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Representing the Past

Representing the Past
Author: Charlotte M. Canning
Publisher: University of Iowa Press
Total Pages: 429
Release: 2010-04-15
Genre: Performing Arts
ISBN: 1587299380

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"Representing the Past is required reading for any serious scholar of theatre and performance historiography: original in its conception, global in its reach, thought-provoking and transformative in its effects."---Gay Gibson Cima, author, Early American Women Crities: Performance, Religion, Race --


The Representation of the Past

The Representation of the Past
Author: Kevin Walsh
Publisher: Routledge
Total Pages: 370
Release: 2002-09-11
Genre: Business & Economics
ISBN: 1134896662

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The 1980s and early 1990s have seen a marked increase in public interest in our historic environment. The museum and heritage industry has expanded as the past is exploited for commercial profit. In The Representation of the Past, Kevin Walsh examines this international trend and questions the packaging of history which serves only to distance people from their own heritage. A superficial, unquestioning portrayal of the past, he feels, separates us from an understanding of our cultural and political present. Here, Walsh suggests a number of ways in which the museum can fulfill its potential - by facilitating our comprehension of cultural identity.


The Virtual Representation of the Past

The Virtual Representation of the Past
Author: Mark Greengrass
Publisher: Routledge
Total Pages: 417
Release: 2017-05-15
Genre: Language Arts & Disciplines
ISBN: 1317012577

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This unique book critically evaluates the virtual representation of the past through digital media. A distinguished team of leading experts in the field approach digital research in history and archaeology from contrasting viewpoints, including philosophical, methodological and technical. They illustrate the challenges involved in representing the past digitally by focusing on specific cases of a particular historical period, place or technical problem.


Representing the Past in the Art of the Long Nineteenth Century

Representing the Past in the Art of the Long Nineteenth Century
Author: Matthew C. Potter
Publisher: Taylor & Francis
Total Pages: 299
Release: 2021-09-30
Genre: Art
ISBN: 1351004174

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This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.


Representing the Past

Representing the Past
Author: Rachelle Gilmour
Publisher: BRILL
Total Pages: 347
Release: 2011-02-14
Genre: Religion
ISBN: 9004203400

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Through literary analysis and comparison with modern historical theory, this volume examines the narrative representation of familiar historical concepts such as causation, significance, evaluation and coherence of past events in the book of Samuel.


Representing the Past in the Art of the Long Nineteenth Century

Representing the Past in the Art of the Long Nineteenth Century
Author: Matthew C. Potter
Publisher: Routledge
Total Pages: 287
Release: 2021-09-30
Genre: Art
ISBN: 1351004166

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This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.


A Usable Past

A Usable Past
Author: William J. Bouwsma
Publisher: Univ of California Press
Total Pages: 464
Release: 1990-06-27
Genre: History
ISBN: 9780520910140

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The essays assembled here represent forty years of reflection about the European cultural past by an eminent historian. The volume concentrates on the Renaissance and Reformation, while providing a lens through which to view problems of perennial interest. A Usable Past is a book of unusual scope, touching on such topics as political thought and historiography, metaphysical and practical conceptions of order, the relevance of Renaissance humanism to Protestant thought, the secularization of European culture, the contributions of particular professional groups to European civilization, and the teaching of history. The essays in A Usable Past are unified by a set of common concerns. William Bouwsma has always resisted the pretensions to science that have shaped much recent historical scholarship and made the work of historians increasingly specialized and inaccessible to lay readers. Following Friedrich Nietzsche, he argues that since history is a kind of public utility, historical research should contribute to the self-understanding of society.


The Inventions of History

The Inventions of History
Author: Stephen Bann
Publisher: Manchester University Press
Total Pages: 266
Release: 1990
Genre: Historiography
ISBN: 9780719032974

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This collection of essays concentrates on the structures and connections which have made it possible, over the last two centuries, for an integrated regime of historical representation to emerge. It also touches upon the debate about the contemporary uses of history - whether it is a matter of new versus traditional approaches to the school curriculum, or of the need to historicize museums, houses and gardens and so avoid the blandness of an uninformed display.


Digital Games as History

Digital Games as History
Author: Adam Chapman
Publisher: Routledge
Total Pages: 303
Release: 2016-05-05
Genre: Social Science
ISBN: 1317553861

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This book provides the first in-depth exploration of video games as history. Chapman puts forth five basic categories of analysis for understanding historical video games: simulation and epistemology, time, space, narrative, and affordance. Through these methods of analysis he explores what these games uniquely offer as a new form of history and how they produce representations of the past. By taking an inter-disciplinary and accessible approach the book provides a specific and firm first foundation upon which to build further examination of the potential of video games as a historical form.


The Cultural Turn in U. S. History

The Cultural Turn in U. S. History
Author: James W. Cook
Publisher: University of Chicago Press
Total Pages: 458
Release: 2008
Genre: History
ISBN: 0226115070

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An account of one of the most dominant trends in recent historical writing, this book takes stock of the field even as it showcases exemplars of its practice. Taken together, the essays present a broad picture of the state of American cultural-historical scholarship.