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Renaissance Perspectives in Literature and the Visual Arts

Renaissance Perspectives in Literature and the Visual Arts
Author: Murray Roston
Publisher: Princeton University Press
Total Pages: 395
Release: 2014-07-14
Genre: Art
ISBN: 1400858461

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Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture, exploring by a close reading of the texts and the artistic works the insights such comparison offers. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Changing Perspectives in Literature and the Visual Arts, 1650-1820

Changing Perspectives in Literature and the Visual Arts, 1650-1820
Author: Murray Roston
Publisher: Princeton University Press
Total Pages: 471
Release: 2014-07-14
Genre: Art
ISBN: 1400860911

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Continuing with the theme of his work Renaissance Perspectives in Literature and the Visual Arts, Murray Roston applies to a later period the same critical principle: that for each generation there exists a central complex of inherited ideas and urgent contemporary concerns to which each creative artist and writer responds in his or her own way. Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture. "A sumptuous book. . . . Clearly and gracefully written and cogently argued, Roston's admirable achievement is of paramount significance to literary studies, to cultural and art history, and to aesthetics. . . . Outstanding."--Choice Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


The English Mannerist Poets and the Visual Arts

The English Mannerist Poets and the Visual Arts
Author: L. E. Semler
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 298
Release: 1998
Genre: Art
ISBN: 9780838637593

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In this study, L.E. Semler begins with a comprehensive, historical definition of Mannerism in visual arts from which he derives four key terms that constitute the nucleus of the aesthetic: technical precision, elegance, grazia, and the difficulta:facilita formula. These principles - interwoven with one another and with maniera - are derived from visual arts but are specifically designed to be transferable to any medium. The rest of the book situates the English poets in relation to the visual arts - including painting, limning, gold- and silversmithery, architecture, and garden design - and discusses their verse in relation to the key Mannerist principles.


Renaissance Realism

Renaissance Realism
Author: Alastair Fowler
Publisher:
Total Pages: 314
Release: 2003
Genre: Art
ISBN: 9780199259588

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Early narratives have tended to be critiqued as novels, an approach that misses their distinctive Renaissance realism. Alastair Fowler surveys picturing and perspective from the fifteenth century to the eighteenth, drawing analogies between literature and visual art. The book is based on the history of the narrative imagination after single-point perspective. The habit of an older, multi-point perspective long continued, accounting for "anachronism," discontinuous realism, "double time-schemes," and depiction of different moments as simultaneous.


Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence

Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence
Author:
Publisher: Penn State Press
Total Pages: 304
Release:
Genre: Art
ISBN: 9780271048147

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To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.


Revaluing Renaissance Art

Revaluing Renaissance Art
Author: Gabriele Neher
Publisher: Routledge
Total Pages: 185
Release: 2017-11-22
Genre: History
ISBN: 1351739727

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This title was first published in 2000: Michelangelo gave his painting of "Leda and the Swan" to an apprentice rather than hand it over to the emissary of the Duke of Ferrar, who had commissioned it. He was apparently disgusted by the failure of the emissary - who was probably more used to buying pigs than discussing art - to accord the picture and the artist the value they deserved. Any discussion of works of art and material culture implicitly assigns them a set of values. Whether these values be monetary, cultural or religious, they tend to constrict the ways in which such works can be discussed. The variety of potential forms of valuation becomes particularly apparent during the Italian Renaissance, when relations between the visual arts and humanistic studies were undergoing rapid changes against an equally fluid social, economic and political background. In this volume, 13 scholars explicitly examine some of the complex ways in which a variety of values might be associated with Italian Renaissance material culture. Papers range from a consideration of the basic values of the materials employed by artists, to the manifestation of cultural values in attitudes to dress and domestic devotion. By illuminating some of the ways in which values were constructed, they provide a broader context within which to evaluate Renaissance material culture.


Virgil and Renaissance Culture

Virgil and Renaissance Culture
Author: L. B. T. Houghton
Publisher: Brepols Publishers
Total Pages: 227
Release: 2018
Genre: European literature
ISBN: 9782503581903

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Brings together studies by scholars from a range of academic disciplines to assess the central position of Virgil in the intellectual, artistic, and political lives of the Renaissance. This collection of essays presents a variety of case studies of Virgils impact on different branches of Renaissance culture, covering the crucial areas of education and court culture, the visual arts, music history, philosophy, and Neo-Latin and vernacular literature. It brings together established scholars and younger researchers from a range of different academic disciplines. The studies included here will be of particular interest to students of Renaissance social, intellectual, and literary history, to art historians, and to those working on the reception of classical literature; some offer new perspectives on well-known material, while others investigate examples of Renaissance engagement with the Virgilian corpus which have received little or no previous attention. Building on recent scholarship on the Virgilian tradition, the collection opens up new avenues for research on the reception of both Virgil and other classical authors, and addresses questions of fundamental importance to historians of this period not least the perennial debate over the nature and definition of the Renaissance itself.


Art & Visual Culture 1100-1600: Medieval to Renaissance

Art & Visual Culture 1100-1600: Medieval to Renaissance
Author: Kim W. Woods
Publisher: Tate Enterprises Ltd
Total Pages: 746
Release: 2013-09-05
Genre: Art
ISBN: 1849761086

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An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1000-1600: Medieval to Renaissance" includes essays on key themes of Medieval and Renaissance art, including the theory and function of religious art and a generic analysis of art at court. Explorations cover key canonical artists such as Simone Martini and Botticelli and key monuments including St Denis and Westminster Abbey, as well as less familiar examples.The first of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction Part 1: Visual cultures of medieval Christendom 1: Sacred art as the Bible of the Poor' 2: Sacred architecture, Gothic architecture 3: Sacred in secular, secular in sacred: the art of Simone Martini 4: To the Holy Land and back again: the art of the Crusades Part 2: The shifting contexts of Renaissance art 5: Art at court 6: Botticelli 7: Did women patrons have a Renaissance? Italy 1420-1520 8: From Candia to Toledo: El Greco and his art


Picture and Poetry, 1560-1620

Picture and Poetry, 1560-1620
Author: Lucy Gent
Publisher: G. K. Hall
Total Pages: 112
Release: 1981
Genre: Art
ISBN:

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Not just another exercise in analogy between the different arts, this book is a genuinely interdisciplinary study designed to show how in the late sixteenth and early seventeenth centuries 'the way English poets looked at pictures influenced in some respects the way they wrote their poetry'. -- Book cover.


Rethinking the High Renaissance

Rethinking the High Renaissance
Author: Jill Burke
Publisher: Routledge
Total Pages: 403
Release: 2017-07-05
Genre: Art
ISBN: 1351551116

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The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic. Exploring how we can reconceptualize the High Renaissance in a way that reflects how we research and teach today, this volume complicates and deepens our understanding of artistic change. Focusing on Rome, the paradigmatic centre of the High Renaissance narrative, each essay presents a case study of a particular aspect of the culture of the city in the early sixteenth century, including new analyses of Raphael's stanze, Michelangelo's Sistine Ceiling and the architectural designs of Bramante. The contributors question notions of periodization, reconsider the Renaissance relationship with classical antiquity, and ultimately reconfigure our understanding of 'high Renaissance style'.