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| Author | : Hennessey & Ingalls, Los Angeles |
| Publisher | : |
| Total Pages | : |
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| Author | : Reale Palazzina di caccia di Stupinigi |
| Publisher | : Rizzoli International Publications |
| Total Pages | : 0 |
| Release | : 1999 |
| Genre | : Architecture, Baroque |
| ISBN | : 9780847822195 |
"The baroque style of architecture rose up from the Mannerism of the turn of the seventeenth century, and evolved into the lighter rococo around 1750. At its height, the baroque encompassed all the arts, and the style was freighted with the message of the Counter-Reformation." "This catalogue explores every facet of baroque architecture in Europe. An international team of scholars examines such subjects as the political and religious use of architecture, the birth of the baroque in Rome, landscape, fantasies, and the education of the architect. The second part of the book, a catalogue of works exhibited, illustrates the types of baroque construction: villas and chateaux, military architecture, royal palaces, and gardens."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
| Author | : Germain Bazin |
| Publisher | : |
| Total Pages | : 296 |
| Release | : 1974 |
| Genre | : Art, Baroque |
| ISBN | : |
| Author | : Vernon Hyde Minor |
| Publisher | : Prentice Hall |
| Total Pages | : 408 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : |
"Traditional surveys of the period divide their material strictly by countries and chronological periods. By contrast, Vernon Minor looks at the prevalent themes of Baroque and Rococo artistic production through the lens of the dominant institutions of the day. The ideologies of the Counter-Reformation Church, the court of Louis Quatorze and the mercantile economy of the Calvinist Dutch are implicit in much of the painting, sculpture and architecture of the epoch."--BOOK JACKET.
| Author | : Frédérique Lemerle |
| Publisher | : Flammarion-Pere Castor |
| Total Pages | : 256 |
| Release | : 2008 |
| Genre | : Architecture |
| ISBN | : |
A monograph on the lavish, whimsical, and inventive era in the history of architecture, from the cathedrals of Rome to the palaces of Russia. It features major styles and trends of Baroque architecture throughout Europe and beyond, and provides an account of how the Baroque developed in relation to the unique urban culture of each nation.
| Author | : Erich Hubala |
| Publisher | : Herbert Press |
| Total Pages | : 0 |
| Release | : 1989 |
| Genre | : Art |
| ISBN | : 9781871569049 |
Part of a series, which describes the social, political, religious and intellectual climate in which the visual arts developed in a particular period this book introduces Baroque art and architecture which flourished in Western Europe between the Renaissance and the age of neo-classicism. It originated in about 1520 and soon adopted special characteristics in France, Germany, Spain, England and the Netherlands. Leading architects, Bernini, Borromini, Fischer von Erlach and Wren produced such outstanding structures as St Peter's in Rome, Vienna's Karlskirche, St Paul's in London and the great palace of Versailles. Among the greatest painters of the period were Carvaggio, Carracci, Velazquez, Rembrandt, Rubens, Poussin and Lorrain.
| Author | : Barbara Borngässer Klein |
| Publisher | : Feierabend Verlag |
| Total Pages | : 304 |
| Release | : 2006 |
| Genre | : Architecture |
| ISBN | : 9783899850291 |
A new age dawns at the beginning of the 15th century in Italy: the Renaissance. With Florentine beginnings, it blossoms in Rome and reaches a further highpoint in the Palladian Villas of the Veneto. Medieval Castles are transformed into modern mansions, and the houses of the rich become palaces. The Italian Renaissance radiates throughout Europe. The age of the Baroque also begins in Italy, finding its architectural highpoint in Versailles and other European royal residences, as well as the cloisters and churches of southern Germany and Austria. All this, and more, is to be found in this volume.
| Author | : Germain Bazin |
| Publisher | : |
| Total Pages | : 288 |
| Release | : 1964 |
| Genre | : Art, Baroque |
| ISBN | : 9780500180303 |
Baroque and Rococo art and architecture have become popular once more, after a century and a half of neglect, misunderstanding and scorn. This radical shift in taste has led to a rapid growth of detailed knowledge about the artists who created these exhilarating styles. The famous masters have been reassessed and whole areas of achievement - Italian Baroque painting, German Rococo architecture - have been brought to a new, enthusiastic public. Germain Brazin's engrossing survey of this rich subject ranges over all Europe and traces the orgins and effects of Baroque and Rococo - from the Counter-Reformation to Neoclassicism, Exoticism, and even Art Nouveau.
| Author | : Edgar Peters Bowron |
| Publisher | : Yale University Press |
| Total Pages | : 192 |
| Release | : 2004-01-01 |
| Genre | : Art |
| ISBN | : 0300102054 |
"The museum's distinguished director in the 1930s and 1940s, Chick Austin, acquired notable works by Strozzi, Luca Giordano, Claude, and the first authentic Caravaggio in an American museum. Today the Atheneum can present an exhibition beginning with such renaissance masters as Piero di Cosimo and Sebastiano del Piombo, continuing with the finest examples of Baroque painting, and culminating in a blaze of rococo splendor with Tiepolo, Canaletto, Guardi, Melendez, Greuze, and Goya. This catalogue includes a history of the collection by Eric Zafran and entries on the individual paintings by distinguished scholars."--BOOK JACKET.
| Author | : Christopher Tadgell |
| Publisher | : Routledge |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Architecture, Baroque |
| ISBN | : 9781138038950 |
Unprecedented in scope - like its companion volume on the High Renaissance, Mannerism - this sixth volume in the Architecture in Context series traces the development of architecture and decoration in the 17th and early 18th centuries - particularly the transformation of rationalist Classical ideals into the emotive, highly theatrical style known as Baroque and the further development away from architectonic principles to the free-ranging decorative style known as Rococo. It begins with an outline of the politics of Absolutism and its opposite over the century from the Thirty Years' War to the War of the Austrian Succession: this is illustrated with images largely chosen from the major artists of the day; a supplementary introduction outlines the cross-currents of painting in the early Baroque era. The first substantive section deals with the seminal masters active in Rome - Maderno, Cortona, Borromini and Bernini - and their contemporaries there, in Venice and in Piedmont. The second section deals with the seminal French masters - above all François Mansart, Louis Le Vau, Andre Le Nôtre, Jules Hardouin-Mansart and the latter's followers who developed the Rococo style in the domestic field. The rest of the book is divided into three large sections: the Protestant North - the Netherlands, Denmark, Sweden and Britain; the Divided Centre - the Catholic powers of central Europe and southern Germany, the Protestants of northern Germany and the Orthodox Russians; the Catholic South - the Iberian kingdoms and their dominions in southern Italy and the Americas.
