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Report on the Congress of American Women October 23, 1949

Report on the Congress of American Women October 23, 1949
Author:
Publisher:
Total Pages: 124
Release: 2020-06-20
Genre:
ISBN: 9789354029752

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This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.


Hearings [and Reports] 83rd Congress, 1st Session

Hearings [and Reports] 83rd Congress, 1st Session
Author: United States. Congress. House. Committee on Un-American Activities
Publisher:
Total Pages: 1344
Release: 1953
Genre: Communism
ISBN:

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Hearings [and Reports] 82d Congress, 1st Session

Hearings [and Reports] 82d Congress, 1st Session
Author: United States. Congress. House. Committee on Un-American Activities
Publisher:
Total Pages: 1366
Release: 1951
Genre: Communism
ISBN:

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Reports and Documents

Reports and Documents
Author: United States. Congress
Publisher:
Total Pages: 1794
Release:
Genre:
ISBN:

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The Broadcast 41

The Broadcast 41
Author: Carol A Stabile
Publisher: MIT Press
Total Pages: 302
Release: 2018-10-16
Genre: History
ISBN: 1906897891

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How forty-one women—including Dorothy Parker, Gypsy Rose Lee, and Lena Horne—were forced out of American television and radio in the 1950s “Red Scare.” At the dawn of the Cold War era, forty-one women working in American radio and television were placed on a media blacklist and forced from their industry. The ostensible reason: so-called Communist influence. But in truth these women—among them Dorothy Parker, Lena Horne, and Gypsy Rose Lee—were, by nature of their diversity and ambition, a threat to the traditional portrayal of the American family on the airwaves. This book from Goldsmiths Press describes what American radio and television lost when these women were blacklisted, documenting their aspirations and achievements. Through original archival research and access to FBI blacklist documents, The Broadcast 41 details the blacklisted women's attempts in the 1930s and 1940s to depict America as diverse, complicated, and inclusive. The book tells a story about what happens when non-male, non-white perspectives are excluded from media industries, and it imagines what the new medium of television might have looked like had dissenting viewpoints not been eliminated at such a formative moment. The all-white, male-dominated Leave it to Beaver America about which conservative politicians wax nostalgic existed largely because of the forcible silencing of these forty-one women and others like them. For anyone concerned with the ways in which our cultural narrative is constructed, this book offers an urgent reminder of the myths we perpetuate when a select few dominate the airwaves.