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Rethinking African Cultural Production

Rethinking African Cultural Production
Author: Kenneth W. Harrow
Publisher: Indiana University Press
Total Pages: 215
Release: 2015-05-29
Genre: Literary Criticism
ISBN: 0253016037

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Frieda Ekotto, Kenneth W. Harrow, and an international group of scholars set forth new understandings of the conditions of contemporary African cultural production in this forward-looking volume. Arguing that it is impossible to understand African cultural productions without knowledge of the structures of production, distribution, and reception that surround them, the essays grapple with the shifting notion of what "African" means when many African authors and filmmakers no longer live or work in Africa. While the arts continue to flourish in Africa, addressing questions about marginalization, what is center and what periphery, what traditional or conservative, and what progressive or modern requires an expansive view of creative production.


Routes of Passage

Routes of Passage
Author: Ruth Simms Hamilton
Publisher: MSU Press
Total Pages: 415
Release: 2007-07-26
Genre: History
ISBN: 1628954604

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Routes of Passage provides a conceptual, substantive, and empirical orientation to the study of African people worldwide. Routes of Passage addresses issues of geographical mobility and geosocial displacement; changing cultural, political, and economic relationships between Africa and its diaspora; interdiaspora relations; political and economic agency and social mobilization, including cultural production and psychocultural transformation; existence in hostile and oppressive political and territorial space; and confronting interconnected relations of social inequality, especially class, gender, nationality, and race.


Routes of Passage

Routes of Passage
Author: Ruth Simms Hamilton
Publisher: African Diaspora Research Proj
Total Pages: 418
Release: 2007
Genre: History
ISBN:

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Routes of Passage provides a conceptual, substantive, and empirical orientation to the study of African people worldwide. The book addresses issues of geographical mobility and geosocial displacement; changing culture, political, and economic relationships between Africa and its diaspora; interdiaspora relations; political and economic agency and social mobilization, including cultural production and psychocultural transformation; existence in hostile and oppressive political and territorial space; and confronting interconnected relations of social inequality, especially class, gender, nationality, and race.


State and Culture in Postcolonial Africa

State and Culture in Postcolonial Africa
Author: Tejumola Olaniyan
Publisher: Indiana University Press
Total Pages: 334
Release: 2017-10-16
Genre: Social Science
ISBN: 025303017X

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How has the state impacted culture and cultural production in Africa? How has culture challenged and transformed the state and our understandings of its nature, functions, and legitimacy? Compelled by complex realities on the ground as well as interdisciplinary scholarly debates on the state-culture dynamic, senior scholars and emerging voices examine the intersections of the state, culture, and politics in postcolonial Africa in this lively and wide-ranging volume. The coverage here is continental and topics include literature, politics, philosophy, music, religion, theatre, film, television, sports, child trafficking, journalism, city planning, and architecture. Together, the essays provide an energetic and nuanced portrait of the cultural forms of politics and the political forms of culture in contemporary Africa.


Borders, Media Crossings and the Politics of Translation

Borders, Media Crossings and the Politics of Translation
Author: Pier Paolo Frassinelli
Publisher: Routledge
Total Pages: 143
Release: 2019-07-02
Genre: Social Science
ISBN: 042963935X

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This book examines concepts of the border and translation within the context of social and cultural theory through the lens of southern Africa. Borders, Media Crossings and the Politics of Translation studies a diverse range of media representations of borders, imagined borders, border struggles, collectivity boundaries and scenes of translation: films, documentaries, literary texts, photographs, websites and other media texts and artistic interventions. The book makes a case for bringing together media texts and sociocultural experiences across multiple platforms. It argues that this transdisciplinary approach is singularly suited to the age of media convergence, when words, speech, music, videos and images compete for attention on the screens of digital devices where the written, oral, aural and visual are constantly mixed and remixed. But it also reminds the reader of the digital divides linked to socioeconomic, cultural, language and geopolitical borders. With its focus on sociocultural borders and translation, this book will be of interest to scholars and students of media studies, African studies and cultural studies.


Routes of Passage

Routes of Passage
Author:
Publisher:
Total Pages:
Release: 2007
Genre:
ISBN: 9780870136924

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Contemporary Dance

Contemporary Dance
Author: Yvette Hutchison
Publisher: Boydell & Brewer
Total Pages: 263
Release: 2018
Genre: Literary Criticism
ISBN: 184701187X

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African dance is discussed here in its global as well as local contexts as a powerful vehicle of aesthetic and cultural exchange and influence.


New African Cinema

New African Cinema
Author: Valérie K. Orlando
Publisher: Rutgers University Press
Total Pages: 96
Release: 2017-04-15
Genre: Performing Arts
ISBN: 0813579570

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New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.