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Renaissance Papers 2007

Renaissance Papers 2007
Author: Christopher Cobb
Publisher: Camden House
Total Pages: 151
Release: 2008
Genre: Literary Criticism
ISBN: 157113378X

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Focuses on the literary implications of 17th-century religion, Shakespeare's Roman plays, and 16th-century poetry.


Renaissance Papers

Renaissance Papers
Author: Southeastern Renaissance Conference
Publisher:
Total Pages:
Release: 1964
Genre: Renaissance
ISBN:

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Renaissance Papers 2015

Renaissance Papers 2015
Author: Jim Pearce
Publisher: Boydell & Brewer
Total Pages: 148
Release: 2016-11
Genre: Literary Criticism
ISBN: 1571139648

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Annual volume of the best essays submitted to the Southeastern Renaissance Conference, this year with an emphasis on English drama and the cultural anxieties it expresses.


Renaissance Papers

Renaissance Papers
Author: Christopher J. Cobb
Publisher:
Total Pages: 156
Release: 2008
Genre: English literature
ISBN:

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Renaissance Papers

Renaissance Papers
Author: Southeastern Renaissance Conference Staff
Publisher:
Total Pages: 111
Release: 1967-01-01
Genre:
ISBN: 9780835743891

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New Ways of Looking at Old Texts

New Ways of Looking at Old Texts
Author: Michael Roy Denbo
Publisher: Iter Press
Total Pages: 0
Release: 2014
Genre: Editing
ISBN: 9780866985079

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Renaissance Papers 2022

Renaissance Papers 2022
Author: Jim Pearce
Publisher: Boydell & Brewer
Total Pages: 141
Release: 2023-11-28
Genre: English literature
ISBN: 1640141642

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Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The theme of this year's volume is "sacred places, secular spaces." It begins with a "who is it" mystery, examining two portraits by Raphael that embody the sacred and the profane, respectively. The next essay engages both the sacred and pictorial innovationsin Holbein's predella The Dead Christ; while the following one views the sacred through the critical lens of race, arguing that Northern European churchmen normalized views on race by strategically placing racialized artifacts in their churches. The scene then shifts to 16th century Venice, where the Greek community contended with local authorities over the right to establish a sacred site for interring their dead. The next two essays swing the pendulum toward the secular: an essay on ecocriticism suggests that the early modern period expelled the sacred from nature and presents a Rabelaisian antidote, while an essay on Spenser's The Faerie Queene presents it as a blueprint for colonization. The volume concludes with Contributors: Julie Fox-Horton, Lorenz A. Hindrichsen, Heather Hirschfeld, Elizabeth Lisot-Nelson, Jesse Russell, Victor Velázquez, John N. Wall, Jennifer Wu.The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of Georgia College and State University.e Queene presents it as a blueprint for colonization. The volume concludes with Contributors: Julie Fox-Horton, Lorenz A. Hindrichsen, Heather Hirschfeld, Elizabeth Lisot-Nelson, Jesse Russell, Victor Velázquez, John N. Wall, Jennifer Wu.The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of Georgia College and State University.e Queene presents it as a blueprint for colonization. The volume concludes with Contributors: Julie Fox-Horton, Lorenz A. Hindrichsen, Heather Hirschfeld, Elizabeth Lisot-Nelson, Jesse Russell, Victor Velázquez, John N. Wall, Jennifer Wu.The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of Georgia College and State University.e Queene presents it as a blueprint for colonization. The volume concludes with Contributors: Julie Fox-Horton, Lorenz A. Hindrichsen, Heather Hirschfeld, Elizabeth Lisot-Nelson, Jesse Russell, Victor Velázquez, John N. Wall, Jennifer Wu.The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of Georgia College and State University.


Renaissance papers 1968

Renaissance papers 1968
Author:
Publisher:
Total Pages:
Release:
Genre: Literature, Modern
ISBN:

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Portraits of the Renaissance

Portraits of the Renaissance
Author: Nathalie Mandel
Publisher:
Total Pages: 0
Release: 2007-10
Genre:
ISBN: 9782759402052

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Memling, Van Eyck, Antonello da Messina, Raphael, Holbein, Titian, Leonardo . . . these are the greatest names of the Renaissance which symbolize the ultimate in artistic achievement. Now their work is reproduced in this spectacular, luxury volume printed on cotton paper and exquisitely presented in a brown and turquoise linen case. Whether Italian, Flemish, or German, all were masters of the portrait, a style that was popular and much appreciated during the fifteenth and sixteenth centuries. The genius of these artists allowed them to overcome the limits of the genre and inscribe the art of portraiture into the universal history of mankind. Sharply focused and featuring meticulously researched illustrations, this beautiful book is the first of its kind to shed light on some of the most familiar images in art history. 70 illustrations


Islamic Science and the Making of the European Renaissance

Islamic Science and the Making of the European Renaissance
Author: George Saliba
Publisher: MIT Press
Total Pages: 329
Release: 2011-01-21
Genre: Science
ISBN: 0262516152

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The rise and fall of the Islamic scientific tradition, and the relationship of Islamic science to European science during the Renaissance. The Islamic scientific tradition has been described many times in accounts of Islamic civilization and general histories of science, with most authors tracing its beginnings to the appropriation of ideas from other ancient civilizations—the Greeks in particular. In this thought-provoking and original book, George Saliba argues that, contrary to the generally accepted view, the foundations of Islamic scientific thought were laid well before Greek sources were formally translated into Arabic in the ninth century. Drawing on an account by the tenth-century intellectual historian Ibn al-Naidm that is ignored by most modern scholars, Saliba suggests that early translations from mainly Persian and Greek sources outlining elementary scientific ideas for the use of government departments were the impetus for the development of the Islamic scientific tradition. He argues further that there was an organic relationship between the Islamic scientific thought that developed in the later centuries and the science that came into being in Europe during the Renaissance. Saliba outlines the conventional accounts of Islamic science, then discusses their shortcomings and proposes an alternate narrative. Using astronomy as a template for tracing the progress of science in Islamic civilization, Saliba demonstrates the originality of Islamic scientific thought. He details the innovations (including new mathematical tools) made by the Islamic astronomers from the thirteenth to sixteenth centuries, and offers evidence that Copernicus could have known of and drawn on their work. Rather than viewing the rise and fall of Islamic science from the often-narrated perspectives of politics and religion, Saliba focuses on the scientific production itself and the complex social, economic, and intellectual conditions that made it possible.