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Renegotiating Women in Contemporary Italian Cinema

Renegotiating Women in Contemporary Italian Cinema
Author: Teresa Maria Tufano
Publisher:
Total Pages: 538
Release: 2009
Genre: Women motion picture producers and directors
ISBN:

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Drawing on Adriana Cavero's philosophical claim that women speak a self-estranging language, the possibility of affecting a uniquely female cinematic language and challenging established gender roles within the limits of the commerical film industry is explored in Cristina Comencini's La bestia nel cuore (Don't Tell, 2005) and Il più bel giono della mia vita (The Best Day of My Life, 2001). The breaking of genre conventions is examined in an analysis of Francesca Comencini's A casa nostra (Our Country, 2006) and renegotiations towards a female symbolic order established through relational narratives are explored in Alinia Marazzi's Un'ora sola ti vorrei (For One More Hour With You, 2002). Finally, the effects of film form and montage in overtly mixing media and layering various audio-visual forms is discussed in an examination of Alina Marazzi's Vogliamo anche le rose (We Want Roses Too, 2008) in an attempt to illustrate how expression beyond traditional cinematic and social convention can produce greatly expanded conceptions of women."--Abstract, leaf ii.


Reframing Italy

Reframing Italy
Author: Bernadette Luciano
Publisher: Purdue University Press
Total Pages: 256
Release: 2013-11-15
Genre: Literary Criticism
ISBN: 1612492959

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In recent years, Italian cinema has experienced a quiet revolution: the proliferation of films by women. But their thought-provoking work has not yet received the attention it deserves. Reframing Italy fills this gap. The book introduces readers to films and documentaries by recognized women directors such as Cristina Comencini, Wilma Labate, Alina Marazzi, Antonietta De Lillo, Marina Spada, and Francesca Comencini, as well as to filmmakers whose work has so far been undeservedly ignored. Through a thematically based analysis supported by case studies, Luciano and Scarparo argue that Italian women filmmakers, while not overtly feminist, are producing work that increasingly foregrounds female subjectivity from a variety of social, political, and cultural positions. This book, with its accompanying video interviews, explores the filmmakers’ challenging relationship with a highly patriarchal cinema industry. The incisive readings of individual films demonstrate how women’s rich cinematic production reframes the aesthetic of their cinematic fathers, re-positions relationships between mothers and daughters, functions as a space for remembering women’s (hi)stories, and highlights pressing social issues such as immigration and workplace discrimination. This original and timely study makes an invaluable contribution to film studies and to the study of gender and culture in the early twenty-first century.


Women, Desire, and Power in Italian Cinema

Women, Desire, and Power in Italian Cinema
Author: M. Cottino-Jones
Publisher: Springer
Total Pages: 262
Release: 2010-02-15
Genre: Performing Arts
ISBN: 0230105483

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Women, Desire, and Power in Italian Cinema offers, for the first time in Italian Cinema criticism, a contextual study of the representation of women in twentieth-century Italian films. Marga Cottino-Jones argues that the ways women are depicted on screen reflects a subconscious "sexual conservatism" typical of an Italian society rooted within a patriarchal ideology. The book then follows the slow but constant process of social awareness in the Italian society through women in film, especially after the 1950s. Comprehensive in scope, this book analyzes the films of internationally known male and female directors, such as Antonioni, Fellini, Rossellini, Visconti, Bertolucci, Benigni, Cavani, Wertmuller, Comencini, and Archibugi. Special consideration is given to the actresses and actors that have become the icons of Italian femininity and masculinity, such as Sofia Loren, Gina Lollobrigida, Silvana Mangano, Gian Carlo Giannini, Marcello Mastroianni, and Alberto Sordi.


Women and Migration in Contemporary Italian Cinema

Women and Migration in Contemporary Italian Cinema
Author: Giovanna Faleschini Lerner
Publisher: Liverpool University Press
Total Pages: 216
Release: 2022-10-15
Genre: Performing Arts
ISBN: 1802079025

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Women and Migration in Contemporary Italian Cinema: Screening Hospitality puts gender at the centre of cinematic representations of contemporary transnational Italian identities. It offers an intersectional feminist analysis of the ways in which transnational migration has been represented, understood, and constructed in the contemporary cinema of Italy. Drawing on Jacques Derrida’s notion of hospitality and in dialogue with postcolonial and decolonial theory, queer studies, and feminist critiques, the six chapters of the book focus on a series of exemplary fiction films from the last twenty years, which both reflect and shape the nation’s responses to the growing presence of transnational migrants in Italian society. The book shows how questions of gender, sexual difference, and reproductivity have been central to Italian filmmakers’ approaches to stories of mobility and displacement. Gender is also enmeshed in the rhetoric and poetic of hospitality that filmmakers propose as a critical framework to condemn Italian border policies and politics. Women and Migration in Contemporary Italian Cinema: Screening Hospitality traces an arc that moves from the embrace of a humanitarian rhetoric of infinite hospitality toward migrants, apparent in films produced in the early 2000s, to a more fluid understanding of Italian identities from a transnational perspective.


