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Gender, Race, and American Science Fiction

Gender, Race, and American Science Fiction
Author: Jason Haslam
Publisher: Routledge
Total Pages: 248
Release: 2015-05-08
Genre: Literary Criticism
ISBN: 1317574257

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This book focuses on the interplay of gender, race, and their representation in American science fiction, from the nineteenth-century through to the twenty-first, and across a number of forms including literature and film. Haslam explores the reasons why SF provides such a rich medium for both the preservation of and challenges to dominant mythologies of gender and race. Defining SF linguistically and culturally, the study argues that this mode is not only able to illuminate the cultural and social histories of gender and race, but so too can it intervene in those histories, and highlight the ruptures present within them. The volume moves between material history and the linguistic nature of SF fantasies, from the specifics of race and gender at different points in American history to larger analyses of the socio-cultural functions of such identity categories. SF has already become central to discussions of humanity in the global capitalist age, and is increasingly the focus of feminist and critical race studies; in combining these earlier approaches, this book goes further, to demonstrate why SF must become central to our discussions of identity writ large, of the possibilities and failings of the human —past, present, and future. Focusing on the interplay of whiteness and its various 'others' in relation to competing gender constructs, chapters analyze works by Nathaniel Hawthorne, Mary E. Bradley Lane, Edgar Rice Burroughs, Philip Francis Nowlan, George S. Schuyler and the Wachowskis, Frank Herbert, William Gibson, and Octavia Butler. Academics and students interested in the study of Science Fiction, American literature and culture, and Whiteness Studies, as well as those engaged in critical gender and race studies, will find this volume invaluable.


Fantasy Girls

Fantasy Girls
Author: Elyce Rae Helford
Publisher: Rowman & Littlefield
Total Pages: 298
Release: 2000
Genre: Performing Arts
ISBN: 9780847698356

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A new collection on women in American television in the 90s uncovers a cultural obsession with tough yet sexy heroines in mythical pasts, the "girl power" present, and utopic futures. Xena, Buffy, Sabrina, and a host of other characters have become household words, as well as icons of pop culture 'feminism.' Their popularity makes for successful programming, however, how much does this trend truly represent a contemporary feminist breakthrough? And what does it mean for feminism in the next few decades? Fantasy Girls: Navigating the New Universe of Science Fiction and Fantasy Television seeks to explore as well as challenge the power and the promises of this recent media phenomenon. Such TV programming offers the exciting opportunity to rethink established gender norms, but how far is it really pushing the limits of the status quo? Amidst the exuberant optimism of fanzines and doting fan websites, the contributors to this volume endeavor to provide us with a much needed critical analysis of this contemporary trend. These essays explore the contradictions and limitations inherent in the genre, forcing readers to take a fresh and critical look through a variety of lenses including girl power, postfeminism, cyborg feminism, disability politics, queer studies, and much more. Programs covered are Babylon 5, Buffy the Vampire Slayer, Disney's Cinderella, Lois and Clark, Mystery Science Theater 3000, Sabrina the Teenage Witch, Star Trek: Voyager, The X-Files, Third Rock from the Sun, and Xena: Warrior Princess.


Women's Space

Women's Space
Author: Melanie A. Marotta
Publisher: McFarland
Total Pages: 207
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1476676607

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From the Star Wars expanded universe to Westworld, the science fiction western has captivated audiences for more than fifty years. These twelve new essays concentrate on the female characters in the contemporary science fiction western, addressing themes of power, agency, intersectionality and the body. Discussing popular works such as Fringe, Guardians of the Galaxy and Mass Effect, the essayists shed new light on the gender dynamics of these beloved franchises, emphasizing inclusion and diversity with their critical perspectives.


Generic Transgressions

Generic Transgressions
Author: Lacy Hodges
Publisher:
Total Pages: 187
Release: 2012
Genre:
ISBN:

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This project addresses three major aspects of each of these series: their evolution from previous SF and genre television series, their respective genre hybridity (both in terms of genre and storytelling form), and the ramifications of this genre hybridity for sexuality and gender. The first part of the dissertation situates these series within the existing literature and critique of SF and sexuality, and the bulk of the project addresses the series as "hybrid" texts and discusses the influence of hybridity on portrayals of sexuality and gender. By examining these four series, I argue that hybridizing SF with what have long been considered "masculine" genres works to create spaces for transgressive depictions of female characters on mainstream television.


