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Resistance and Politics in Contemporary East African Theatre

Resistance and Politics in Contemporary East African Theatre
Author: Osita Okagbue
Publisher: Adonis & Abbey Publishers Ltd
Total Pages: 242
Release: 2013-09-25
Genre: Art
ISBN: 1912234580

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Contemporary Uganda and other East African states are connected by the experience of Idi Amin's tyranny, rapacious and murderous regime, and the latter second Uganda Peoples Congress government, that forced Ugandans to go into exile and initiate armed struggles from Kenya and Tanzania to oust his government. Because of these experiences of disappearances, torture, murder and war, issues of identity, politics and resistance are significant concerns for East African dramatists. Resistance and Politics in Contemporary East African Theatre demonstrates the significant role of theatre in resisting tyranny and forging a post-colonial national identity. In its engaging analysis of an important period of theatre, the book explores key moments while considering the specific practice of individual artists and groups that provoke differing experiences and performance practices. Selected examples range from early post-colonial plays reflecting the resistance to the rise of tyranny, torture and dictatorships, to more recent works that address situations involving struggles for social justice and the cult personality in political leaders. Resistance and Politics in Contemporary East African Theatre offers a new vision of Ugandan theatre as a performative space, a site where new aesthetics, forms, multiple voices, and identities emerge.


A History of East African Theatre, Volume 1

A History of East African Theatre, Volume 1
Author: Jane Plastow
Publisher: Springer Nature
Total Pages: 315
Release: 2020-10-29
Genre: Performing Arts
ISBN: 3030472728

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This book is the first ever transnational theatre study of an African region. Covering nine nations in two volumes, the project covers a hundred years of theatre making across Burundi, Djibouti, Eritrea, Ethiopia, Kenya, Rwanda, Somalia, Tanzania, and Uganda. This volume focuses on the theatre of the Horn of Africa. The book shows how the theatres of Djibouti, Eritrea, Ethiopia, and Somalia, little known in the outside world, have been among the continent's most politically important, commercially successful, and widely popular; making work almost exclusively in local languages and utilizing hybrid forms that have privileged local cultural modes of production. A History of African Theatre is relevant to all who have interests in African cultures and their relationship to the history and politics of the East African region.


A History of East African Theatre, Volume 2

A History of East African Theatre, Volume 2
Author: Jane Plastow
Publisher: Springer Nature
Total Pages: 333
Release: 2021-11-02
Genre: Performing Arts
ISBN: 3030877310

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This second volume of A History of East African Theatre focuses on central East Africa; on Burundi, Kenya, Rwanda, Tanzania and Uganda. The first chapter is concerned with francophone theatres, comparatively studying work coming out of Burundi and Rwanda alongside a focus on French language theatre in Djibouti. The chapter is particularly concerned to explore how French and Belgian cultural policies impacted theatre during the colonial period and how the French ideas of Francafrique and promotion of elite, French language art have continued to resonate in the post-colonial present. Chapters Two and Three look comparatively at the rich theatre histories of Kenya, Tanzania and Uganda, and are divided between a study of British East African colonial impact and an analysis of the post-colonial period illustrating how divergent political thought and societal make-up led to exponential differentiation in national theatres. The final chapter, on Theatre for Development and related social action theatre, covers the whole East African region, offering the first ever historicised analysis of this mode of theatre making which, since the 1980s, has come to dominate funding and opportunity in performance arts.


Theatre and Performance in East Africa

Theatre and Performance in East Africa
Author: Osita Okagbue
Publisher: Routledge
Total Pages: 281
Release: 2021-03-22
Genre: Performing Arts
ISBN: 1351996169

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Theatre and Performance in East Africa looks at indigenous performances to unearth the aesthetic principles, sensibilities and critical framework that underpin African performance and theatre. The book develops new paradigms for thinking about African performance in general through the construction of a critical framework that addresses questions concerning performance particularities and coherences, challenging previous understandings. To this end, it establishes a common critical and theoretical framework for indigenous performance using case studies from East Africa that are also reflected elsewhere in the continent. This book will be of great interest to students and scholars of theatre and performance, especially those with an interest in the close relationship between theatre and performance with culture.


