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Rereading the New Criticism

Rereading the New Criticism
Author: John D. McIntyre
Publisher:
Total Pages: 255
Release: 2012
Genre: New Criticism
ISBN: 9780814270462

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On Rereading

On Rereading
Author: Patricia Meyer Spacks
Publisher: Harvard University Press
Total Pages: 294
Release: 2013-11-18
Genre: Literary Criticism
ISBN: 0674267478

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After retiring from a lifetime of teaching literature, Patricia Meyer Spacks embarked on a year-long project of rereading dozens of novels: childhood favorites, fiction first encountered in young adulthood and never before revisited, books frequently reread, canonical works of literature she was supposed to have liked but didn’t, guilty pleasures (books she oughtn’t to have liked but did), and stories reread for fun vs. those read for the classroom. On Rereading records the sometimes surprising, always fascinating, results of her personal experiment. Spacks addresses a number of intriguing questions raised by the purposeful act of rereading: Why do we reread novels when, in many instances, we can remember the plot? Why, for example, do some lovers of Jane Austen’s fiction reread her novels every year (or oftener)? Why do young children love to hear the same story read aloud every night at bedtime? And why, as adults, do we return to childhood favorites such as The Hobbit, Alice in Wonderland, and the Harry Potter novels? What pleasures does rereading bring? What psychological needs does it answer? What guilt does it induce when life is short and there are so many other things to do (and so many other books to read)? Rereading, Spacks discovers, helps us to make sense of ourselves. It brings us sharply in contact with how we, like the books we reread, have both changed and remained the same.


Rereading the New Criticism

Rereading the New Criticism
Author: Miranda B. Hickman
Publisher:
Total Pages: 0
Release: 2012
Genre: Literary Criticism
ISBN: 9780814252369

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Addressing the work of New Critics such as Ransom, Cleanth Brooks, and Robert Penn Warren and reevaluates the New Critical corpus, tracing its legacy, and exploring resources it might offer for the future of theory, criticism, and pedagogy.


Rereading the New

Rereading the New
Author: Kevin J. H. Dettmar
Publisher: University of Michigan Press
Total Pages: 406
Release: 1992
Genre: Literary Collections
ISBN: 9780472102907

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Leading scholars speculate on the postmodern aspects of modernist literature


Unfinished Business

Unfinished Business
Author: Vivian Gornick
Publisher: Farrar, Straus and Giroux
Total Pages: 176
Release: 2020-02-04
Genre: Literary Criticism
ISBN: 0374716609

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A New York Times Book Review Editors' Choice. One of Library Journal's Best Books of 2020. One of our most beloved writers reassess the electrifying works of literature that have shaped her life I sometimes think I was born reading . . . I can’t remember the time when I didn’t have a book in my hands, my head lost to the world around me. Unfinished Business: Notes of a Chronic Re-reader is Vivian Gornick’s celebration of passionate reading, of returning again and again to the books that have shaped her at crucial points in her life. In nine essays that traverse literary criticism, memoir, and biography, one of our most celebrated critics writes about the importance of reading—and re-reading—as life progresses. Gornick finds herself in contradictory characters within D. H. Lawrence’s Sons and Lovers, assesses womanhood in Colette’s The Vagabond and The Shackle, and considers the veracity of memory in Marguerite Duras’s The Lover. She revisits Great War novels by J. L. Carr and Pat Barker, uncovers the psychological complexity of Elizabeth Bowen’s prose, and soaks in Natalia Ginzburg, “a writer whose work has often made me love life more.” After adopting two cats, whose erratic behavior she finds vexing, she discovers Doris Lessing’s Particularly Cats. Guided by Gornick’s trademark verve and insight, Unfinished Business is a masterful appreciation of literature’s power to illuminate our lives from a peerless writer and thinker who “still read[s] to feel the power of Life with a capital L.”