Gender, Science Fiction Television, and the American Security State

Gender, Science Fiction Television, and the American Security State
Author: M. Wildermuth
Publisher: Springer
Total Pages: 237
Release: 2014-05-01
Genre: Performing Arts
ISBN: 1137408898

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As American security became increasingly dependent on technology to shape the consciousness of its populace and to defend them, science fiction shows like The Twilight Zone, Star Trek, and The X-Files both promoted the regime's gendered logic and raised significant questions about that logic and its gendered roles.


Gender, Science Fiction Television, and the American Security State

Gender, Science Fiction Television, and the American Security State
Author: M. Wildermuth
Publisher: Springer
Total Pages: 376
Release: 2014-05-01
Genre: Performing Arts
ISBN: 1137408898

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As American security became increasingly dependent on technology to shape the consciousness of its populace and to defend them, science fiction shows like The Twilight Zone, Star Trek, and The X-Files both promoted the regime's gendered logic and raised significant questions about that logic and its gendered roles.


Race, Gender, and Sexuality in Post-Apocalyptic TV and Film

Race, Gender, and Sexuality in Post-Apocalyptic TV and Film
Author: Barbara Gurr
Publisher: Springer
Total Pages: 128
Release: 2015-10-07
Genre: Performing Arts
ISBN: 1137493313

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This book offers analyses of the roles of race, gender, and sexuality in the post-apocalyptic visions of early twenty-first century film and television shows. Contributors examine the production, reproduction, and re-imagination of some of our most deeply held human ideals through sociological, anthropological, historical, and feminist approaches.


Technology, the Body, and the Internet between the West and East Asia: The Discourse on Race in Science Fiction

Technology, the Body, and the Internet between the West and East Asia: The Discourse on Race in Science Fiction
Author: Alina Müller
Publisher: GRIN Verlag
Total Pages: 66
Release: 2021-10-06
Genre: Literary Collections
ISBN: 3346507157

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Master's Thesis from the year 2016 in the subject American Studies - Miscellaneous, grade: 1,5, Johannes Gutenberg University Mainz, language: English, abstract: The aim of this paper is to explore the intersection of the human body with technology and to demonstrate that cyborgs in fiction are often represented as the ethnic others and act as metaphors for experiences of ethnicity for whom social, cultural, economic or other forces matter. Gender and identity of fictitious cyborgs are the major points of analysis that will be explored within critical race theory, globalization and Asian American Studies. This paper also highlights that Neuromancer reveals the contrast between pre-technological imagery of powerless and vulnerable ethnic bodies in comparison to superior white bodies modified with new technology. Ghost in the Shell, in contrast, points to the technological power of the ethnic bodies that give them strength to liberate themselves from the white dominant discourse. Salt Fish Girl’s biopolitics emphasizes the biological power of the ethnic bodies offering alternative bodily possibilities beyond the technological and the artificial ones. This work also reveals that Neuromancer establishes clear distinctions between the dominant and subordinate, the technological and organic, the self and the other, whereas Ghost in the Shell and Salt Fish Girl blur these distinctions. Besides, this paper also explores the impact of technology on a cyborg’s identity and subjectivity. As Alex Goody suggests: “any identity of a human being lies beyond its physical continuity” (153). In other words, cyborgs in fiction often speculate on possible outcomes of creating technological humans. The cyborgs are able to reveal hopes and anxieties concerning the fusion of technology and biology and to get into the conflict or disunity between their bodies, minds, and souls. The cyborgs are also often emotionally troubled by their memories that can be made prosthetic, false or be erased. This paper also reveals the ambiguous nature of technology because it can devalue and objectify the bodies or give them strength and empowerment. The concluding part of this paper reveals the role of East Asia in speculative fiction and the role of Internet technology for Asian American ethnicity and the representation of the cyborg body online. Cyberspace may also be associated with inaccurate representations of the ethnic bodies. The selected works limit the discussion of this paper to Chinese and Japanese people and culture in the West.