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Revising Shakespeare

Revising Shakespeare
Author: Grace Ioppolo
Publisher: Harvard University Press
Total Pages: 270
Release: 1991
Genre: Drama
ISBN: 9780674766969

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In Revising Shakespeare Grace Ioppolo addresses the question of Shakespeare's integrity. Through analysis of variant texts spanning the history of the plays, she arrives at an interpretation of Shakespeare as author and reviser. Ioppolo stars with the physical text. As textual studies of King Lear have shown, the text of Shakespeare is not as given. The text is nearly always a revision of another text. Critics can no longer evaluate plots, structure, and themes, nor can scholars debate what constitutes (or how to establish) a copy-text that stands as the most authoritative version of a Shakespeare play, without reconsidering the implications of revision for traditional and modern interpretations.


Shakespeare's Revision of KING LEAR

Shakespeare's Revision of KING LEAR
Author: Steven Urkowitz
Publisher: Princeton University Press
Total Pages: 182
Release: 2014-07-14
Genre: Drama
ISBN: 1400857279

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Of the three texts of King Lear--the Quarto version printed in 1608, the Folio edition of 1623, and the modern composite of these two early texts--it has been assumed that both the Quarto and Folio versions arc distortions of an unblemished original" now lost and that only the modern text accurately approaches Shakespeare's lost original manuscript. Steven Urkowitz argues to the contrary that the Quarto and Folio are simply different stages of Shakespear's writing--an early draft and a final revision--and that they reveal much about his process of composition. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Shakespeare Survey

Shakespeare Survey
Author: Stanley Wells
Publisher: Cambridge University Press
Total Pages: 368
Release: 2002-11-28
Genre: Drama
ISBN: 9780521523882

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The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.


Shakespeare's Apprenticeship

Shakespeare's Apprenticeship
Author: Ramon Jiménez
Publisher: McFarland
Total Pages: 351
Release: 2018-09-10
Genre: Literary Criticism
ISBN: 1476672644

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The contents of the Shakespeare canon have come into question in recent years as scholars add plays or declare others only partially his work. Now, new literary and historical evidence demonstrates that five heretofore anonymous plays published or performed during his lifetime are actually his first versions of later canonical works. Three histories, The Famous Victories of Henry the Fifth, The True Tragedy of Richard the Third, and The Troublesome Reign of John; a comedy, The Taming of a Shrew; and a romance, King Leir, are products of Shakespeare's juvenile years. Later in his career, he transformed them into the plays that bear nearly identical titles. Each is strikingly similar to its canonical counterpart in terms of structure, plot and cast, though the texts were entirely rewritten. Virtually all scholars, critics and editors of Shakespeare have overlooked or disputed the idea that he had anything to do with them. This addition of five plays to the Shakespeare canon introduces a new facet to the authorship debate, and supplies further evidence that the real Shakespeare was Edward de Vere, seventeenth Earl of Oxford.


Living with Shakespeare

Living with Shakespeare
Author: Susannah Carson
Publisher: Vintage
Total Pages: 528
Release: 2013-04-09
Genre: Drama
ISBN: 0307743403

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Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites forty actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture. We hear from James Earl Jones on reclaiming Othello as a tragic hero, Julie Taymor on turning Prospero into Prospera, Camille Paglia on teaching the plays to actors, F. Murray Abraham on gaining an audience’s sympathy for Shylock, Sir Ben Kingsley on communicating Shakespeare’s ideas through performance, Germaine Greer on the playwright’s home life, Dame Harriet Walter on the complexity of his heroines, Brian Cox on social conflict in his time and ours, Jane Smiley on transposing King Lear to Iowa in A Thousand Acres, and Sir Antony Sher on feeling at home in Shakespeare’s language. Together these essays provide a fresh appreciation of Shakespeare’s works as a living legacy to be read, seen, performed, adapted, revised, wrestled with, and embraced by creative professionals and lay enthusiasts alike. F. Murray Abraham ● Isabel Allende ● Cicely Berry ● Eve Best ● Eleanor Brown ● Stanley Cavell ● Karin Coonrod ● Brian Cox ● Peter David ● Margaret Drabble ● Dominic Dromgoole ● David Farr ● Fiasco Theater ● Ralph Fiennes ● Angus Fletcher ● James Franco ● Alan Gordon ● Germaine Greer ● Barry John ● James Earl Jones ● Sir Ben Kingsley ● Maxine Hong Kingston ● Rory Kinnear ● J. D. McClatchy ● Conor McCreery ● Tobias Menzies ● Joyce Carol Oates ● Camille Paglia ● James Prosek ● Richard Scholar ● Sir Antony Sher ● Jane Smiley ● Matt Sturges ● Julie Taymor ● Eamonn Walker ● Dame Harriet Walter ● Bill Willingham ● Jess Winfield


Shakespeare's Theatre

Shakespeare's Theatre
Author: Hugh Macrae Richmond
Publisher: A&C Black
Total Pages: 590
Release: 2004-01-01
Genre: Literary Criticism
ISBN: 9780826477767

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Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>


Shakespeare Studies

Shakespeare Studies
Author: Leeds Barroll
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 292
Release: 2001-10
Genre: Literary Criticism
ISBN: 9780838639221

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Shakespeare Studies is an international volume published every year in hardcover, containing more than three hundred pages of essays and studies by critics from both hemispheres.


