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Renoir in the Barnes Foundation

Renoir in the Barnes Foundation
Author: Barnes Foundation
Publisher:
Total Pages: 0
Release: 2012
Genre: Painting
ISBN: 9780300151008

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A spectacular survey of the world's most comprehensive collection of works by the Impressionist master Renoir The Barnes Foundation is home to the world's largest collection of paintings by Pierre-Auguste Renoir (1841-1919). Dr. Albert C. Barnes, a Philadelphia scientist who made his fortune in pharmaceuticals, established the Foundation in 1922 in Merion, Pennsylvania, as an educational institution devoted to the appreciation of the fine arts. A passionate supporter of European modernism, Barnes built a collection that was virtually unrivaled, with massive holdings by Paul Cézanne, Henri Matisse, and Pablo Picasso. But it was Renoir that Barnes admired above all other artists; he thought of him as a god and collected his work tenaciously, amassing 181 works by the painter between 1912 and 1942. All of these Renoirs are included in this lavishly illustrated book. Renoir in the Barnes Foundation tells the fascinating story of Barnes's obsession with the Impressionist master's late works, while offering illuminating new scholarship on the works themselves. Authors Martha Lucy and John House look closely at the key paintings in the collection, placing them in the wider contexts of contemporary artistic, aesthetic, and theoretical debates. The first volume to publish the entirety of Barnes's astonishing Renoir collection, Renoir in the Barnes Foundation is also an engaging study of the artist's critical--and often contested--role in the development of modern art. Published in association with the Barnes Foundation


Cézanne in the Barnes Foundation

Cézanne in the Barnes Foundation
Author: André Dombrowski
Publisher: Rizzoli Publications
Total Pages: 0
Release: 2021-10-26
Genre: Art
ISBN: 084786488X

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A monumental volume devoted to one of the world’s largest and most spectacular collections of Cézannes. The Barnes Foundation’s holdings of works by the renowned Post-Impressionist Paul Cézanne (1839–1906)—sixty-one oils on canvas and eight works on paper—are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cézanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist’s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cézanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation’s impressive holdings of Cézannes—never before published in a single study in their entirety—span every period of the artist’s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This lavishly illustrated landmark volume is both a work on Cézanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.


The Barnes Foundation: Masterworks

The Barnes Foundation: Masterworks
Author: Judith F. Dolkart
Publisher: Rizzoli Publications
Total Pages: 377
Release: 2012-05-22
Genre: Art
ISBN: 0847838064

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The Barnes Foundation, established by scientist, entrepreneur, and educator Dr. Albert C. Barnes in 1922, is home to a legendary art collection. Barnes assembled one of the world’s largest and finest groups of post-impressionist and early modern paintings, with holdings by such luminaries as Renoir, Cézanne, Matisse, Picasso, Rousseau, Modigliani, Soutine, Manet, Monet, Seurat, Degas, Van Gogh, and Gauguin. The Foundation’s collection also holds significant examples of American art, including works by Demuth, Glackens, and the Prendergasts; African sculpture; Native American ceramics, jewelry, and textiles; Asian paintings, prints, and sculptures; medieval manuscripts and sculptures; Old Master paintings by El Greco, Rubens, Titian, and others; ancient Egyptian, Greek, and Roman art; and American and European decorative arts and metalwork. The presentation of the collection reflects Barnes’s educational and aesthetic approach: symmetrical “ensembles,” or wall compositions, combine works of different periods, mediums, cultures, and styles for the purpose of comparison and study. Texts by Judith F. Dolkart and Martha Lucy explore the Barnes Foundation’s collection, educational mission, ensembles, and individual works. Large color plates, little-seen archival photographs, and numerous gatefolds illustrate 150 of the greatest hits of the collection and twenty gallery ensembles.


Renoir: Father and Son /

Renoir: Father and Son /
Author: Sylvie Patry
Publisher: National Geographic Books
Total Pages: 0
Release: 2022-02
Genre: Art
ISBN: 2080266004

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Beloved Impressionist painter Pierre-Auguste Renoir left a vibrant legacy that influenced the life and films of his son, the acclaimed director Jean Renoir. The Impressionist paintings of Pierre-Auguste Renoir are characterized by portraits and lively episodes from daily life. These joyful scenes influenced the life and work of his son, filmmaker Jean Renoir, who Orson Welles described as "the greatest of all directors." This catalogue--and the traveling exhibition it accompanies--demonstrates how Pierre-Auguste Renoir's artistic practice and creative universe influenced Jean's art, and how Jean's films shed new light on his father's paintings. Focusing on leitmotifs in both artists' works, this volume commingles paintings, drawings, films, costumes, photographs, and ceramics. Contributions from the Barnes Foundation, the Musée d'Orsay, and the Cinémathèque Française provide in-depth insight.


