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Rethinking Art Between the Wars

Rethinking Art Between the Wars
Author: Hans Dam Christensen
Publisher: Museum Tusculanum Press
Total Pages: 160
Release: 2001
Genre: Art
ISBN: 9788772895239
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In the interwar period art revealed itself as part of the social and ideological order. The work of art became a point of intersection for the modern, unstable and ambiguous world. Works of art produced in these decades reflect a range of discourses on power and subjectivity. They contribute to the foundation of the post-war development of aesthetic pluralism and point out the socially conditioned framings of the Fine Arts. During the last decades, research in the field of interwar art has reworked and reconceptualised existing notions on the period. This book offers four new approaches which also contribute to reflections on methodological questions regarding the changes in the disciple of Art History since the early 1970s. The articles discuss topics such as Le Corbusier's connection with the French fascist movement, the position of women in the avant garde movement, Giorgio de Chirico's play with kitsch and avant garde practices, and the semiotics of the surrealist image.

Rethinking Social Realism

Rethinking Social Realism
Author: Stacy I. Morgan
Publisher: University of Georgia Press
Total Pages: 374
Release: 2004
Genre: Literary Criticism
ISBN: 9780820325798
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The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.

Geopolitics and the Event

Geopolitics and the Event
Author: Alan Ingram
Publisher: John Wiley & Sons
Total Pages: 234
Release: 2019-08-19
Genre: Science
ISBN: 1119426057
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An original exploration of the 2003 Iraq war and geopolitics more broadly through the prism of art. Offers a reappraisal of one of the most contentious and consequential events of the early twenty-first century Advances an original perspective on Britain’s role in the 2003 invasion and subsequent occupation of Iraq Maps out new ways of thinking about geopolitical events through art Examines the work of artists, curators and activists in light of Britain’s role as a colonial power in Iraq and the importance of oil Reflects on the significance, limits and dilemmas of art as a form of critical intervention Questions the implications of art in colonialism and modernity

Images of War in Contemporary Art

Images of War in Contemporary Art
Author: Uroš Cvoro
Publisher: Bloomsbury Publishing
Total Pages: 246
Release: 2021-08-12
Genre: Art
ISBN: 1350227358
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In Images of War in Contemporary Art, Uroš Cvoro and Kit Messham-Muir mount a challenge to the dominance of theoretical tropes of trauma, affect, and emotion that have determined how we think of images of war and terror for the last 20 years. Through analyses of visual culture from contemporary "war art" to the meme wars, they argue that the art that most effectively challenges the ethics and aesthetics of war and terror today is that which disrupts this flow-art that makes alternative perceptions of wartime both visible and possible. As a theoretical work, Images of War in Contemporary Art is richly supported by visual and textual evidence and firmly embedded in current artistic practice. Significantly, though, the book breaks with both traditional and current ways of thinking about war art-offering a radical rethinking of the politics and aesthetics of art today through analyses of a diverse scope of contemporary art that includes Ben Quilty, Abdul Abdullah (Australia), Mladen Miljanovic, Nebojša Šeric Šoba (Bosnia and Herzegovina), Hiwa K, Wafaa Bilal (Iraq), Teresa Margolles (Mexico), and Arthur Jafa (United States).

Artists in Times of War

Artists in Times of War
Author: Howard Zinn
Publisher: Seven Stories Press
Total Pages: 63
Release: 2011-01-04
Genre: History
ISBN: 1609801679
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"Political power," says Howard Zinn, "is controlled by the corporate elite, and the arts are the locale for a kind of guerilla warfare in the sense that guerillas look for apertures and opportunities where they can have an effect." In Artists in Times of War, Zinn looks at the possibilities to create such apertures through art, film, activism, publishing and through our everyday lives. In this collection of four essays, the author of A People's History of the United States writes about why "To criticize the government is the highest act of patriotism." Filled with quotes and examples from the likes of Bob Dylan, Mark Twain, e. e. cummings, Thomas Paine, Joseph Heller, and Emma Goldman, Zinn's essays discuss America's rich cultural counternarratives to war, so needed in these days of unchallenged U.S. militarism.

Rethinking the Nature of Fascism

Rethinking the Nature of Fascism
Author: António Costa Pinto
Publisher: Springer
Total Pages: 300
Release: 2010-11-17
Genre: History
ISBN: 0230295002
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Many of the foremost experts in the study of European fascism unite to provide a contemporary analysis of the theories and historiography of fascism. Essays discuss the most recent debates on the subject and how changes in the social sciences over the past forty years have impacted on the study of fascism from various perspectives.

