Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Representation Of Stalinist Themes And The Recovery Of Cultural Memory In The Novels Of Death PDF full book. Access full book title Representation Of Stalinist Themes And The Recovery Of Cultural Memory In The Novels Of Death.
| Author | : Tatiana Dekterev |
| Publisher | : |
| Total Pages | : 334 |
| Release | : 2005 |
| Genre | : |
| ISBN | : |
| Author | : Mikhail Bulgakov |
| Publisher | : Rosetta Books |
| Total Pages | : 448 |
| Release | : 2016-03-22 |
| Genre | : Fiction |
| ISBN | : 0795348398 |
Satan, Judas, a Soviet writer, and a talking black cat named Behemoth populate this satire, “a classic of twentieth-century fiction” (The New York Times). In 1930s Moscow, Satan decides to pay the good people of the Soviet Union a visit. In old Jerusalem, the fateful meeting of Pilate and Yeshua and the murder of Judas in the garden of Gethsemane unfold. At the intersection of fantasy and realism, satire and unflinching emotional truths, Mikhail Bulgakov’s classic The Master and Margarita eloquently lampoons every aspect of Soviet life under Stalin’s regime, from politics to art to religion, while interrogating the complexities between good and evil, innocence and guilt, and freedom and oppression. Spanning from Moscow to Biblical Jerusalem, a vibrant cast of characters—a “magician” who is actually the devil in disguise, a giant cat, a witch, a fanged assassin—sow mayhem and madness wherever they go, mocking artists, intellectuals, and politicians alike. In and out of the fray weaves a man known only as the Master, a writer demoralized by government censorship, and his mysterious lover, Margarita. Burned in 1928 by the author and restarted in 1930, The Master and Margarita was Bulgakov’s last completed creative work before his death. It remained unpublished until 1966—and went on to become one of the most well-regarded works of Russian literature of the twentieth century, adapted or referenced in film, television, radio, comic strips, theater productions, music, and opera.
| Author | : Berel Lang |
| Publisher | : JHU Press |
| Total Pages | : 198 |
| Release | : 2003-05-01 |
| Genre | : History |
| ISBN | : 0801876362 |
Since Theodor Adorno's attack on the writing of poetry "after Auschwitz," artists and theorists have faced the problem of reconciling the moral enormity of the Nazi genocide with the artist's search for creative freedom. In Holocaust Representation, Berel Lang addresses the relation between ethics and art in the context of contemporary discussions of the Holocaust. Are certain aesthetic means or genres "out of bounds" for the Holocaust? To what extent should artists be constrained by the "actuality" of history—and is the Holocaust unique in raising these problems of representation? The dynamics between artistic form and content generally hold even more intensely, Lang argues, when art's subject has the moral weight of an event like the Holocaust. As authors reach beyond the standard conventions for more adequate means of representation, Holocaust writings frequently display a blurring of genres. The same impulse manifests itself in repeated claims of historical as well as artistic authenticity. Informing Lang's discussion are the recent conflicts about the truth-status of Benjamin Wilkomirski's "memoir" Fragments and the comic fantasy of Roberto Benigni's film Life Is Beautiful. Lang views Holocaust representation as limited by a combination of ethical and historical constraints. As art that violates such constraints often lapses into sentimentality or melodrama, cliché or kitsch, this becomes all the more objectionable when its subject is moral enormity. At an extreme, all Holocaust representation must face the test of whether its referent would not be more authentically expressed by silence—that is, by the absence of representation.
| Author | : Regina Rudaitytė |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 303 |
| Release | : 2018-07-27 |
| Genre | : Literary Criticism |
| ISBN | : 1527514536 |
The advent of the new age has alerted us to the conflicted nature of historical memory which defined the 20th century while simultaneously assaulting us with new historical upheavals that demand responsibility and critical consideration. As the historical text bears traces of the writing subject, the element of deception is remarkable, meaning historical memory easily lends itself to forgery and false and subjective projections. As such, how do we think about the past, about history, about memory, and how does memory function? Is history an objective account, a collection of dry, reliable facts? Is it an imaginative narrative, tinged with nostalgia, a projection of our wishful thinking, the workings of our subjective perceptions and attitudes, our states of mind? The essays in this volume focus on the relevance of the past to the present and future in terms of the shifting attitudes to personal and collective experiences that have shaped dominant Western critical discourses about history, memory, and nostalgia. The contributors here take issue with the epistemological, hermeneutic, ethical, and aesthetic dimensions of the representational practices through which we revisit and revise the meaning of the past.