Matisse Picasso

Matisse Picasso
Author: Elizabeth Cowling
Publisher:
Total Pages: 408
Release: 2002
Genre: Art
ISBN:

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This work accompanies an exhibition organised, in partnership, by Tate Modern, the Galeries Nationales du Grand Palais, and the Museum of Modern Art. It examines the crucial relationship between Matisse and Picasso.


Renoir Landscapes, 1865-1883

Renoir Landscapes, 1865-1883
Author: Colin B. Bailey
Publisher:
Total Pages: 302
Release: 2007
Genre: Landscape painting, French
ISBN:

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This stunning book, published to accompany a major touring exhibition, examines Renoir's landscape art in depth, demonstrating that he was one of the most audacious and original landscape artists of his age.


Berthe Morisot, Woman Impressionist

Berthe Morisot, Woman Impressionist
Author:
Publisher: Rizzoli Publications
Total Pages: 250
Release: 2018-06-26
Genre: Art
ISBN: 0847861317

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Accompanying a major traveling exhibition, this comprehensive volume examines Berthe Morisot’s remarkable body of work, painterly innovations, and leading role within the Impressionist canon. Today Berthe Morisot (1841–1895) is considered a major Impressionist artist, a recent development despite the respect received in her lifetime from peers Edgar Degas, Édouard Manet, Claude Monet, and Pierre-Auguste Renoir. As the only female member of the Impressionist group at its founding in late 1873, Morisot played a major and multifaceted part in the movement, and her works were prized by pioneering dealers and collectors. Lush illustrations from throughout Morisot’s career depict her daring experimentations and her embrace of modern subjects in the city and at the seaside: fashionable young women, and intimate, domestic interiors. Texts examine her in the context of her contemporaries, the critical reception of her work, the subjects and settings she chose, and the state of Morisot scholarship. Berthe Morisot, Woman Impressionist makes an important contribution to the field, with never-before-published letters, interdisciplinary scholarship, and a specific focus on Morisot’s pioneering developments as a painter first, woman second.


Birds in the Barnes Foundation

Birds in the Barnes Foundation
Author: Julie Steiner
Publisher:
Total Pages: 0
Release: 2020
Genre: Art
ISBN: 9780764359057

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A playful room-by-room "bird-watching" guide to the Albert C. Barnes galleries. Rumor has it that Dr. Barnes put a bird in every room of his famed collection. But is this really true, and if so, why? The Barnes Foundation collection offers an astounding array of art, focusing on post-impressionist and early modern masters: Renoir, Cézanne, Picasso, and Matisse. However, interspersed among these notable greats is a different kind of collection that incorporates folk art, pottery, furniture, and ironwork from cultures around the world. The instructional collection is built around a philosophy of individual interpretation, and following the birds from one room to another offers you an accessible starting point for uncovering the educational methods Dr. Barnes used to encourage students to look at art. This lighthearted tour weaves art, history, and lessons on the collection into a delightful search for birds hiding in the gallery.


William J Glackens and Pierre-Auguste Renoir

William J Glackens and Pierre-Auguste Renoir
Author: Bonnie Clearwater
Publisher: Skira Editore
Total Pages: 104
Release: 2019-01-03
Genre:
ISBN: 9788857239507

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William J. Glackens's (1870-1938) keen interest in the work of Pierre-Auguste Renoir (1841-1919) has long been recognized, but Glackens's specific debt to the art of this important French modernist has not been fully explored. In bringing together more than 30 works by each of these two important modernists for the first time, William Glackens and Pierre-Auguste Renoir: Affinities and Distinctions fills this void. It demonstrates Glackens's response to Renoir's Impressionist work (1860-mid-1880s), which was avidly purchased by a wide variety of American collectors, including Albert C. Barnes, who sent Glackens, his friend and colleague, to Paris in 1912 to purchase works for his then fledgling collection. Glackens was the only American artist who subsequently had nearly carte blanche access to Barnes' increasingly important collection of American and European modern art that included work by Paul Cézanne, Henri Matisse, and Pablo Picasso, among others, and numerous examples of Renoir's late-style (1890-1919). The exhibition defines Glackens's late style (c.1925-1938) for the first time, its affinities and distinctions from Renoir's work, and how it emerges from Glackens's familiarity with works specific exhibitions in New York, and the art he saw in Italy in 1926, and in Barnes' collection, while shedding new light on the history of taste in American collecting from the late-nineteenth to the mid-twentieth century.