The New Criticism

The New Criticism
Author: John Crowe Ransom
Publisher: Praeger
Total Pages: 339
Release: 1979
Genre: Literary Criticism
ISBN: 9780837190792

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Poetry as Re-Reading

Poetry as Re-Reading
Author: Ming-Qian Ma
Publisher: Northwestern University Press
Total Pages: 320
Release: 2008-08-20
Genre: Literary Criticism
ISBN: 0810124831

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Grounded in a detailed and compelling account of the philosophy guiding such a project, Ma's book traces a continuity of thought and practice through the very different poetic work of objectivists Louis Zukofsky, George Oppen, Carl Rakosi, and John Cage and language poets Susan Howe, Lyn Hejinian, Bruce Andrews, and Charles Bernstein. His deft individual readings provide an opening into this notoriously difficult work, even as his larger critique reveals a new and clarifying perspective on American modernist and post-modernist avant-garde poetics. Ma shows how we cannot understand these poets according to the usual way of reading but must see how they deliberately use redundancy, unpredictability, and irrationality to undermine the meaning-oriented foundations of American modernism--and to force a new and different kind of reading."--Pub. desc.


Critical Shift

Critical Shift
Author: Karen L. Georgi
Publisher: Penn State Press
Total Pages: 150
Release: 2015-06-29
Genre: Art
ISBN: 0271062479

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American Civil War–era art critics James Jackson Jarves, Clarence Cook, and William J. Stillman classified styles and defined art in terms that have become fundamental to our modern periodization of the art of the nineteenth century. In Critical Shift, Karen Georgi rereads many of their well-known texts, finding certain key discrepancies between their words and our historiography that point to unrecognized narrative desires. The book also studies ruptures and revolutionary breaks between “old” and “new” art, as well as the issue of the morality of “true” art. Georgi asserts that these concepts and their sometimes loaded expression were part of larger rhetorical structures that gainsay the uses to which the key terms have been put in modern historiography. It has been more than fifty years since a book has been devoted to analyzing the careers of these three critics, and never before has their role in the historiography and periodization of American art been analyzed. The conclusions drawn from this close rereading of well-known texts challenge the fundamental nature of “historical context” in American art history.


Rereading Modernism

Rereading Modernism
Author: Lisa Rado
Publisher: Routledge
Total Pages: 387
Release: 2012
Genre: History
ISBN: 0415524121

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Until about 1986, feminists generally considered modernism a reactionary, misogynist, and hegemonic mire not worth investigating. Since then enough studies of modernism have appeared that 17 feminist critics can now review and debate their treatment of the period. They evaluate the progress and goals of the new era of modernist scholarship. As the authors in this volume suggest, instead of condemning writers for not practicing or portraying an acceptable politics of gender, we ought instead to show how their assumptions about the nature of the sexes inform their texts, both in their creation and in their reception. This also allows examination of the complex and changing relationship between human subjectivity and aesthetics. This volume is a highly reflective dialogue, introspective and evaluative, at a moment of crisis within modernist studies and feminist studies. The analysis of critical work on early-twentieth-century literature not only helps reread and redefine a definition of modernism; it also intends to redirect and reintegrate feminist theory.


Rereading Jack London

Rereading Jack London
Author: Leonard Cassuto
Publisher: Stanford University Press
Total Pages: 316
Release: 1996
Genre: Literary Criticism
ISBN: 9780804735162

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Jack London has long been recognized as one of the most colorful figures in American literature. He is America’s most widely translated author (into more than eighty languages), and although his works have been neglected until recently by academic critics in the United States, he is finally winning recognition as a major figure in American literary history. The breadth and depth of new critical study of London’s work in recent decades attest to his newfound respectability. London criticism has moved beyond a traditional concerns of realism and naturalism as well as beyond the timeworn biographical focus to engage such theoretical approaches as race, gender, class, post-structuralism, and new historicism. The range and intellectual energy of the essays collected here give the reader a new sense of London’s richness and variety, especially his treatment of diverse cultures. Having in the past focused more on London’s personal "world,” we are now afforded an opportunity to look more closely at his art and the numerous worlds it uncovers.