| Author | : Andy McSmith |
| Publisher | : New Press, The |
| Total Pages | : 416 |
| Release | : 2015-07-07 |
| Genre | : History |
| ISBN | : 1620970791 |
In this dazzling exploration of one of the most contradictory periods of literary and artistic achievement in modern history, journalist Andy McSmith evokes the lives of more than a dozen of the most brilliant artists and writers of the twentieth century. Taking us deep into Stalin’s Russia, Fear and the Muse Kept Watch asks the question: can great art be produced in a police state? For although Josif Stalin ran one of the most oppressive regimes in world history, under him Russia also produced an outpouring of artistic works of immense and lasting power—from the poems of Anna Akhmatova and Osip Mandelstam to the opera Peter and the Wolf, the film Alexander Nevsky, and the novels The Master and Margarita and Doctor Zhivago. For those artists visible enough for Stalin to take an interest in them, it was Stalin himself who decided whether they lived in luxury or were sent to the Lubyanka, the headquarters of the secret police, to be tortured and sometimes even executed. McSmith brings together the stories of these artists—including Isaac Babel, Boris Pasternak, Dmitri Shostakovich, and many others—revealing how they pursued their art under Stalin’s regime and often at great personal risk. It was a world in which the poet Vladimir Mayakovsky, whose bright yellow tunic was considered a threat to public order under the tsars, struggled to make the communist authorities see the value of avant garde art; Babel publicly thanked the regime for allowing him the privilege of not writing; and Shostakovich’s career veered wildly between public disgrace and wealth and acclaim. In the tradition of Eileen Simpson’s Poets in Their Youth and Phyllis Rose’s Parallel Lives, Fear and the Muse Kept Watch is an extraordinary work of historical recovery. It is also a bold exploration of the triumph of art during terrible times and a book that will stay with its readers for a long, long while.
| Author | : Katharine Hodgson |
| Publisher | : |
| Total Pages | : 520 |
| Release | : 2018 |
| Genre | : Canon (Literature) |
| ISBN | : 9781787079021 |
The collapse of the Soviet Union forced Russia to engage in a process of nation building. This involved a reassessment of the past, both historical and cultural, and how it should be remembered. The publication of previously barely known underground and émigré literary works presented an opportunity to reappraise «official» Soviet literature and re-evaluate twentieth-century Russian literature as a whole. This book explores changes to the poetry canon - an instrument for maintaining individual and collective memory - to show how cultural memory has informed the evolution of post-Soviet Russian identity. It examines how concerns over identity are shaping the canon, and in which directions, and analyses the interrelationship between national identity (whether ethnic, imperial, or civic) and attempts to revise the canon. This study situates the discussion of national identity within the cultural field and in the context of canon formation as a complex expression of aesthetic, political, and institutional factors. It encompasses a period of far-reaching upheaval in Russia and reveals the tension between a desire for change and a longing for stability that was expressed by attempts to reshape the literary canon and, by doing so, to create a new twentieth-century past and the foundations of a new identity for the nation.
| Author | : Bradford Vivian |
| Publisher | : Penn State Press |
| Total Pages | : 224 |
| Release | : 2015-10-13 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0271075007 |
Forgetting is usually juxtaposed with memory as its opposite in a negative way: it is seen as the loss of the ability to remember, or, ironically, as the inevitable process of distortion or dissolution that accompanies attempts to commemorate the past. The civic emphasis on the crucial importance of preserving lessons from the past to prevent us from repeating mistakes that led to violence and injustice, invoked most poignantly in the call of “Never again” from Holocaust survivors, tends to promote a view of forgetting as verging on sin or irresponsibility. In this book, Bradford Vivian hopes to put a much more positive spin on forgetting by elucidating its constitutive role in the formation and transformation of public memory. Using examples ranging from classical rhetoric to contemporary crises like 9/11, Public Forgetting demonstrates how, contrary to conventional wisdom, communities may adopt idioms of forgetting in order to create new and beneficial standards of public judgment concerning the lessons and responsibilities of their shared past.
| Author | : Astrid Erll |
| Publisher | : Walter de Gruyter |
| Total Pages | : 441 |
| Release | : 2010 |
| Genre | : Literary Criticism |
| ISBN | : 9783110229981 |
This handbook represents the interdisciplinary and international field of cultural memory studies for the first time in one volume. Articles by renowned international scholars offer readers a unique overview of the key concepts of cultural memory studies. The handbook not only documents current research in an unprecedented way; it also serves as a forum for bringing together approaches from areas as varied as sociology, political sciences, history, theology, literary studies, media studies, philosophy, psychology, and neurosciences."
| Author | : Bernhard Schlink |
| Publisher | : Vintage |
| Total Pages | : 226 |
| Release | : 2001-05-01 |
| Genre | : Fiction |
| ISBN | : 0375726977 |
INTERNATIONAL BESTSELLER • Hailed for its coiled eroticism and the moral claims it makes upon the reader, this mesmerizing novel is a story of love and secrets, horror and compassion, unfolding against the haunted landscape of postwar Germany. "A formally beautiful, disturbing and finally morally devastating novel." —Los Angeles Times When he falls ill on his way home from school, fifteen-year-old Michael Berg is rescued by Hanna, a woman twice his age. In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder.
| Author | : |
| Publisher | : |
| Total Pages | : 96 |
| Release | : 1966-06 |
| Genre | : |
| ISBN | : |
The Bulletin of the Atomic Scientists is the premier public resource on scientific and technological developments that impact global security. Founded by Manhattan Project Scientists, the Bulletin's iconic "Doomsday Clock" stimulates solutions for a safer world.
