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| Author | : Ira Skutch |
| Publisher | : Scarecrow Press |
| Total Pages | : 286 |
| Release | : 1989 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780810822719 |
"...fascinating...everything you'd want to know about those wonderful years of live TV can be found in this book!" --Ed McMahon
| Author | : Ronald W. Lackmann |
| Publisher | : |
| Total Pages | : 202 |
| Release | : 1971 |
| Genre | : Television programs |
| ISBN | : |
| Author | : Kristyn Gorton |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 224 |
| Release | : 2019-03-21 |
| Genre | : Performing Arts |
| ISBN | : 1844576639 |
This original book asks how, in an age of convergence, when 'television' no longer means a box in the corner of the living room that we sit and watch together, do we remember television of the past? How do we gather and archive our memories? Kristyn Gordon and Joanne Garde-Hansen explore these questions through first person interviews with tv producers, curators and archivists, and case studies of popular television series and fan communities such as 'Cold Feet' and 'Doctor Who'. Their discussion takes in museum exhibitions, popular televison nostalgia programming and 'vintage' tv websites.
| Author | : A. Holdsworth |
| Publisher | : Springer |
| Total Pages | : 186 |
| Release | : 2011-08-26 |
| Genre | : Social Science |
| ISBN | : 0230347975 |
An innovative and original new study, Television, Memory and Nostalgia re-imagines the relationship between the medium and its forms of memory and remembrance through a series of case studies of British and North American programmes and practices. These include ER , Grey's Anatomy , The Wire , Who Do You Think You Are? , and Life on Mars .
| Author | : Miri Talmon |
| Publisher | : Routledge |
| Total Pages | : 537 |
| Release | : 2020-09-24 |
| Genre | : Performing Arts |
| ISBN | : 1000179435 |
The essays in this anthology study Israeli television, its different forms of representation, audiences and production processes, past and present, examining Israeli television in both its local, cultural dynamics, and global interfaces. The book looks at Israeli television as a creator, negotiator, guardian and warden of collective Israeli memory, examining instances of Israeli original television exported and circulated to the US and the global markets, as well as instances of American, British, and global TV formats, adapted and translated to the Israeli scene and screen. The trajectory of this volume is to shed light on major themes and issues Israeli television negotiates: history and memory, war and trauma, Zionism and national disillusionment, place and home, ethnicity in its unique local variations of Ashkenazim and Mizrahim, immigrants from the former Soviet Union and Ethiopia, Israeli–Arabs and Palestinians, gender in its unique Israeli formations, specifically masculinity as shaped by the military and constant violent conflict, femininity in this same context as well as within a complex Jewish oriented society, religion, and secularism. Providing multifaceted portraits of Israeli television and culture in its Middle Eastern political and local context, this book will be a key resource to readers interested in media and television studies, cultural studies, Israel, and the Middle East.
| Author | : Kate Darian-Smith |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 270 |
| Release | : 2013-01-16 |
| Genre | : Social Science |
| ISBN | : 1443845752 |
This path-breaking book extends our knowledge of the social and cultural impacts of television, asking new questions about the ways television’s technologies and programming have been experienced, understood and remembered. Television has served as a companion to the historical events that have unfolded in our everyday lives both on and off the screen, and its presence is intricately bound up in our memories of the past and actions in the present. As this volume demonstrates, the influence of television over individual and family behaviours, national identity and ideas of global citizenship is complex and wide-ranging. Drawing upon recent developments in memory studies, history, media and cultural studies, and with particular reference to Australia, leading scholars explore the histories of television, and how its programs and personalities have been celebrated, recalled with nostalgia or simply forgotten. Topics covered include the pre-figuring of television; memories of the struggle for transmission in remote locations; the transnational experience of television for immigrant communities; the evocation of television programs through spin-off products; televised war reportage and censorship; and the value of ‘unofficial’ television archives such as YouTube. As a whole, these essays offer a striking and original examination of the connections between history, memory and television in today’s world.
| Author | : Perfection Learning Corporation |
| Publisher | : Turtleback |
| Total Pages | : |
| Release | : 2019 |
| Genre | : |
| ISBN | : 9781663608192 |
| Author | : Gary Richard Edgerton |
| Publisher | : University Press of Kentucky |
| Total Pages | : 402 |
| Release | : 2001-01-01 |
| Genre | : Performing Arts |
| ISBN | : 9780813171111 |
From Ken Burns’s documentaries to historical dramas such as Roots, from A&E’s Biography series to CNN, television has become the primary source for historical information for tens of millions of Americans today. Why has television become such a respected authority? What falsehoods enter our collective memory as truths? How is one to know what is real and what is imagined—or ignored—by producers, directors, or writers? Gary Edgerton and Peter Rollins have collected a group of essays that answer these and many other questions. The contributors examine the full spectrum of historical genres, but also institutions such as the History Channel and production histories of such series as The Jack Benny Show, which ran for fifteen years. The authors explore the tensions between popular history and professional history, and the tendency of some academics to declare the past “off limits” to nonscholars. Several of them point to the tendency for television histories to embed current concerns and priorities within the past, as in such popular shows as Quantum Leap and Dr. Quinn, Medicine Woman. The result is an insightful portrayal of the power television possesses to influence our culture.
| Author | : Edward Brennan |
| Publisher | : Springer |
| Total Pages | : 235 |
| Release | : 2019-01-25 |
| Genre | : Performing Arts |
| ISBN | : 3319968602 |
This book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational nature of television has been obscured by a reliance on institutional historical sources. This has, in turn, muted the diversity of audience experiences in terms of class, gender and geography. By shifting the focus away from the default national lens and instead turning to audience memories as a key source, A Post-Nationalist History of Television in Ireland defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television. Turning to people’s memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where the domestic and the intimate became increasingly fused with the global.
| Author | : Fred Shook |
| Publisher | : Routledge |
| Total Pages | : 525 |
| Release | : 2017-08-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1351847988 |
Television Field Production and Reporting provides a comprehensive introduction to the art of video storytelling. Endorsed by the National Press Photographers Association, this book focuses on the many techniques and tools available in today’s digital landscape, including how drones and miniaturized technology can enrich the storytelling process. The new edition of Television Field Production and Reporting is an absolute must in this visually oriented, rapidly changing field. At its core, visual storytelling helps transmit information, expose people to one another, and capture and communicate a sense of experience in unforgettable ways. This edition reflects, through practitioners' eyes, how to achieve those goals and excel as a professional, whatever the medium at hand, even as changing technology revises the storyteller’s toolkit. This edition emphasizes digital and emerging media, and includes new color photography relevant to contemporary visual storytelling and reporting. It also features important updates regarding digital media law which affect anyone who records and/or disseminates digital media content, whether in private, on television, the web, via social networking sites, or in commercial venues. The seventh edition of Television Field Production and Reporting stresses the mastery of innovative storytelling practices in video programming as far ranging as electronic press kits, multi-camera production, stylized programs, corporate video, raw documentaries, and real time cinéma vérité.