Italian Motherhood on Screen

Italian Motherhood on Screen
Author: Giovanna Faleschini Lerner
Publisher: Springer
Total Pages: 296
Release: 2017-10-14
Genre: Performing Arts
ISBN: 331956675X

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This book is the first scholarly analysis that considers the specificity of situated experiences of the maternal from a variety of theoretical perspectives. From “Fertility Day” to “Family Day,” the concept of motherhood has been at the center of the public debate in contemporary Italy, partly in response to the perceived crisis of the family, the economic crisis, and the crisis of national identity, provoked by the forces of globalization and migration, secularization, and the instability of labor markets. Through essays by an international cohort of established and emerging scholars, this volume aims to read these shifts in cinematic terms. How does Italian cinema represent, negotiate, and elaborate changing definitions of motherhood in narrative, formal, and stylistic terms? The essays in this volume focus on the figures of working mothers, women who opt for a child-free adulthood, single mothers, ambivalent mothers, lost mothers, or imperfect mothers, who populate contemporary screen narratives.


Wandering Women

Wandering Women
Author: Laura Di Bianco
Publisher: Indiana University Press
Total Pages: 242
Release: 2022-12-06
Genre: History
ISBN: 025306466X

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Wandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives. Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit. Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.


Off Screen

Off Screen
Author: Giuliana Bruno
Publisher: Routledge
Total Pages: 190
Release: 2013-12-17
Genre: Performing Arts
ISBN: 131792911X

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This feminist anthology from Italy offers an enriching perspective on cinema studies. Focusing on women’s engagement with political theory and film-making, the book never loses sight of the female experience of cinema. It examines how women have chosen to represent themselves and how they have been represented, and how they deal with the cinematic apparatus, as subjects of production, objects of representation, and spectators. A variety of approaches are offered, ranging from psychoanalysis and semiology to history. With an exhaustive filmography, this anthology of chapters by eminent theorists demonstrates the central importance of recent developments in Italy for the whole spectrum of film and feminist studies.


Italian Women Filmmakers and the Gendered Screen

Italian Women Filmmakers and the Gendered Screen
Author: Maristella Cantini
Publisher: Springer
Total Pages: 297
Release: 2013-12-17
Genre: Performing Arts
ISBN: 113733651X

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Featuring essays by top scholars and interviews with acclaimed directors, this book examines Italian women's authorship in film and their visions of reality. The contributors use feminist film criticism in the analysis of their works and give direct voices to the artists who are constantly excluded by the conventional Italian film criticism.


From Terrone to Extracomunitario

From Terrone to Extracomunitario
Author: Grace Russo Bullaro
Publisher: Troubador Publishing Ltd
Total Pages: 455
Release: 2010
Genre: Literary Criticism
ISBN: 1848761767

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With the emergence of immigration in the last thirty years, and the arrival into Italy of people of different races and colors, the bigotry, racism and pernicious stereotypes that have been present since the nation was created in 1861, especially those expressing the North-South divide, have acquired new relevance and stronger dimensions. Bigotry, racism and pernicious stereotypes, present in Italian society are examined through its cinema. This volume offers an informative, challenging and thought-provoking mosaic.


Italian Cinema

Italian Cinema
Author: Maggie Gunsberg
Publisher: Palgrave Macmillan
Total Pages: 240
Release: 2005-03-02
Genre: Performing Arts
ISBN: 9780333751152

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Maggie Gunsberg examines popular genre cinema in Italy during the 1950s and 1960s, focusing on melodrama, commedia all'italiana, peplum, horror and the spaghetti western. These genres are explored from a gender standpoint which takes into account the historical and socio-economic context of cinematic production and consumption. An interdisciplinary feminist approach informed by current film theory and other perspectives (psychoanalytic, materialist, deconstructive), leads to the analysis of genre-specific representations of femininity and masculinity as constructed by the formal properties of film.