Shakespeare and the Literary Tradition

Shakespeare and the Literary Tradition
Author: Stephen Orgel
Publisher: Courier Corporation
Total Pages: 356
Release: 1999-01-01
Genre: Literary Criticism
ISBN: 9780815329671

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Shakespeare has never been more ubiquitous, not only on the stage and in academic writing, but in film, video and the popular press. On television, he advertises everything from cars to fast food. His birthplace, the tiny Warwickshire village of Stratford-Upon-Avon, has been transformed into a theme park of staggering commercialism, and the New Globe, in its second season, is already a far bigger business than the old Globe could ever have hoped to be. If popular culture cannot do without Shakespeare, continually reinventing him and reimagining his drama and his life, neither can the critical and scholarly world, for which Shakespeare has, for more than two centuries, served as the central text for analysis and explication, the foundation of the western literary canon and the measure of literary excellence.The Shakespeare the essays collected in these volumes reveal is fully as multifarious as the Shakespeare of theme parks, movies and television. Indeed, it is part of the continuing reinvention of Shakespeare. The essays are drawn for the most part from work done in the past three decades, though a few essential, enabling essays from an earlier period have been included. They not only chart the directions taken by Shakespeare studies in the recent past, but they serve to indicate the enormous and continuing vitality of the enterprise, and the extent to which Shakespeare has become a metonym for literary and artistic endeavor generally.


Shakespeare and the Editorial Tradition

Shakespeare and the Editorial Tradition
Author: Stephen Orgel
Publisher: Taylor & Francis
Total Pages: 426
Release: 1999
Genre: Drama
ISBN: 9780815329657

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Shakespeare has never been more ubiquitous, not only on the stage and in academic writing, but in film, video and the popular press. On television, he advertises everything from cars to fast food. His birthplace, the tiny Warwickshire village of Stratford-Upon-Avon, has been transformed into a theme park of staggering commercialism, and the New Globe, in its second season, is already a far bigger business than the old Globe could ever have hoped to be. If popular culture cannot do without Shakespeare, continually reinventing him and reimagining his drama and his life, neither can the critical and scholarly world, for which Shakespeare has, for more than two centuries, served as the central text for analysis and explication, the foundation of the western literary canon and the measure of literary excellence.The Shakespeare the essays collected in these volumes reveal is fully as multifarious as the Shakespeare of theme parks, movies and television. Indeed, it is part of the continuing reinvention of Shakespeare. The essays are drawn for the most part from work done in the past three decades, though a few essential, enabling essays from an earlier period have been included. They not only chart the directions taken by Shakespeare studies in the recent past, but they serve to indicate the enormous and continuing vitality of the enterprise, and the extent to which Shakespeare has become a metonym for literary and artistic endeavor generally.


Shakespeare, Court Dramatist

Shakespeare, Court Dramatist
Author: Richard Dutton
Publisher: Oxford University Press
Total Pages: 320
Release: 2016-04-07
Genre: Literary Criticism
ISBN: 0191083321

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Shakespeare, Court Dramatist centres around the contention that the courts of both Elizabeth I and James I loomed much larger in Shakespeare's creative life than is usually appreciated. Richard Dutton argues that many, perhaps most, of Shakespeare's plays have survived in versions adapted for court presentation, where length was no object (and indeed encouraged) and rhetorical virtuosity was appreciated. The first half of the study examines the court's patronage of the theatre during Shakespeare's lifetime and the crucial role of its Masters of the Revels, who supervised all performances there (as well as censoring plays for public performance). Dutton examines the emergence of the Lord Chamberlain's Men and the King's Men, to whom Shakespeare was attached as their 'ordinary poet', and reviews what is known about the revision of plays in the early modern period. The second half of the study focuses in detail on six of Shakespeare's plays which exist in shorter, less polished texts as well as longer, more familiar ones: Henry VI Part II and III, Romeo and Juliet, Henry V, Hamlet, and The Merry Wives of Windsor. Shakespeare, Court Dramatist argues that they are not cut down from those familiar versions, but poorly-reported originals which Shakespeare revised for court performance into what we know best today. More localised revisions in such plays as Titus Andronicus, Richard II, and Henry IV Part II can also best be explained in this context. The court, Richard Dutton argues, is what made Shakespeare Shakespeare.