Performing Power in Nigeria

Performing Power in Nigeria
Author: Abimbola A. Adelakun
Publisher: Cambridge University Press
Total Pages: 299
Release: 2023-07-31
Genre: Political Science
ISBN: 1009281747

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Yorùbá Performance, Theatre and Politics

Yorùbá Performance, Theatre and Politics
Author: Glenn Odom
Publisher: Springer
Total Pages: 162
Release: 2015-06-23
Genre: Performing Arts
ISBN: 1137492791

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This book explains the connections between traditional performance (e.g. masked dances, prophecy, praise recitations), contemporary theatre (Wole Soyinka, Ola Rotimi, Tess Onwueme, Femi Osofisan, and Stella Oyedepo) , and the political sphere in the context of the Yorùbá people in Nigeria.


Robert Serumaga and the Golden Age of Uganda’s Theatre (1968-1978)

Robert Serumaga and the Golden Age of Uganda’s Theatre (1968-1978)
Author: George Bwanika Seremba
Publisher: Cambridge Scholars Publishing
Total Pages: 300
Release: 2023-11-14
Genre: Performing Arts
ISBN: 1527528936

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This book provides a meticulous examination of the work of playwright Robert Serumaga and the Golden Age of Uganda’s theatre (1968-1978). It considers the question of individualism—or its extreme form, solipsism—on the one hand, and activism or a social conscience on the other. Theatrical innovation is another key concern. It deconstructs the ruling histories, historiography and performance analysis of the time as irremediably tainted by a ferocious post-independence nation-statism. This is a study of a theatre of commitment, dissidence, resistance, resilience, struggle, signification and survival; a theatre born under the unrelenting glare of severe, scorching censorship, and incarceration. For the very first time, Serumaga’s work is examined in its entirety and afforded the room, complexity and scope it requires and deserves. For the very first time, too, scholars of the Golden Age of Uganda’s theatre will have to make no more than a single stop in their search for what were hitherto scattered tidbits and sources of Uganda’s theatre history.


Performing Trauma in Central Africa

Performing Trauma in Central Africa
Author: Laura Edmondson
Publisher: Indiana University Press
Total Pages: 369
Release: 2018-03-26
Genre: History
ISBN: 0253032466

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What are the stakes of cultural production in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? In the charged political terrain of post-genocide Rwanda, post-civil war Uganda, and recent violence in the Democratic Republic of Congo, Laura Edmondson explores performance through the lens of empire. Instead of celebrating theatre productions as expression of cultural agency and resilience, Edmondson traces their humanitarian imperatives to a place where global narratives of violence take precedence over local traditions and audiences. Working at the intersection of performance and trauma, Edmondson reveals how artists and cultural workers manipulate narratives in the shadow of empire and how empire, in turn, infiltrates creative capacities.


African Theatre

African Theatre
Author: Christine Matzke
Publisher: Boydell & Brewer
Total Pages: 289
Release: 2020
Genre: Drama
ISBN: 1847012574

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Compelling inside views of what characterises opera and music theatre in African and African diasporic contexts.


Ngũgĩ Wa Thiongʼo & Wole Soyinka

Ngũgĩ Wa Thiongʼo & Wole Soyinka
Author: Martin Banham
Publisher: Boydell & Brewer Ltd
Total Pages: 146
Release: 2014
Genre: Art
ISBN: 1847010989

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Directors and collaborators assess and comment on the production of plays by West Africa's Nobel Laureate Wole Soyinka and East Africa's most influential author Ngugi wa Thiong'o. Wole Soyinka and Ngugi wa Thiong'o are the pre-eminent playwrights of West and East Africa respectively and their work has been hugely influential across the continent. This volume features directors' experiences of recent productions of their plays, the voices of actors and collaborators who have worked with the playwrights, and also provides a digest of their theatrical output. Contributors provide new readings of Ngugi and Soyinka's classic texts, and astimulating new approach for students of English, Theatre and African studies. The playscript for this volume is a previously unpublished radio play by Wole Soyinka entitled A Rain of Stones, first broadcast onBBC Radio 4 in 2002. Volume Editors: MARTIN BANHAM & FEMI OSOFISAN Guest Editor: KIMANI NJOGU Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama at the University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick