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Revolution and Rebellion in Mexican Film

Revolution and Rebellion in Mexican Film
Author: Niamh Thornton
Publisher: Bloomsbury Publishing USA
Total Pages: 224
Release: 2013-08-15
Genre: Performing Arts
ISBN: 1441128689

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Revolution and Rebellion in Mexican Film examines Mexican films of political conflict from the early studio Revolutionary films of the 1930-50s up to the campaigning Zapatista films of the 2000s. Mapping this evolution out for the first time, the author takes three key events under consideration: the Mexican Revolution (1910-1920); the student movement and massacre in 1968; and, finally, the more recent Zapatista Rebellion (1994-present). Analyzing films such as Vamanos con Pancho Villa (1936), El Grito (1968), and Corazon del Tiempo (2008), the author uses the term 'political conflict' to refer to those violent disturbances, dramatic periods of confrontation, injury and death, which characterize particular historical events involving state and non-state actors that may have a finite duration, but have a long-lasting legacy on the nation. These conflicts have been an important component of Mexican film since its inception and include studio productions, documentaries, and independent films.


Riot, Rebellion, and Revolution

Riot, Rebellion, and Revolution
Author: Friedrich Katz
Publisher: Princeton University Press
Total Pages: 605
Release: 2014-07-14
Genre: History
ISBN: 1400860121

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Since the Mexican Revolution of 1910-1920, Mexico's rebellious peasant has become a subject not only of history but of literature, film, and paintings. With his sombrero, his machete, and his rifle, he marches or rides through countless Hollywood or Mexican films, killing brutal overseers, hacienda owners, corrupt officials, and federal soldiers. Some of Mexico's greatest painters, such as Diego Rivera, have portrayed him as one of the motive forces of Mexican history. Was this in fact the case? Or are we dealing with a legend forged in the aftermath of the Revolution and applied to the Revolution itself and to earlier periods of Mexican history? This is one of the main questions discussed by the international group of scholars whose work is gathered in this volume. They address the subject of agrarian revolts in Mexico from the pre-Columbian period through the twentieth century. The volume offers a unique perspective not only on Mexican riots, rebellions, and revolutions through time but also on Mexican social movements in contrast to those in the rest of Latin America. The contributors to the volume are Ulises Beltran, Raymond Buve, John Coatsworth, Romana Falcon, John M. Hart, Evelyn Hu-DeHart, Friedrich Katz, William K. Meyers, Enrique Montalvo Ortega, Herbert J. Nickel, Leticia Reina, William Taylor, Hans Werner Tobler, John Tutino, Arturo Warman, and Eric Van Young. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


The Mexican Revolution on the World Stage

The Mexican Revolution on the World Stage
Author: Adela Pineda Franco
Publisher: SUNY Press
Total Pages: 288
Release: 2019-07-23
Genre: History
ISBN: 1438475616

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Explores the wide-ranging impact of the Mexican Revolution on global cinema and Western intellectual thought. The first major social revolution of the twentieth century, the Mexican Revolution was visually documented in technologically novel ways and to an unprecedented degree during its initial armed phase (1910–21) and the subsequent years of reconstruction (1921–40). Offering a sweeping and compelling new account of this iconic revolution, The Mexican Revolution on the World Stage reveals its profound impact on both global cinema and intellectual thought in and beyond Mexico. Focusing on the period from 1940 to 1970, Adela Pineda Franco examines a group of North American, European, and Latin American filmmakers and intellectuals who mined this extensive visual archive to produce politically engaged cinematic works that also reflect and respond to their own sociohistorical contexts. The author weaves together multilayered analysis of individual films, the history of their production and reception, and broader intellectual developments to illuminate the complex relationship between culture and revolution at the onset of World War II, during the Cold War, and amid the anti-systemic movements agitating Latin America in the 1960s. Ambitious in scope, this book charts an innovative transnational history of not only the visual representation but also the very idea of revolution. “The Mexican Revolution on the World Stage is a first-rate, thoroughly researched work that opens a new area of inquiry in the field. It reveals how the visual archive of the revolution has been locally and globally used and abused to either ascertain or contest the significance of the revolution in differing contexts and periods by delving into the ideological complexities, even paradoxes, of cultural production.” — Zuzana M. Pick, author of Constructing the Image of the Mexican Revolution: Cinema and the Archive “This book is a vital and compelling historical analysis of the contexts and contribution international filmmakers have made to the construction of the Mexican Revolution on film. The archival research is impressive and wide-ranging.” — Niamh Thornton, author of Revolution and Rebellion in Mexican Film


Riot, Rebellion, and Revolution

Riot, Rebellion, and Revolution
Author: Friedrich Katz
Publisher:
Total Pages: 594
Release: 1988
Genre: History
ISBN: 9780691077390

