolution.
| Author | : Malcolm Crook |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 264 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 0198731876 |
This book nicely introduces the reader to the historio-political but also the socio-cultural processes during the French revolution. Dr Andrea Beckmann, Lecturer in Criminology, Dept. Policy Studies, University of LincolnIn this volume, one of the first to look at 'Revolutionary France' as a whole, a team of leading international historians explore the major issues of politics and society, culture, economics, and overseas expansion during this vital period of French history.
| Author | : François Furet |
| Publisher | : Wiley-Blackwell |
| Total Pages | : 642 |
| Release | : 1995-11-06 |
| Genre | : History |
| ISBN | : 9780631198086 |
Revolutionary France d is a vivid narrative history. It is also a radical reinterpretation of the period, and testimony to the power both of ideas and of personality in movements of the past.
| Author | : Darcy Grimaldo Grigsby |
| Publisher | : Yale University Press |
| Total Pages | : 420 |
| Release | : 2002-01-01 |
| Genre | : Art |
| ISBN | : 9780300088878 |
In the decades following the French Revolution, four artists - Girodet, Gros, Gericault, and Delacroix - painted works in their Parisian studios that vividly expressed violent events in faraway, colonial lands. This book examines six of these paintings and argues that their disturbing, erotic depictions of slavery, revolt, plague, decapitation, cannibalism, massacre, and abduction chart the history of France's empire and colonial politics. Darcy Grimaldo Grigsby shows that these paintings about occurrences in the West Indies, Syria, Egypt, Senegal, and Ottoman Empire Greece are preoccupied not with mastery and control but with loss, degradation, and failure, and she explains how such representations of crises in the colonies were able to answer the artists' longings as well as the needs of the government and the opposition parties at home. Empire made painters devoted to the representation of liberty and the new French nation confront liberty's antithesis: slavery. It also forced them to contend with cultural and racial difference. Young male artists responded, says Grigsby, by translating distant crises into images of challenges to the self, making history painting the site where geographic extremities and bodily extremities articulated one another.
| Author | : Sarah Horowitz |
| Publisher | : Penn State Press |
| Total Pages | : 241 |
| Release | : 2015-06-10 |
| Genre | : History |
| ISBN | : 0271062509 |
In Friendship and Politics in Post-Revolutionary France, Sarah Horowitz brings together the political and cultural history of post-revolutionary France to illuminate how French society responded to and recovered from the upheaval of the French Revolution. The Revolution led to a heightened sense of distrust and divided the nation along ideological lines. In the wake of the Terror, many began to express concerns about the atomization of French society. Friendship, though, was regarded as one bond that could restore trust and cohesion. Friends relied on each other to serve as confidants; men and women described friendship as a site of both pleasure and connection. Because trust and cohesion were necessary to the functioning of post-revolutionary parliamentary life, politicians turned to friends and ideas about friendship to create this solidarity. Relying on detailed analyses of politicians’ social networks, new tools arising from the digital humanities, and examinations of behind-the-scenes political transactions, Horowitz makes clear the connection between politics and emotions in the early nineteenth century, and she reevaluates the role of women in political life by showing the ways in which the personal was the political in the post-revolutionary era.
| Author | : Amy Freund |
| Publisher | : Penn State Press |
| Total Pages | : 312 |
| Release | : 2015-06-13 |
| Genre | : Art |
| ISBN | : 0271066733 |
Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.
| Author | : Patrice L. R. Higonnet |
| Publisher | : Harvard University Press |
| Total Pages | : 428 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : 9780674470613 |
Who were the Jacobins and what are Jacobinism's implications for today? In a book based on national and local studies--on Marseilles, Nîmes, Lyons, and Paris--one of the leading scholars of the Revolution reconceptualizes Jacobin politics and philosophy and rescues them from recent postmodernist condescension. Patrice Higonnet documents and analyzes the radical thought and actions of leading Jacobins and their followers. He shows Jacobinism's variety and flexibility, as it emerged in the lived practices of exceptional and ordinary people in varied historical situations. He demonstrates that these proponents of individuality and individual freedom were also members of dense social networks who were driven by an overriding sense of the public good. By considering the most retrograde and the most admirable features of Jacobinism, Higonnet balances revisionist interest in ideology with a social historical emphasis on institutional change. In these pages the Terror becomes a singular tragedy rather than the whole of Jacobinism, which retains value today as an influential variety of modern politics. Higonnet argues that with the recent collapse of socialism and the general political malaise in Western democracies, Jacobinism has regained stature as a model for contemporary democrats, as well as a sober lesson on the limits of radical social legislation.
| Author | : Suzanne Desan |
| Publisher | : Cornell University Press |
| Total Pages | : 248 |
| Release | : 2013-03-19 |
| Genre | : History |
| ISBN | : 0801467470 |
Situating the French Revolution in the context of early modern globalization for the first time, this book offers a new approach to understanding its international origins and worldwide effects. A distinguished group of contributors shows that the political culture of the Revolution emerged out of a long history of global commerce, imperial competition, and the movement of people and ideas in places as far flung as India, Egypt, Guiana, and the Caribbean. This international approach helps to explain how the Revolution fused immense idealism with territorial ambition and combined the drive for human rights with various forms of exclusion. The essays examine topics including the role of smuggling and free trade in the origins of the French Revolution, the entwined nature of feminism and abolitionism, and the influence of the French revolutionary wars on the shape of American empire. The French Revolution in Global Perspective illuminates the dense connections among the cultural, social, and economic aspects of the French Revolution, revealing how new political forms-at once democratic and imperial, anticolonial and centralizing-were generated in and through continual transnational exchanges and dialogues. Contributors: Rafe Blaufarb, Florida State University; Ian Coller, La Trobe University; Denise Davidson, Georgia State University; Suzanne Desan, University of Wisconsin-Madison; Lynn Hunt, University of California, Los Angeles; Andrew Jainchill, Queen's University; Michael Kwass, The Johns Hopkins University; William Max Nelson, University of Toronto; Pierre Serna, Université Paris I Panthéon-Sorbonne; Miranda Spieler, University of Arizona; Charles Walton, Yale University
| Author | : Robert Darnton |
| Publisher | : Baylor University Press |
| Total Pages | : 60 |
| Release | : 1990 |
| Genre | : History |
| ISBN | : |
Darnton offers a reasoned defense of what the French revolutionaries were trying to achieve and urges us to look beyond political events to understand the idealism and universality of their goals.
| Author | : Mona Ozouf |
| Publisher | : Harvard University Press |
| Total Pages | : 404 |
| Release | : 1991 |
| Genre | : History |
| ISBN | : 9780674298842 |
Festivals and the French Revolution--the subject conjures up visions of goddesses of Liberty, strange celebrations of Reason, and the oddly pretentious cult of the Supreme Being. Every history of the period includes some mention of festivals; Ozouf shows us that they were much more than bizarre marginalia to the revolutionary process.