Rethinking the Principles of War

Rethinking the Principles of War
Author: Anthony D. Mclvor
Publisher: US Naval Institute Press
Total Pages: 0
Release: 2012-12-30
Genre: Military art and science
ISBN: 9781591144823
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This work features the fresh thinking of twenty-eight leading authors from a variety of military and national security disciplines. Following an introduction by Lt. Gen. James Dubik, Commander I Corps, U.S. Army, the anthology first considers the general question of whether there is a distinctly American way of war. Dr. Colin Gray's opening essay "The American Way of War: Critique and Implications" provides a state of the question perspective. Sections on operational art, with writers addressing the issues in both conventional and small wars; stability and reconstruction; and intelligence complete the volume. Among the well-known contributors are Robert Scales, Mary Kaldor, Ralph Peters, Jon Sumida, Grant Hammond, Milan Vego, and T.X. Hammes. The anthology is part of a larger Rethinking the Principles project, sponsored by the Office of Force Transformation and the U.S. Navy to examine approaches to the future of warfare. Footnotes, index, and a bibliographic essay make the work a useful tool for students of war and general readers alike.

Radical History and the Politics of Art

Radical History and the Politics of Art
Author: Gabriel Rockhill
Publisher: Columbia University Press
Total Pages: 289
Release: 2014-07-15
Genre: Philosophy
ISBN: 0231527780
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Gabriel Rockhill opens new space for rethinking the relationship between art and politics. Rather than understanding the two spheres as separated by an insurmountable divide or linked by a privileged bridge, Rockhill demonstrates that art and politics are not fixed entities with a singular relation but rather dynamically negotiated, sociohistorical practices with shifting and imprecise borders. Radical History and the Politics of Art proposes a significant departure from extant debates on what is commonly called "art" and "politics," and the result is an impressive foray into the force field of history, in which cultural practices are meticulously analyzed in their social and temporal dynamism without assuming a conceptual unity behind them. Rockhill thereby develops an alternative logic of history and historical change, as well as a novel account of social practices and a multidimensional theory of agency. Engaging with a diverse array of intellectual, artistic, and political constellations, this tour de force diligently maps the various interactions between different dimensions of aesthetic and political practices as they intertwine and sometimes merge in precise fields of struggle.

Our Ancient Wars

Our Ancient Wars
Author: Victor Caston
Publisher: University of Michigan Press
Total Pages: 289
Release: 2016-02-05
Genre: Literary Criticism
ISBN: 0472121596
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Many famous texts from classical antiquity—by historians like Thucydides, tragedians like Sophocles and Euripides, the comic poet Aristophanes, the philosopher Plato, and, above all, Homer—present powerful and profound accounts of wartime experience, both on and off the battlefield. These texts also provide useful ways of thinking about the complexities and consequences of wars throughout history, and the concept of war broadly construed, providing vital new perspectives on conflict in our own era. Our Ancient Wars features essays by top scholars from across academic disciplines—classicists and historians, philosophers and political theorists, literary scholars, some with firsthand experience of war and some without—engaging with classical texts to understand how differently they were read in other times and places. Contributors articulate difficult but necessary questions about contemporary conceptions of war and conflict. Contributors include Victor Caston, Page duBois, Susanne Gödde, Peter Meineck, Sara Monoson, David Potter, Kurt Raaflaub, Arlene Saxonhouse, Seth Schein, Nancy Sherman, Hans van Wees, Silke-Maria Weineck, and Paul Woodruff.

The Migrant's Time

The Migrant's Time
Author: Saloni Mathur
Publisher: Yale University Press
Total Pages: 273
Release: 2011-09-27
Genre: Art
ISBN: 0300172583
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The conditions of alienation and exclusion are inextricably linked to the experience of the migrant. This volume explores both the increasing emergence of the theme of migration as a dominant subject matter in art as well as the ways in which the varied mobilities of a globalized world have radically reshaped art's conditions of production, reception, and display. In a selection of essays, fourteen distinguished scholars explore the universality of conditions of global migration and interdependence, inviting a rethinking of existing perspectives in postcolonial, transnational, and diaspora studies, and laying the foundation for empirical and theoretical directions beyond the terms of these traditional frameworks.