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Since the Mexican Revolution of 1910-1920, Mexico's rebellious peasant has become a subject not only of history but of literature, film, and paintings. With his sombrero, his machete, and his rifle, he marches or rides through countless Hollywood or Mexican films, killing brutal overseers, hacienda owners, corrupt officials, and federal soldiers. Some of Mexico's greatest painters, such as Diego Rivera, have portrayed him as one of the motive forces of Mexican history. Was this in fact the case? Or are we dealing with a legend forged in the aftermath of the Revolution and applied to the Revolution itself and to earlier periods of Mexican history? This is one of the main questions discussed by the international group of scholars whose work is gathered in this volume. They address the subject of agrarian revolts in Mexico from the pre-Columbian period through the twentieth century. The volume offers a unique perspective not only on Mexican riots, rebellions, and revolutions through time but also on Mexican social movements in contrast to those in the rest of Latin America. The contributors to the volume are Ulises Beltran, Raymond Buve, John Coatsworth, Romana Falcon, John M. Hart, Evelyn Hu-DeHart, Friedrich Katz, William K. Meyers, Enrique Montalvo Ortega, Herbert J. Nickel, Leticia Reina, William Taylor, Hans Werner Tobler, John Tutino, Arturo Warman, and Eric Van Young. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Constructing the Image of the Mexican Revolution

Constructing the Image of the Mexican Revolution
Author: Zuzana M. Pick
Publisher: University of Texas Press
Total Pages: 265
Release: 2010-01-01
Genre: Performing Arts
ISBN: 0292774257

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With a cast ranging from Pancho Villa to Dolores del Río and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico's twentieth-century national iconography. Investigating the convergence of cinema, photography, painting, and other graphic arts in this process, Zuzana Pick illuminates how the Mexican Revolution's timeline (1910–1917) corresponds with the emergence of media culture and modernity. Drawing on twelve foundational films from Que Viva Mexico! (1931–1932) to And Starring Pancho Villa as Himself (2003), Pick proposes that cinematic images reflect the image repertoire produced during the revolution, often playing on existing nationalist themes or on folkloric motifs designed for export. Ultimately illustrating the ways in which modernism reinvented existing signifiers of national identity, Constructing the Image of the Mexican Revolution unites historicity, aesthetics, and narrative to enrich our understanding of Mexicanidad.


Filming Pancho

Filming Pancho
Author: Margarita de Orellana
Publisher: Verso Books
Total Pages: 390
Release: 2020-05-05
Genre: History
ISBN: 1789605199

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On January 3, 1914 Pancho Villa became Hollywood's first Mexican superstar. In signing an exclusive movie contract, Villa agreed to keep other film companies from his battlefield, to fight in daylight wherever possible, and to reconstruct battles if the footage needed reshooting. Through memoir and newspaper reports, Margarita De Orellana looks at the documentary film-makers who went down to cover events in Mexico. Feature film-makers in Hollywood portrayed the border as the dividing line between order and chaos, in the process developing a series of lasting Mexican stereotypes-the greaser, the bandit, the beautiful seorita, the exotic Aztec. Filming Pancho reveals how Mexico was constructed in the American imagination and how movies reinforced and justified both American expansionism and racial and social prejudice.


The Institutional Revolution

The Institutional Revolution
Author: Deborah E. Mistron
Publisher:
Total Pages: 270
Release: 1983
Genre: Historical films
ISBN:

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Celluloid Nationalism and Other Melodramas

Celluloid Nationalism and Other Melodramas
Author: Susan Dever
Publisher: SUNY Press
Total Pages: 292
Release: 2003-07-17
Genre: Social Science
ISBN: 9780791457634

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Explores issues of representation and rebellion in Mexican and Mexican American cinema.


The Mexican Revolution

The Mexican Revolution
Author: Robert Weis
Publisher: Taylor & Francis
Total Pages: 163
Release: 2024-10-01
Genre: History
ISBN: 1040126367

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This volume untangles the multiple threads of the Mexican Revolution to present an accessible introduction to its causes, development, and consequences. Grounded in a detailed narrative that readers can actively explore through accompanying primary sources, the book also provides a broad view of Mexico’s cultural, political, and social evolution from the 1870s to the 1940s. It traces the promises and perils of export-led modernization during the late nineteenth century, the subsequent explosion of popular discontent, the difficult process of reconstruction, and the lasting legacies. The book emphasizes the promises and shortcomings of liberalism; the demands from workers and peasants; the gender underpinnings of revolutionary principles; new forms of authoritarianism; and how conservative resistance curbed the revolution’s reform agenda. Featuring a number of learning tools such as a chronology, glossary, and introduction to key historical figures, The Mexican Revolution is a helpful resource for undergraduate students and non-specialist readers interested in Mexico and its major revolution.


Revolutionary Mexico on Film

Revolutionary Mexico on Film
Author: Bob Herzberg
Publisher: McFarland
Total Pages: 578
Release: 2014-12-24
Genre: History
ISBN: 147661797X

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Drawing on studio files, newspaper critiques, internet sources and scholarly studies of Mexican cinema, this critical history focuses on film depictions, in Hollywood and in Mexico, of the Mexican Revolution of 1910 and the era of Benito Juarez. Mexico's political and military battles are discussed in detail, and contrasted with the film industry's mostly uninformative take on these events. Important figures of Mexican history are discussed--Benito Juarez, Porfirio Diaz, Francisco Madero, Jr., Pancho Villa and Emiliano Zapata--as well as non-Latinos whose actions were influential. Performers, production personnel and literary sources for films dealing with revolutionary Mexico, from the silent The Life of General Villa to Cinco De Mayo: La Batalla of 2013, are covered.